The museum is a collection of souvenirs from a life devoted to medicine, literature and rugby.

While he was studying medicine, in 1899, he became passionate about a sport known as barette, which we now know as rugby.

His love for this sport led to him founding the Pyérénes League and to pen, under the moniker ‘La Sélouze’, a number of columns in the La Dépêche du Midi and the Le Midi Olympique regional newspapers.

He commissioned the Monument to Sport in Toulouse in homage to the victims of war.

Le conflit terminé, il rassemble ses notes dans "Avec la 67ème Division de réserve", grand prix de l'Académie Française.

Auteur de cinquante et un ouvrages, cet humaniste s'est consacré à la neuro-psychiatrie. 

Chef de clinique à Toulouse en 1914, il exerce sur le front en tant que responsable d'une ambulance de campagne.

Son action dans le domaine littéraire le conduit à tenir des rubriques dans le Mercure de France, le Figaro etc.

Il se lie d'amitié avec Paul Léautaud, Paul Valéry, François Mauriac, Francis Carcot, Marie de Saint Exupéry, Camille Mauclair notamment. 

When the war was over, he compiled his notes in the four-volume Avec la 67ème Division de réserve, which won the Grand Prix from the Académie Française.

An author of some 51 works, this humanist dedicated his career to neuropsychiatry.

A clinic manager in Toulouse in 1914, he worked on the front as a manager of a field hospital.

His literary experience saw him write columns in the Mercure de France, Le Figaro and other newspapers.

He forged friendships with writer and theatre critic Paul Léautaud, poet and philosopher Paul Valéry, writer François Mauriac, writer and journalist Francis Carcot, Marie de Saint Exupéry and poet and novelist Camille Mauclair. 

The museum has on display a collection of original documents, manuscripts, photographs, watercolours, sculptures and souvenirs of the Great War, testaments to the life of a man committed to many causes.

Paul Voivenel Museum

09400 Capoulet-et-Junac

Tel: +33 (0)5 61 05 12 57 / 67 79

Email: capoulet.junac@wanadoo.fr

Source: MINDEF/SGA/DMPA

This vast building behind a glass front is nestled in greenery and overlooks the valley below. It towers skyward a stone's throw from Schirmeck. And it casts light on one of history's rambling episodes, and on the suffering and self-sacrifice that episode brought upon thousands of men, women and children. The amazing architecture and setting convey the oft-misconstrued story of an area that jolted from one country to another as the border it skirts shifted. The 3000 sq m museum casts light on this hazy period between 1870 and the aftermath of WWII, which weighs upon this region's identity. And, as efforts to reconcile France and Germany were born from efforts to root peace across Europe, this memorial also showcases the foundations of European construction.

When you leave the glass-walled hall, you get the feeling you are descending into history's depths. At the foot of the sombre steps, you will find a staggering, cathedral-sized room. The 12-metre-high walls on either side bear 148 portraits of men and women from Alsace and Moselle, spanning every generation and every walk of life. They all have names. It might be someone's piercing gaze, engaging hairdo or original dress, but something will no doubt catch your eye. But this room, first and foremost, will put a face on textbook history. The stories this memorial tells, in other words, are not about statistics and remote people in a remote land. They are about children, grandparents, young women. About the children, grandparents and young women in that room. They will speak to you over the audio guide. They speak French, German and Alsatian. They tell you what happened over those 70 dissonant years. They tell you their story.
Hitler's shuddering voice rings out as you step into a rebuilt village station. Posters luring you to tourist destinations hang alongside evacuation orders. You take a seat in a train packed with luggage and personal belongings. A film on the wagon wall shows how 430,000 of Alsace's and Moselle's people were transferred to Southwest France. On the opposite wall, a corridor leads to a fort on the Maginot Line. The white walls strewn with electric wires, floor tracks, dormitories and armoured doors explain are chilling. The instructions aimed at drafted soldiers, speech excerpts and images from the front exude this peculiar war's atmosphere.
After the documents stating the terms of the occupation and de-facto annexation under the Third Reich, you will walk into a circling corridor displaying street name boards. The first ones are in French first, the last ones in German. The flags parading overhead surreptitiously transmute from France's red, white and blue to swastikas.
Then you reach a forward-tilting typically Germanic building. The only way forward is through this oppressive, half-prison, half-bureaucratic universe. Desks on either side show the population brought to heel and enlisted by force. Struthof Camp bodes ill at a distance.
The barbed wire, army camps, pale lights and watchtowers in the next room will give you a glimpse of what concentration camps felt like. Photos, papers and audiovisual documents in this bleak universe also speak of the resistance and of escaping into France.
You walk across this vast room on a 3.5-metre-high footbridge. The Vosges forest pines underfoot are a reminder that people crossing the border over the neighbouring heights were doing so illicitly. The scenery is scarred by war. Bombs have disfigured the land. Everything is littered with disfigured bicycles and car wrecks, strewn petrol drums, and such like debris. Bombers tear through the sky. A house crumbles. And images on the wall speak of the German retreat and the Landings. Liberation nears.
The next room is much more soothing. The floor is even. Towering columns mirror the return of justice and truth. This room tells the story of the Oradour massacre trials in Bordeaux. The red walls seem lined with drawers holding the hundreds of files under review. A well of images shows the process and purge.
The room before last is white and bathed in light. It is a breath of fresh air. Lit blocks show French- German reconciliation and European construction. This soothing and cheerful room leads to a projection room screening a film by Alain Jérôme. Then, you walk back into the vast transparent hall and esplanade, whence you can look out onto stunning views over the Vosges massif. And, across the valley, see Struthof camp and the European Centre on Resistance and Deportation (Centre Européen du Résistant Déporté).
Opening hours The Alsace Moselle Memorial is open from 10.00 am to 6.30 pm in winter and from 10.00 am to 7.00 pm in summer. Tickets are on sale until one hour before closing time. Admission Full fare: €10 Reduced fare: €8 Families (two adults and children): €23 Tours with audio guides Disabled-visitor access Shop Bar / Tearoom Educational Office - Workshops The Educational Office caters for school groups (with an educational director and assigned professor).

The neoclassical building housing the Navy Halls (Hôtel de la Marine) stands behind one of the two monumental colonnades facing Place de la Concorde on either side of Rue Royale. These two colonnades were inspired by the ones that Claude Perrault, an architect, designed for the Louvre Palace's eastern range. The vaulted gallery on the ground floor holds up twelve columns with Corinthian capitals, which frame the central loggia. The pavilions on either corner feature four Corinthian columns supporting pediments decorated by Sebastien Slodtz and Nicolas Coustou, two sculptors. Balustrades connect the two pediments.

This building was designed around the main courtyard (called the Cour d'Estienne d'Orves). A hall across this courtyard leads to the Grand Degré staircase leading up to the halls and galleries on the first floor. The Navy Halls (Hôtel de la Marine) was designed by Ange-Jacques Gabriel, King Louis XV's chief architect. and built between 1757 and 1774. It was part of much vaster plans to develop the "Fondrière" area (Place de la Concorde today) around a statue of Louis XV. The building was originally used to store royal palace furniture. It was later used as a museum where the public could see the royal quarters' finest (and carefully-kept and restored) furniture, tapestry, light fittings and decorations. That is why the Navy Halls looked more like a museum than what we would imagine when we think of a furniture warehouse today. As an aside, a number of pieces were stolen in 1792. The Navy Ministry moved to this building in 1789 and the Navy's High Command have used it as part it its headquarters since (despite changing scope and name in step with France's evolving political and military history). Part of the French Navy's High Command is headquartered in the Navy Halls. This building has been entrusted to the Ministry of Defence. France's Defence and Culture ministries signed an agreement to restore it, on 17 September 2005.
Navy Halls (Hôtel de la Marine) Place de la Concorde Cultural and Museum Initiative Authority (Bureau des actions culturelles et muséographiques) e-mail: dmpa-sdace-bacm@sga.defense.gouv.fr

Stretched out over a surface of 26 hectares, southwards from the city of Lorient, the ancient submarine base Kéroman is established in the middle of the roadstead, in front of the Port-Luois citadel and the Island of Saint-Michel

From the summer of 1940 and the German victory in the west, the Kriegesmarine fits out bases in the Netherlands, Belgium and France. The Lorient arsenal is chosen by Admiral Karl Dönitz to accommodate one of the five huge bases installed on the French coasts of the Atlantic to protect the U-Boote. From June 21st 1940, the first day the city was occupied, work commenced to free the docks, in order to allow the submarines to enter the Lorient port on July 7th. In spite of the reinforcement of the site from the Kriegesmarine, the German headquarter quickly realised, that these installations are not suitable enough for the conduct of the Atlantic war and thus decides to build a concrete unit constituting a real underwater base, more suited to resist the violence of the allied shelling. Under fire from the planes of the Royal Air Force, 15 000 workers build between February 1941 and January 1943 three huge concreted blocks, with amazing dimensions: the flank measures 130m and 18.5 m high for the blocks Kéroman I (KI) znd Kéroman II (K II), with roofs measuring 3.5 m thickness; the Kéroman III (KIII) block is 170m long, 122 m large and has a roof thickness of 7,5,m. The new Kéroman underwater base can resist to the classic shells, then the most powerful of that period, and is able to shelter more the 25 submarines thanks to installations exposed directly to the sea. It has the capacity to hoist the most impressive submarines, in protected cells thanks to a slipway. The presence of this base considered indestructible is the reason that Lorient suffered massive bombardments from the allies' aviation, which transformed the city into a vast field of ruins. Since the concrete protection was never really damaged during the war, the French national navy has used the Kéroman site since 1945. They installed a fleet of submarines, an annexation of the Lorient arsenal (DCN), as well as a zone, where the submariners can live.
July 6th 1946 the Kéroman bases were baptised with this name by Jacques Stosskopf, section chief of the new constructions in the Lorient arsenal. He will later on be deported and executed by the Nazis, accusing him to have transmitted precious information about the strategic activity of the base to the resistance network, during the entire occupation period. In 1995, the ministry of defence announces, in the framework of its reorganization plan, the abandonment of the site that will become effective in February 1997, with the departure from Kéroman of the last submarine "La Sirène".
The visit of the Kéromann III block Now days only Kéroman III block is open to the public to visit. The other sectors of the base are inactive or occupied by factories. A guided path of approximately an hour and a half gives to the visitor the chance to discover the greatest buildings built in Lorient, measuring 24000 m2 . They can also climb the roof constituting a splendid view-point dominating the roadstead of Lorient and its harbours. In the south east of the base, the block contains seven cells, who's most important is 103 m long and 22,5 m large and offers two sites. In 1944 its construction remained unfinished, since the block was under continuous bombardment during the whole time of its construction. Individuals can visit the site during the school holidays, and groups may visit the site during the whole year on reservation. The opening dates are available at the tourist office of Lorient.
Flanking the walls of the base, the Davis Tower was built in 1942 for the submarines training. In 1953 the national navy restores it back into service. From 1999 it resurfaces thanks to a museographic space dedicated to the immersed inheritance of Lorient. Equipped with a decompression chamber simulating the living conditions of the crews, the museum gives to the visitor the chance to plunge back into the past and discover the wrecks of this region. Open every Sunday from 2:00 p.m. to 6:00 p.m. During July and August, open every day from 1:30 p.m. to 6:30 p.m. Count approximately an hour of visit.
Recently purchaser of this site, having at its disposal more than 1200 m of cost line, the community of agglomeration of Lorrient, controls a conversion project of the base centred on the major topic: "The man and the sea during the XXI century". The installation of several companies in the old concrete blocks, that sheltered the submarines, contributed to the development of a strong activity in the water sports sector. In the long term, the opening of a company-village, based on the maritime, advanced technology industry is envisaged. By the year 2005 the inauguration of the Tabarly Academy will take place. This area pays tribute to the memory of the missing sailors, with a media library, by organising exhibitions and by giving information on the topics of the oceanic races. The opening to the public of the "Flora" submarine, that was in service from 1964 until its disarmament in 1989 in Kéroman is forecasted. A first phase of works is considered, in order to repair the submarine, the boat ramp which supports it and the transporter bridge between the K I block and the K II block. After the renovation is completed, footbridges will make it possible to reach a museographic space, dedicated to the submarine base of Kéroman and exhibiting the every day life on board of the submarines.
Base Submarine Peninsula Keroman 56100 Lorient Phone: 02 97 02 23 29 Rate : Full price: 6 €, reduced 3 €, free for children under 12 years Hours : [list] Outside school holidays: Every Sunday at 15 pm [list] School holidays: daily at 15 am on Saturday. [list] Closed December 25 and 31 and the entire month of January Tourist office of Lorient email :contact@lorient-tourisme.com

The village of Pozières was the site of the first large-scale operation led by the Australian troops (memorials to the 1^st and 2^nd Australian divisions). The remains of a bunker named the "Gibraltar" can still be seen today. Pozières is also where you can see the monument to tanks decorated with four small tank models.

This village was the obstacle to be overcome to reach first Mouquet Farm and then Thiepval Hill.

This obstacle was largely entrusted to the troops from Australia the majority of which had just returned from Gallipoli. The village was situated on a ridge traversed by a double network of trenches forming the second German line and flanked by two bunkers/observatories overlooking the entire battlefield (Albert side, "Gibraltar" – Bapaume side, "the Windmill").

After arriving on 23 July 1916 and seizing Pozières, the Australian troops, exhausted by constant artillery counter-attacks, were relieved on 5 September by the Canadians at Mouquet Farm. Three of their divisions had passed through the sector of Pozières and suffered losses of more than one-third of the soldiers engaged. The village was completely razed. The name Pozières has such a reputation in the Australian memory that it was bestowed, after the war, on a small village in Queensland (Australia). On 15 September 1916, tanks made their first appearance on a battlefield. Of the 32 British Mark I tanks deployed on the Courcelette-Longueval line, only nine made their targets. Nevertheless, this date marked the start of a more balanced British advancement.

The Battle of Pozières is one of the many Battles of the Somme, an important part of the allied strategy of coordinated attacks: Russia launched the Brusilov Offensive on 4 June and the Italians attacked in Trentini. During the course of 1916, the Front line was situated between the Ancre Valley in Thiepval and Pozières. The British launched the offensive on 1 July 1916; opposite, the German army, forging solidly ahead on the village of Pozières and its windmill, resisted: 60,000 men killed or wounded on the first day of fighting. The Australian forces (1st Division, 22nd Division, 4th Division) took over and succeeded in seizing the position on 23 July. Replaced in September, the Australians lost some 23,000 men.

Somme Tourism Committee

21 rue Ernest-Cauvin 80000 Amiens

Tel: +33 (0) 322 71 22 71

Fax: +33 (0) 322 71 22 69

Email: accueil@somme-tourisme.com

The Somme Tourism Committee is on hand to give you all the information you need on the Somme battlefield and the Circuit du Souvenir visitor's trail: commemorations, getting around, transport, guided tours for individuals or groups, helicopter flights, accommodation and more. The Tourism Committee also publishes a range of brochures on Remembrance Tourism.

La Somme 14-18

Taking back the village of Rancourt was important, not just for the pursuit of the offensive’s general direction toward the east, but also in that it cut off the important German lines of communication along the Bapaume-Péronne road. This was the mission entrusted to the 32^nd French Army Corps on 25 September 1916. Today, Rancourt has the sad distinction of having 3 cemeteries on its territory: French, British and German. It is also an important site –one of the only ones – preserving the memory of France’s participation in the Battle of the Somme.

Le Souvenir Français Chapel and the French national necropolis

This chapel in ashlar stone was not the result of an official decision, but rather of a private initiative: the du Bos family, natives of the region, wanted to erect a monument to the memory of their son and his comrades in arms killed on 25 September 1916. In 1937, Le Souvenir Français took over management of the building and the memorial. Rancourt Cemetery is the largest French necropolis in the Somme region (8,566 soldiers – 28,000 m²). It attests to the violence of the battles during the last 3 months of the offensive (September – November 1916).

Le Souvenir Français Chapel

2, Route Nationale 80360 RANCOURT

Tel.: +33 (0)3 22 85 04 47

The Somme Tourism Committee

21 rue Ernest-Cauvin 80000 Amiens

Tel.: +33 (0) 322 71 22 71

Fax: +33 (0) 322 71 22 69

e-mail: accueil@somme-tourisme.com

The Somme Tourism Committee will be happy to provide you with any information concerning the Somme Battlefields and the Circuit du Souvenir: commemorations, access, transportation, guided tours for groups and individuals, helicopter tours, accommodation, etc. The Tourism Committee also publishes a range of brochures on Memorial Tourism.

Le Souvenir Français Committee of the Canton of Dun sur Meuse

The Somme 1914-1918

The Somme Tourism Committee

The Somme 1916 Museum is located in an old gallery dug in the chalky ground by the Albertines in the 9th century.

These hiding places, or "muches", were designed to escape Norman, and later Spanish, invaders. A few centuries later, Lahyre, one of Joan of Arc’s fellow soldiers, was imprisoned at Albert, called Encre at the time.

During World War I, the town of Albert housed a British garrison. It was the starting point of the offensive against the German lines. One of the most fearsome battles of the war took place in the Somme in 1916, with 58,000 men out of action in one day, on 1 July 1916. The medieval galleries were reoccupied. In 1918, during the last attack to take back the town from the Germans, the British army systematically bombarded the sector, wiping out the town.


In 1939, the municipality of Albert decided to rehabilitate the underground gallery to shelter the civilian population and avoid a massive exodus: seven air raid shelters were built.

At the end of 1991, the “Somme 1916” Shelter Museum project was born. Work on repairing and securing 250 metres of underground galleries took months. The museum opened its doors on 1 July 1992.

The “Somme 1916” Museum presents the life of the soldiers in the trenches during the 1 July 1916 offensive. Some fifteen alcoves and showcases have been set up in a 230-metre underground gallery used as an air raid shelter during World War II. Sound, light and pictures give the visitor a view of these soldiers’ everyday life. There is a shop.


“Somme 1916” Museum

Rue Anicet Godin - 80300 Albert

Tel: 03.22.75.16.17

Fax: 03.22.75.56.33

e-mail : musee@somme1916.org

Somme Tourism Committee

21 rue Ernest-Cauvin - 80000 Amiens

Tél. : +33 (0) 322 71 22 71

FAX : +33 (0) 322 71 22 69

e-mail : accueil@somme-tourisme.com

The Somme Tourism Committee will be happy to provide you with any information you may desire on the Somme Battlefields and the “Circuit du Souvenir” (Remembrance Trail): commemorations, access, transportation, guided tours for groups and individuals, helicopter flyovers, accommodation, etc... The Tourism Committee also publishes a range of brochures on Remembrance Tourism.

Somme Tourism Committee

The Somme 14-18

Somme 1916 Museum

Welsh Division Memorial (Mémorial à la division galloise )

The 7th British Division skirted Fricourt Salient by the south and took the village on the afternoon of 1 July 1916. But the name Mametz has remained associated with the woods on the north east. This pocket of resistance handicapped efforts to advance eastward but fell (almost completely) into the 3rd Welsh Division's hands on 12 July 1916 after eight days of fierce fighting that took a brutal human toll. A plaque affixed to the memorial in 1994 remembers the Manchester regiment. The Welsh Division memorial. A memorial to the 38th Welsh Division was inaugurated on 11 July 1987, which sustained heavy losses between 3 and 12 July 1916 in Mametz Wood. The monument - a red dragon flapping its wings, spitting fire and crushing barbed wire - is of course Wales' emblem. This mythical creature is ambivalent; it may be good or evil, and angelic or demonic. At Mametz, it symbolizes Wales protecting France against the Germans.
Somme Tourist Board (Comité du tourisme de la Somme) 21 rue Ernest-Cauvin 80000 Amiens, France Phone +33 (0) 322 71 22 71 Fax +33 (0) 322 71 22 69 e-mail: accueil@somme-tourisme.com The Somme Tourist Board will be happy to provide any information you might require about the Somme battlefields and Circuit du Souvenir (remembrance events, directions, transport, private and group tours, helicopter flights, accommodation, etc.). CDT also publishes a series of Memorial Tourism brochures.

Seizing Delville Wood (also known as Devil Wood) - a battlefield, memorial, museum and cemetery - was a sine-qua-non for troops to move eastward. That was what the South African troops were asked to do. They met their baptism of fire on that western front from 15 to 20 July 1916. The nightmare began when they were cut off from the rearguard and came under fierce artillery fire - as many as 400 shots a minute - with only makeshift shelters for cover. When the time came to relieve them, only 143 of the brigade's 3,200 men emerged from the trenches unscathed. Longueval is also home to New Zealand's memorial. It was on 15 September 1916 that New Zealand's tank-backed division set out from its bases (between Longueval and Fourcaux Wood - or High Wood) towards its objective, Flers, which it reached later that same day. The 47th London division captured High Wood on 15 September.

The South African National Memorial (Mémorial national sud-africain) Delville Wood, where the South African Infantry Brigade fought in July 1916, spans 63 hectares. The South African Government bought it in 1920 to build its National Memorial. The monument was inaugurated in 1926. It stands at the end of an avenue lined by oak trees grown from South African acorns. The memorial, which consists of a cenotaph (empty tomb) and a triumphal arch, was designed by Herbert Baker. The two typically colonial houses, in Baker's words, symbolise South Africa's two white races, and the semi-circular wall represents the bulwark of civilisation. Alfred Turner sculpted the bronze piece surmounting the arch, depicting Kastor and Polydeuces (the Dioscuri in Greek mythology) holding a spirited horse. Kastor and Polydeuces were the sons of Leda and Zeus. The first was mortal, the second immortal. Their relationship was such, however, that, when Kastor died, Polydeuces persuaded Zeus to unite them in eternity. The underlying message is that two completely different people can share the same destiny. This, the sculptor says, mirrors the camaraderie between South Africa's English and Dutch brothers in arms. British and Boer South Africans had been at war with each other only a few years before, but lay down their lives for the British Commonwealth fighting against a common enemy. This monument was inaugurated on 10 October 1926 by the widow of Louis Botha, the president who unified the country after the 1899-1902 Boer War between Dutch and British settlers in South Africa.
The South African National Museum (Musée national sud-africain)
The Museum was built behind the monument and around the Cross of Consecration, and inaugurated in 1986. It is a replica of Cape Fort and commemorates South Africa's contribution to WWI (on Europe's western front and in Germany's African colonies), WWII, the Berlin Blockade (1948-1949) and the Korean War (1950-1953). Useful Information: The South African National Memorial and Museum (Musée et Mémorial national sud-africain) 5, route de Ginchy 80360 Longueval, France Phone +33 (0) 322 850 217 Fax +33 (0) 322 857 999 Open Tuesday to Sunday from 10.00 am to 3.45 pm from 1 February to 10 November, and from 10.00 am to 5.45 pm from 1 April to 14 October. Somme Tourist Board (Comité du Tourisme de la Somme) 21 rue Ernest-Cauvin 80000 Amiens, France Phone +33 (0) 322 712 271 Fax +33 (0) 322 712 269 e-mail: accueil@somme-tourisme.com The Somme Tourist Board will be happy to provide any information you might require about the Somme battlefields and Circuit du Souvenir (remembrance events, directions, transport, private and group tours, helicopter flights, accommodation, etc.). CDT also publishes a series of Memorial Tourism brochures.

Thiepval hill, village and (now disappeared) chateau - along with Hamel - were one of the German defence lines' strongholds north of the British flank in 1916. This natural bastion was protected by the Ancre marshlands below and by numerous deep tunnels underground. The Leipzig Salient - as this mainstay was called - saw the British Forces endure catastrophic losses on 1 July that year: Britain lost 58,000 troops (20,000 of whom died) in what became the biggest tragedy in Great Britain's history - and an event that will always be associated with Thiepval. Fighting for control over Thiepval began on 1 July and ended on 26 September 1916.

The 36th Ulster division controlled the area from the skirts of Thiepval Forest to the village of Hamel. And it was the only division that fulfilled its objectives that 1 July. But those ill-fated soldiers got caught between the advancing British artillery and enemy machine-gun fire when German gun crews emerged from the underground passageways in Souabes redoubt. That division lost more than 5,500 men in a few hours and had to be evacuated the following morning.
Thiepval Visitor Centre opened on 1 July 2004, by the Great War's most emblematic and busiest memorial. The Somme General Council and the Thiepval Project group (which ran a fundraising drive across Great Britain) worked together on this project, which likewise secured European Union funding. This centre counts a number of amenities (an information desk, shop, projection room, vending machines and toilets) and an exhibition area casting light on the Battles of the Somme and on the events that befell Thiepval throughout WWI. There are also displays presenting the CWGC (1), Lutyens, reconstruction work, and the debt of remembrance. Open daily from 10:00 am to 6:00 pm 1 May through 30 November and from 9:00 am to 5:00 pm 1 December through 30 April. Closed mid-December through mid-January.
This troubadour-gothic style tower was erected in 1921 following a public fundraising drive. It is the exact replica of the tower on the 36th Ulster Division's training grounds outside Belfast. (The 36th Ulster Division was trapped in German and British crossfire on 1 July 1916). It is Ireland's monument commemorating the Battle of the Somme and a memorial to all the Ulster soldiers killed during the Great War. Visitor facilities on site. In the park, you will find a plaque that the Royal Irish Rangers laid to the memory of the 36th Ulster Division soldiers and to the nine Victoria Crosses. At the back of the park, you will also find a gate leading though to a smaller memorial to the Irish of the Orange Institution, inaugurated in 1994.
Overview You will find a visitor information centre, an audiovisual library, a shop and a cafeteria at Ulster Tower. Open Tuesday through Sunday from 10.00 am to 5:00 pm (and 10.00 am to 6.00 pm from 1 May through 30 September).
The British Government decided to erect this Memorial in 1932. It was designed by Sir Edwin Lutyens, an architect, in 1923. Its sheer monumental magnitude is the first thing that hits the eye. The great arch towers 45 metres above ground and stands on 16 pillars. It stands to the memory of the 73,367 British who died between July 1915 and March 1918 and have no known grave. Their names are engraved on white Portland stone under laurel wreaths listing the Battles of the Somme. This monument reminds visitors that the French and British armies fought side by side. At the foot of the memorial, facing the valley, you will find the Franco-British cemetery. There, 300 unknown British soldiers and 300 unknown French soldiers are buried as a sign that both countries sustained comparable losses. This cemetery was inaugurated on 31 July 1932 by the Prince of Wales in the presence of then French President Albert Lebrun.
Thiepval Memorial (Mémorial franco-britannique) 80300 Thiepval Phone +33 (0) 322 746 047 Fax +33 (0) 322 746 544 Ulster Tower (La Tour d'Ulster) 80300 Thiepval Phone +33 (0) 322 748 111 Fax +33 (0) 322 748 068 e-mail : sommeassociation@btconnect.com e-mail : teddy.colligan@orange.fr Somme Tourist Board (Comité du Tourisme de la Somme) 21 rue Ernest-Cauvin 80000 Amiens Phone +33 (0) 322 712 271 Fax +33 (0) 322 712 269 e-mail: accueil@somme-tourisme.com The Somme Tourist Board will be happy to provide any information you might require about the Somme battlefields and Circuit du Souvenir (remembrance events, directions, transport, private and group tours, helicopter flights, accommodation, etc.). CDT also publishes a series of Memorial Tourism brochures.
Note: (1) The CWGC is responsible for the upkeep of graves of Commonwealth soldiers in the world.

The city of Castres has dedicated a museum to Jean Jaurès, a native son born in 1859, a champion of socialism and an exceptional orator, a committed pacifist assassinated by Raoul Villain on 31 July 1914 on the eve of World War I.

The Jean Jaurès National Centre and Museum is located in the centre of the city of Castres. This establishment is designed to present Jean Jaurès’ activities and work, while ensuring research work and coordinating events based on the fundamental subjects and ideas of the 19th and 20th centuries.


History

Opened in February 1988 and inaugurated on 16 November of that year by François Mitterand, President of the French Republic, it was founded thanks to the City of Castres, which wanted to showcase the wealth of the Jaurès collections at the museum founded in 1954 to increase understanding of this great thinker, orator, journalist, writer and politician. The effective cooperation of the Société d'Etudes Jaurésiennes, chaired by Mrs Madeleine Rébéroiux, and the precious help of many specialists and historians have made it possible to create a coherent, thorough and modern cultural unit.

 

The collections

The ground floor holds the temporary exhibitions (free admission) on various subjects dealing with the period between 1880 and 1914 (economics, society, everyday life, culture), showcasing regional artists or presenting current issues. There is a rest area, a bar and a counter where visitors can buy postcards, posters and publications about Jean Jaurès.

The first floor houses the museum (paid admission) which gives a chronological and thematic presentation of the great orator’s life:
37 panels, 6 windows and two video terminals showcase various objects and documents. Busts, statuettes, international works on Jean Jaurès, paintings, moulds and workers’ tools are also exhibited.

The second floor has a conference room equipped with audiovisual equipment for projecting films and slides and for organising conferences, debates and seminars (seating capacity: 50 people).

The third floor is dedicated to preservation, consultation, research and documentation: books, reviews, newspapers and archives, which are made available to everyone who wants to use them, notably students, journalists and researchers. The Museum’s library, these works can be consulted on site and are not on loan. Firstly, there is everything written by and about Jean Jaurès and all the texts published when he was alive, but also manuscripts, photographs, a rich iconographic collection and many newspapers and magazines such as “La Dépêche” from 1887 to 1914, “La Petite République” from 1893 to 1903, “La Revue de l'Enseignement Primaire” from 1904 to 1914, etc.

The documentation and research centre has many interesting and rare booklets as well as major collections such as “Le Mouvement Socialiste” (1899-1914), Compère-Morel’s “Encyclopédie Socialiste” (1912-1921), stenographic reports of all the Socialist conferences from 1900 to 1920, essential documents published by the Second International, etc.

Jean Jaurès National Centre and Museum

2 place Pélisson - 81100 CASTRES

Tél. 05 63 62 41 83 - Fax : 05 63 50 39 02

e-mail : jaures@ville-castres.fr

Museum Visitors’ Service

Hôtel de Ville - B.P. 406

81108 CASTRES Cedex

Tél. : 05.63.71.59.28

Fax : 05.63.71.59.26

E-mail : jb.alba@ville-castres.fr

City of Castres

Friends of the museum of Castres

Some of them managed to cross the border into Spain and Andorra; the others were taken and transferred to Camp du Vernet on the night of 26 August 1942. During the first roundup, around 200 people were arrested and interned before being transported to Auschwitz.

A second roundup took place between 9 and 11 January 1943: 266 Jews were arrested. On the bend in La croix du Ruisseau, a stele pays tribute to the 640 men, women and children sent to live in Aulus-les-Bains in 1942 and those arrested during the two roundups.

Quelques lieux remarquables

• La maison du docteur Faure, médecin thermal, père d'Edgar Faure (1908-1988), écrivain et homme politique
• Le monument aux morts. On y lit beaucoup de noms identiques avec à côté leur sobriquet correspondant le plus souvent au nom de la maison où ils vivaient 
• L'Office du Tourisme. Sur l'ancien emplacement de l'hôtel du Midi construit en 1866, le Grand hôtel, qui a fonctionné jusqu'en 1939, puis a été réquisitionné pendant la guerre. Après la Libération, en raison de son état de délabrement, il n'est plus utilisé que comme salle de café et de réunions, avant d'être démoli dans les années quatre-vingt-dix
• L'Hôtel Majestic. Lorsque, le 11 novembre 1942, l'armée allemande a envahi la zone Sud, elle a établi son cantonnement à l'Hôtel Majestic.

01 - Les Neufs Fonts

02 - Carrière des Frouns

03 - Oratoire St Vincent

04 - Salle d'animation du Camping ancienne scierie

05 - Emplacement de l'ancien Casino

06 - Colonie de la Ville de Toulouse anciens Hôtels du Parc

07 - Ancienne usine à Gaz

08 - Maison du Dr Faure

09 - Les Bemèdes ancienne maison Crouzat

10 - Hôtel de France

11 - Hôtel Georges

12 - Grand Hôtel

13 - Allée des Bains

14 - Parc Thermal

16 - Hôtel Beauséjour

17 - Hôtel Majestic

18 - Villa les Bains ancien Hôtel des Bains

19 - Hôtel La Terrasse

20 - Monument aux Morts

21 - Hôtel Les Oussaillès ancienne Maison Charrue

22 - Gîte d'Etape ancien Presbytère

23 - Eglise d'Aulus

25 - Oratoire St Bernard de Menton

26 - La Croix du Ruisseau

27 - Le Moulin

28 - Office de Tourisme emplacement Hôtel du Midi

29 - Aulus La Trappe

Mairie d'Aulus-les-Bains

Place de la Mairie 09410 Aulus-les-Bains

Tél. : 05 61 96 00 87

Bureau d'Aulus-les-Bains

09410 Aulus-les-Bains

Tél. : 05 61 96 00 01

Antenne de l'Office de tourisme de Haut-Couserans

09140 Aulus-les-Bains

tél. 05.61.96.02.22

fax : 05.61.96.01.79

e-mail : aulus-les-bains@worldonline.fr

The current Museum of the History of the Town of Saint Malo was created after the Second World War as part of the reconstruction of the historic site of Saint Malo, 80% of which was destroyed in 1944, inside the chateau's Grand-Donjon (Great Dungeon), an imposing horse-shoe shaped tower which was started in 1424 under the orders of Duke Jean V de Bretagne.

This museum's initial purpose was to commemorate the rich maritime past of the famous Breton corsair port, whilst not forgetting to mention the great intellectual figures born there, such as Chateaubriand, Lamennais and Maupertuis. 

In addition, sections specialising in ethnographic matters such as cod-fishing in Newfoundland and the memories of Captains of the Cape Horn long distance race have also been set up, the former being displayed in the tour Générale (General Tower), next to the Grand-Donjon and the latter in the Solidor Tower at Saint-Servan under the name of the International Museum of the Cape Horn long distance race.

The collections relating to cod fishing in Newfoundland are displayed on the ground floor of the tour Générale around a full-size dory with all its equipment. On the next floor, as well as some interesting models of "terre-neuvier" boats, there is a portrayal of life in the Saint-Malo area at the time of the terre-neuvas with a few pieces of furniture (a buffet, chest of drawers and a closet bed) and traditional hairstyles. On the second floor, which is curiously vaulted into a dome, there are, alongside a few older works, some paintings from the first third of the 20th century by Nozal, Signac's "Le Pardon des Terre-Neuvas", Guillaumin's "Saint-Servan" and "la tour Solidor", and works by Friesz and Frank-Will etc. Visitors must not miss the summons of Commandant Charcot (1867-1936), depicted in a portrait by R.-Y. Creston, a large canvas by E. Blandin and the gangway that helped to save the master helmsman of the famous exploration ship, the "Pourquoi-Pas?", when it was shipwrecked.

Amongst the most remarkable exhibits, we must draw attention to an impressive figurehead from the first third of the 19th century representing an unidentified 17th-18th century sailor and a tapestry on a water theme by Gromaire on the first floor. From the former chapel, recognisable from the outside by its small bell tower, the only thing to survive is the painting that adorned its alter-piece before the Revolution: The Lamentation of Christ by Jean-Baptiste Santerre (1651-1717), considered by specialists to be a major example of the artist's religious painting. Articles linked to the religious history of Saint-Malo have also been brought together in this former chapel, including the torchlight procession of the Saint-Malo gunners, said to be by Sainte-Barbe, a portrait of Monsignor Duchesne (1843-1922) by L. Lambert, a bell from 1645, and a sculpted 17th century wooden chandelier. Of note in the display cases are a sketch by the local painter Doutreleau for the large painting - destroyed in 1944 - of the funeral of Chateaubriand in 1848 on the islet of le Grand-Bé, as well as a votive offering from a corsair gunner.

The portrait of Chateaubriand by Girodet, saved in 1944, is displayed on the second floor with another portrait of the young Chateaubriand, wearing a wig, which was painted in the last quarter of the 18th century. But most of this room is devoted to coverage of the commercial war and its most famous local representative, Robert Surcouf (1773-1827) including the painting of the Capturing of the Kent by the Confiance by Garneray (1850). Also of note, a statuette of the P. Santemier, whose juicy story goes that " Surcouf in his role of a chaplain, had his own way of administering the Last Rites"... and a marble bust of Lemennais by Cougny. On the third floor the star of the show is the portrait of Duguay-Trouin (1673-1736) and a large canvas depicting the taking of Rio de Janeiro in 1711 under the orders of this great seafarer, a work by Gudin (1802-1880). We must also point out a globe by Desnos (1768) and two old scale models, one of which is a third rate ship by a Naval petty officer, a very fine polychrome megaphone, an armillary sphere by Delamarche and a portrait of Maupertuis (1698-1759) etc. This section is due to be expanded thanks to the addition of the finds from the underwater excavations. The fourth floor of the donjon, dedicated to Saint-Malo at the time of Duchess Anne and to Jacques Cartier and his voyages of discovery to North America, is currently being refurbished.
 

Museum of the History of the Town and the Pays Malouin

Château - 35400 Saint-Malo

Tel. +33 (0) 2 99 40 71 57

e-mail: musee@ville-saint-malo.fr

Open :

(from the 1st April to 30th September) Every day except the 1st May 10 am - 12.30 pm / 2 pm - 6 pm Low season. Every day except Monday and Bank Holidays 10 am - 12 pm / 2 pm - 6 pm

Rates Single ticket

Adults: 5.40 € Groups of more than 10 adults: 4.50 € Groups holding a "passeport vacances": 4.50 € Groups of more than 100 people (from 15/09 to 30/04): 2.70 € Schoolchildren and students: 2.70 € School groups from the Saint-Malo district: Free Military personnel: Free Group leaders, those registered with the ANPE, or receiving the RMI: Free

Combined ticket

(3 museums - Museums of the Chateau, the Solidor and the 39/45 Memorial) Adults: 12.70 € Groups of more than 10 adults: 9.50 € Groups holding a "passeport vacances": 9,50 € Groups of more than 100 people (from 15/09 to 30/04): 6,30 € Schoolchildren and students: 6,30 € School groups from the Saint-Malo district: Free Military personnel: Free Group leaders, those registered with the ANPE, or receiving the RMI: Free

Close to Ohama Beach, the Ohama Beach Memorial Museum preserves the memory of the day that marked a turning point in the Second World War: D-Day.

Agreed during the Tehran Conference in 1943, the opening of a second front in the west, in addition to the offensive of the Red Army, took shape with the Allied landing in the Normandy beaches between La Madelaine (Manche) and Ouistreham (Calvados).

The assault took place on Tuesday 6 June 1944, at dawn, on five beaches codenamed Utah Beach and Ohama Beach (where the Americans were to land), and Gold Beach, Juno Beach and Sword Beach (where the English and Canadians were to land).

Following a shelling along the Atlantic Wall, the allied troops landed at around 8 o’clock in the morning. All the beaches were taken in the morning, with the exception of Ohama Beach, taken in the afternoon at the expense of 2,500 lives out of 3,000 men assigned to the operation.

The museum is located 200 metres from Ohama Beach, the site of the most brutal D-Day battles in the landing sector of the US troops, close to St Laurent/Colleville American cemetery. Covering 1,200 m2, the museum presents a collection of military vehicles, arms, uniforms and badges used by the American and German soldiers during the Second World War. It retraces the events and economic life under the German occupation.

A life-size display featuring models in combat situations recounts the landing on Ohama Beach.

Outside, the American army donated a 155-mm "Long Tom" cannon, the only one of its kind in Normandy. An American Sherman tank is also on display in the parking area. Themed displays show a collection of documents relating to the resistance and the deportation.

Musée Mémorial d'Omaha Beach "Les Moulins"

Avenue de la Libération - 14710 Saint-Laurent-sur-Mer

Tél. : (33) 02 31 21 97 44 – Fax : (33) 02 31 92 72 80

Email : contact@musee-memorial-omaha.com

Musée Mémorial d'Omaha Beach

Normandie Mémoire

This heavily-fortified rectangular Citadel is a flagship example of military architecture, and has an extraordinary view of the harbour. The Port-Louis Citadel is now home to the National Maritime Museum, where you will find an excellent collection of model ships, weapons and other historic models. You can also visit the museum dedicated to the history of the Indies Company. In the Arsenal Room, there are displays of superb vintage models, as well as paintings and sculptures depicting French naval history from the seventeenth to the early twentieth centuries. The Powder Keg Room houses a large collection of weapons.

The construction of the Citadel began under the orders of the Spanish engineer Cristobal de Rojas in 1590 at the time of the war of the Catholic Holy League. The Citadel, which was completed during the reign of the French king Louis XIII, is strategically positioned on the southeastern point of the peninsula of Lorient harbour. Apart from serving a defensive role, the Citadel was also inhabited and used for receptions, as well as serving as a refuge or prison (it was a shelter for refractory priests during the French Revolution, refractory conscripts under the Empire, Louis-Napoleon Bonaparte in 1836, Communards, members of the Resistance and many others).
June 2002 saw the inauguration of various new exhibition rooms dedicated to underwater archaeology, the discovery of new artefacts, and the restoration of these artefacts. The archaeologist Franck Goddio donated over 160 artefacts to the National Maritime Museum, all related to the period of West-East trade between the eleventh and the seventeenth centuries and found in the wrecks of three junks, a galleon and a naval vessel. These artefacts are on display at Port-Louis, along with the remains of the cargo of the Mauritius, a Dutch ship that sank in 1609 (discovered during excavation by the Department of Underwater and Undersea Archaeological Research in 1986) offered by Elf-Gabon and the Gabonese government to the National Maritime Museum. The new 'Ocean Treasures' exhibition was created by the National Maritime Museum in association with the Regional Council of Brittany, the Morbihan Departmental Committee for Tourism and the Pays de Lorient Urban Community.
Tourist Information: 47, grande Rue, 56290 Port-Louis. Telephone: (+33) 2 97 82 52 93 Museum: Telephone: (+33) 2 97 12 10 37/Fax: (+33) 2 97 82 17 28 Closed: the 1st of December - the 1st of January (inclusive). Museum open from the 1st of April to the 30th of September, from 10h-18.30h (except on Tuesdays in April and May, and the 1st of May). From the 1st of October to the 31st of March: From 13.30h-18h (except on Tuesdays).

The Franco-Swiss Museum in Rueil-Malmaison is in the former guardhouse of the Swiss barracks in Rueil-Malmaison. On its two floors it presents the history of this elite regiment that became permanent in 1616. History of the Swiss Guards The place where this brand new Franco-Swiss Museum was created is the most appropriate that could ever be imagined, for not only is it in Rueil which was once one of the most Swiss areas of France, but it is in the very place occupied by the famous regiment of Swiss Guards created by Louis XIII in 1616. For decades the population of Rueil lived in close contact with the Swiss Guards, who became an integral part of their daily lives, to the point of becoming integrated into the families of Rueil. In 1755, Louis XV had a barracks built in Rueil by Charles Axel Guillaumo to house 800 guards from the 2nd battalion of the Swiss Guards regiments, who had formerly lodged with local families. The destruction of the regiment would not mark the definitive end of a Swiss presence in Rueil. Under the Restoration, between 1816 and 1830, the barracks was to welcome back two battalions of Swiss Guards.

The museum Of the three barracks required under Louis XV to house the Swiss Guards, the only one that survives is the one in Rueil. The Courbevoie barracks was destroyed in 1962 and the one in Saint-Denis demolished in 1969. Shortly afterwards, on 28th August 1974, the façades and roofs of the main building and the four houses on the barracks road in Rueil became listed as historic monuments. The museum is in the former guardhouse of this barracks, the only one to survive of the three that were built at the same time. On its two floors it presents the history of this elite regiment that became permanent in 1616.
Franco-Swiss Museum Guardhouse of the Swiss Barracks (Guynemer Barracks) 5, place du général Leclerc 92501 Rueil-Malmaison Tel.: 01.47.32.66.50 Fax: 01.47.32.12.58 Opening Times Every Thursday from 2.30 pm until 6 pm By appointment Closed for annual holidays in July and August Charges Entrance charge: 2 €

Housed in a former school since 1890, the current town museum of Châteaudun was set up in 1864 by the local archaeological society, to conserve local archaeological finds. Over time, the collections have been added to by Egyptian and African objects and, in particular, pieces connected to local history during the Franco-Prussian War.

History of the museum and collections The Musée des Beaux-Arts et d’Histoire Naturelle de Châteaudun was founded in 1864 by the Société Dunoise d’Archéologie, with the goal of preserving local heritage. From the beginning, the archaeological society received many donations from scholars, collectors and scientists.

Among them was the archaeologist Émile Amélineau (1850-1915), who discovered the royal tombs of Abydos in Upper Egypt (1st and 2nd Thinite dynasties). Archaeology and Egyptology
therefore form the cornerstones of today’s collections.

During the course of the 20th century, the museum of the Société Dunoise grew, as paintings, art objects and birds were added to its collections. Meanwhile, the town of Châteaudun received donations and bequests, as well as public loans: the Campana collection, 19th-century paintings, etc. The original museum, housed in the town hall, was transferred for a time to the Chateau of Châteaudun. Then, on 19 August 1890, the town council and the Société Dunoise signed an agreement for the museum to be installed in a former school. In 1897, the size of Marquis Léonce de Tarragon’s bequest to the town meant that an extension to the building was required, with a gallery containing 3 000 specimens of birds and mammals, which are still the making of the museum’s natural history collection today.

In 1952, the Société Dunoise d’Archéologie entrusted the collections to the municipality, while maintaining ownership. The museum therefore came under municipal control. Since then, many new acquisitions have added to the collections, not least the Wahl-Offroy donation in 1971, of art objects from the Near and Far East: ceramics, miniatures, weapons, etc. With a room devoted to the Franco-Prussian War of 1870-71 and a reproduction of a Beauce interior from the early 20th century, Châteaudun’s town museum presents a diverse selection of objects that show the tastes of collectors and donors past and present.

The Franco-Prussian War room Overlooking Rue Louis Baudet, the museum’s second room commemorates Châteaudun’s resistance when it was besieged by the Prussians in 1870. On 18 October that year, the town was attacked by a 12 000-strong German infantry division. A group of 1500 francs-tireurs from Paris, national guards and firemen put up a brave defence. At their head was the Count of Lipowski, a graduate of Saint-Cyr military academy, decorated with the Légion d’Honneur. After the siege, General Von Wittich’s victorious troops set fire to the town, and its motto became Extincta revivisco, meaning “I am born again from my ashes”.

Paintings, engravings, objects, weapons and headdresses present this dark chapter of local and national history. Moullin’s oils and gouaches and Montarlot’s engravings depicting the barricades complement the series of photographs showing the destruction. The display pays tribute to the key figures of Laurentine Proust, Captain Ledeuil and General Lipowski. In the display cases, military paraphernalia is presented alongside mementos gathered from the rubble of the houses. Finally, at the back of the room is the bell from the town hall belltower, dated 1588, damaged by shellfire.
 

Musée Municipal des Beaux-Arts et d’Histoire Naturelle

3, rue Toufaire - 28200 Châteaudun - Tel.: +33 (0)2 37 45 55 36 Fax: +33 (0)2 37 45 54 46 (town hall – specify “Service Musée”)

Email: musee@mairie-chateaudun.fr

Opening hours:

Open daily (except Tuesdays, 25 December, 1 January and 1 May), 10 am to 12.30 pm
/ 1.30 pm to 6.30 pm, from 1 April to 30 September, and 10 am to 12 noon / 2 pm to 5 pm, from 1 October
to 31 March. Open Monday to Sunday, non-stop from 10 am to 6.30 pm, in July and August.

Group bookings for adults or children can be made on any
day except Tuesday.

Learning materials available on request.

Admission:

Adults: € 3.32 Under 18s: Free Guided tours (for groups of
more than 20 people only): € 2.99 School parties Châteaudun school: Free Others: € 1.29

Cycle of four themed conferences: € 43.85

Combo ticket: Museum and Chateau of Châteadun: € 7

Town of Châteaudun

The Post Office Museum is a place of both remembrance and conservation, a research and documentation centre, focussing on writing, the fine arts, history and society. History Opened in 1946, the Post Office Museum was situated in the 6th district of Paris, in the former Choiseul Praslin Hotel, which dates from the beginning of the 18th century. In 1973 this location had become too cramped and the museum moved into its current purpose-built building at 34 boulevard de Vaugirard, right in the heart of the Montparnasse area. Today the museum occupies 15 rooms and the general public starts its tour from the 5th floor, following a circuit that finishes on the ground floor. Setting the scene In fifteen rooms the Post Office Museum offers an introduction into the history of the Post Office, from its origins to the modern day, along with a taste of the world of philately. The circuit (the tour starts from the 5th floor), which links the chronology with important events, emphasises the social aspect of this business. But it is also a history of the French people that is told here, through the Post Office and philately. Old post boxes, postillion and postmen's uniforms, models of mail coaches, valuable postage stamps and artistic works: all the items in this exhibition form part of a collection that is extraordinary and rich in colour.

Collections The Post Office Museum looks after the stamp and postal collections belonging to the State and those of the Post Office. In a space of 1500 m² the historical, philatelic, scientific and artistic heritage is displayed, consisting of exhibits as diverse as postage stamps, the first road maps, postmen's uniforms, artists' mock-ups, archives and common objects and finally a large collection of mail and postal art.
The historical collections department is a valuable mine of information for historians and those interested in the history of Post Office administration. The Museum holds collections of postmen's almanacs, Post Office calendars, postcards, archives, touring guides, post office books and itineraries, stamps, common objects and contemporary works of art.
The Photographic Library The photographic library contains over 150,000 plates, from famous characters of the airmail service to Villemot's posters for savings accounts and the plates of all French postage stamps. Consultations and loans by appointment on Tuesdays, Wednesdays and Thursdays. Tel.: 01.42.79.24.16 The Llibrary With over 25,000 volumes and more than 850 periodical titles, the Museum's library is host to researchers and those interested in information about stamp collecting or on the history of the Post Office. Works and periodicals can be consulted on the premises, with a charge for photocopies. Tuesdays, Wednesdays and Thursdays 10 am until 6 pm. Tel.: 01.42.79.24.03 The Philately Point In the Museum lobby there is a "Philately Point" where purchases can be made of stamps from France, Monaco, Andorra, Mayotte, Saint-Pierre and Miquelon, newly released current stamps, pre-paid envelopes and the Post Office's philately products, such as First day covers. The philately point is open during Museum opening hours, from Monday to Saturday from 10 am to 6 pm. The Loans Department The loans department can respond to any requests about: Historical collections - tel.: 01.42.79.24.27 Philately collections - tel.: 01. 42.79.24.41 The Conference area The Museum has an auditorium for hire, seating 162 people. Tel.: 01 42 79 23 33 The Historical Collections Department This department looks after iconographic objects and documents that relate to the development of the organisation and the jobs within the Post Office, as well as traditions in writing and correspondence. The Museum also has extensive archives on the history of the Post Office and the telegraph. Consultation of items not on display is by appointment on Tuesdays, Wednesdays and Thursdays. Tel.: 01.42.79.24.23
Post Office Museum of Paris 34 Bd de Vaugirard 75731 PARIS CEDEX 1e-mail: collections.historiques@laposte.net Access by underground: Montparnasse, Pasteur, Falguière Access by bus: lines 28, 48, 88, 89, 91, 92, 94, 95, 96 Opening times The Post Office Museum is open Monday to Saturday from 10 am until 6 pm. It is closed on Sundays and Bank Holidays Admission charges Permanent Collections: Full price: 5 € Reduced rate: 3.50 € Free for: the under 18's, The Post Office Group, the Friends of the Post Office, holders of an ICOM card, group leaders and Inter-Museum pass holders. Temporary Exhibitions: Full price: 5/6 € Reduced rate: 3.50 € / 4.50 € Guided tours: (Additional charge for tours in English) Joint visit (museum and exhibition): Full price: 7 € / 8 € Reduced rate: 5.50 € / 6.50 € (for the unemployed, students and groups of more than 20 people) Free for postal workers

The Saint-Denis art and history museum is housed in the town’s former Carmelite convent. Founded in 1625, the convent was enlarged by Louis XV’s daughter, Madame Louise of France, following her time there from 1770 to 1787.

The building was bought by the town council in 1972 and has been used as a museum since 1981. The archaeology collections in the old refectory display the results of digs carried out since 1973 by the Saint-Denis Archaeology Unit. Between 1973 and 1992, 33 000 objects were unearthed, added to which are millions of potsherds, animal bones and building materials.

They constitute an important documentary record of everyday life in the Middle Ages, from various angles: home and crafts, music and games, cooking and diet, clothes and jewellery, etc.

The former sacristy, converted into a parlour in the 18th century, houses the collections from the old hospital: paintings, sculptures, decorative ironwork and many documents on hospital life under the Ancien Régime.

An adjoining room known as the “Apothecary’s Room”, presents a remarkable series of pharmaceutical ceramics produced in the workshops of Rouen, Never and Saint-Cloud. Restored cells on the first floor give an insight into the workings and everyday life of the convent.

A reconstruction of Louise of France’s cell adjoins a display of liturgical ornaments, monastic artworks, Guillot canvases, and masterpieces like Laurent de la Hyre’s triptych Mary Magdalen at the Foot of the Cross or François Perrier’s St Augustine offering his heart to the Baby Jesus.

Split between two floors of the Louis XV pavilion, the Paul Éluard collection sheds light on the private life and political engagement of the poet and co-founder of the Surrealist movement, through original documents (manuscripts, letters, photographs), original editions, personal belongings and books from his own library.

Still on the second floor, in the 350 sqm of apartments where Louis XV’s daughters stayed when visiting the convent, is an important collection on the Commune and Sieges of Paris.

The collection, begun in 1930, comprises over 10 000 pieces, including weapons and a wealth of images: Épinal prints, portraits and caricatures of generals, letters, posters, lithographs, photographs, paintings and sculptures by artists of the time: André Gill, André Lançon, Draner, Klenck and Jules Girardet.

Thus, alongside the red flag of the church of Saint-Leu on Boulevard de Sébastopol are Georges Salendre’s bust of Gustave Courbet, Philippoteaux’s Fighting in Père-Lachaise, caricatures by Daumier, Cham and Le Petit, Appert’s photographic portraits of Communards, military illustrations by Bertrall, and anti-Communard photomontages by Bruno Braquehais.

Political posters and periodicals such as L’Île des Pins, a newspaper of Communards deported to New Caledonia, round off the political presentation of events. Objects from everyday life tell of the struggle for survival during the siege.

A collection of old books, historical research by pioneers (Camille Pelletan, Louis Veuillot, Henri Monin), monographs and memoirs of Communards, military surveys (Pichon), books on the caricatures and writings about the provincial communes (Lyon, Bordeaux, Marseille) are all available for researchers to complement their visit to the museum.

Other services

The Cultural and Educational Outreach Service invites the public of all ages to explore the collections through guided tours, activities and workshops.

Meanwhile, researchers can consult the works and documents in the drawing collection, housed in the former convent printing house.

The book and gift shop sells a wide variety of reproductions and postcards in connection with the museum’s collections.

Musée d’Art et d’Histoire de Saint-Denis 
22 bis avenue Gabriel Péri - 93200 Saint-Denis
Tel.: +33 (0)1 42 43 05 10 - Bookings: +33 (0)1 42 43 37 57
Email: musee@ville-saint-denis.fr

Getting there

Metro (Line 13) - Station: Saint-Denis Porte de Paris (exit 4)
Bus: 154, 254, 177, 255, 170
Car: A1 and A86 - exit Saint-Denis Porte de Paris
Parking: Porte de Paris and Basilique