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The fortified town of Binche

The fortified town of Binche. Photo of the town of Binche.

The fortified town of Binche, dubbed the 'Carcassonne’ of Wallonia.

With its stone wall surmounting an immense earthen embankment stretching 2.5 kilometres and its 25 towers, Binche boasts a monumental ensemble unique in Belgium. In fact, it is the only medieval surrounding wall that has been almost entirely preserved in the whole country. It is no exaggeration to call it the Carcassonne of Wallonia! Only the gates, five towers and some three hundred metres of wall sections have disappeared over the years. The site represents over three centuries of military architecture.

Originally, Binche was a simple dependency in the parish of Waudrez, the Roman site of Vodgoriacum. Founded in the 12th century, the town was awarded the status of new town in 1120. Instead of a keep, the Count of Hainaut surrounded the residential districts set in the far south of a spur encircled by the small river Samme (also called the Princess) with a stone wall. The town of Binche already participated in the county's defence from the 12th century. This was supported as much by strongholds owned by the count and managed by a feudal lord (in Binche, he is mentioned as far back as 1138) as well as châteaux belonging to vassals. The network of fortresses formed a strategic chessboard. An agricultural centre, the town quickly became a thriving producer of woolen fabric. A deanship was also established there.

A first stone wall was erected in the 12th century to block the rather wide access via the spur. This example seems early for the Lotharingian principalities where earth and wood were still the preferred materials for urban walls. There are only a few remaining traces near the château and the Posty rampart. The north front has completely disappeared. The historians place it at the top of Rue de la Gaité.

From the first findings of the digs conducted since 1996 in the château grounds by Wallonia’s archaeological department, the count had built in the 12th century a vast fortified palace of which the ruins of the hall, the lecture hall and the chapel were unearthed at the far south of the spur. The fortifications were built over a long period and adapted systematically to the advances made in defensive architecture and armaments: from the late 14th century, new architectural forms acknoweldged power-fired artillery, which was used in the West from around 1320.

In Binche, there is no indication that the large surrounding wall built from the 14th century was initially adapted to this new type of weaponry. The new towers were very prominent and equipped with an intermediate level of defence. The value of the new walls came from the way they were constructed, their foundation laid on archways, which provides stability and saves on materials, seeing as how the subsoil, with the exception of the south section, was unstable and marshy in parts.  This system was practised in many other towns in the former Netherlands (Lille, Valenciennes, Brussels, Bruges, Namur, etc.).


In the late 14th century, the master builders for the Count of Hainaut, Thomas Ladart, born in Ath, and Noël Camp from Avaine, led a campaign to modernise the surrounding wall. New towers, inhabitable and fitted with openings (windows and arrowslits) were added to the wall. In the early 15th century, in Hainaut, which was neutral but caught between Burdundy, France and Liège, it became important to arm and reinforce the garrison and the ramparts. Binche acted as a hub, as it did, for example, during the operations against the principality of Liège from 1406 to 1408.

Later, once under Burgundy control, Binche was one fortress among others. Gunboats were installed in the curtain walls of the old cemetery. The small tower was built there and equipped with gunboats for artillery fire. Until the mid-16th century, despite the progress made with artillery and fortifications, Binche was part of the defensive strategy of Hainaut and the Netherlands, at least as a centre for the assembling of the imperial troops, as testified by two sieges, in 1543 and 1554. However, the siege of 1578 rendered the urban defences definitively obsolete, commanded as they were from the neighbouring heights.

From the old Brunehaut road leading to Maubeuge, you can see the top of the belltower of the collegiate church, the rest of the town being hidden by the drop in terrain. Numerous cannonball strikes had been hastily patched over in the southern section: areas filled with brick and the addition of decorative architectural features (pink sandstone in the ramparts and gothic vaults) are still visible.

The sumptuous Renaissance palace built by the Mont-de-Marsan architect Jacques Du Broeucq for the regent Mary of Hungary, on the foundations of the medieval castle, was a magnificent target for the French cannons. Burned down in 1553, it was permanently reduce to ruins in 1578. Under Archdukes Albert and Isabella (1599-1621) a restoration was attempted but failed to reach completion. A number of sculpted pieces were sent to Mons (such as the entrance gate) or were reused in Binche itself.

In the 17th century, Binche served occasionally as a logistics unit or a parade ground for marching armies. Beforehand, the town was seized twice by the French: in two days during 1643, then by Turenne in 1654. In 1668, it was ceded to France for ten years. During the campaign of 1672-1674 led by Louis XIV, it served as a post for the army of the field. While fortifications were built during this time, by the early 18th century, the surrounding wall was unusable: there were breaches in the curtain walls and the towers were razed to the ground. This all put an end to Binche’s military role. The border was pushed north but the defence of the region was provided by the Toumai-Mons-Charleroi line.

In the 19th century, the town lost its fortified gates and the wall was little by little enclosed by individual properties. In 1995, a vast restoration campaign was started in Binche and digs were conducted with the help of the European Community and the Region of Wallonia, as part of the Objectif 1 programme. These far-reaching works led by Wallonia's archaeological department between 1995 and 1999, precisely revealed the evolution of the ramparts and the chateaux in the town.

 

 

Binche Tourist Information Office

Grand-Place
7130 Binche

Tel.: 064/33.67.27

Fax: 064/23.06.4

 

tourisme@binche.be

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Practical information

Address

7130
Binche

Weekly opening hours

Accessibilité toute l'année

Food during the Siege of Paris (1870-1871)

Museum of Saint-Denis.
Photo: Museum of Saint-Denis. Source: Licence Creative Commons.

 

After the overthrow of Queen Isabella II of Spain by the Spanish Revolution of 1868, General Prim offered the throne to Prince Leopold of Hohenzollern-Sigmaringen, cousin to King Wilhelm I of Prussia, who officially put forward his candidature for the crown on 21 June. France opposed, fearing the reconstitution of Charles V’s Holy Roman Empire.

The liberation of Strasbourg

General Leclerc (ceremonial parade, place Kléber, Nov. 1944).
General Leclerc (ceremonial parade, place Kléber, Nov. 1944).

Détail territoire Nord

Raoul Villain

1885-1936
Anthropometric record card. © Préfecture de Police

 

Raoul Villain was born in Reims on 19 September 1885 and died in Ibiza on 17 September 1936. He assassinated Jean Jaurès on 31 July 1914, on the eve of the start of World War I. He was acquitted at his trial in 1919.

 

Nationalist student

Raoul Villain was the son of Louis Marie Gustave Villain, head clerk of the civil court in Reims, and Marie-Adèle Collery, who suffered from mental illness and was interned at the asylum in Châlons-sur-Marne in 1887. His paternal grandmother, Émélie Alba, had also shown signs of brain disorders. During his grandmother’s funeral, before her tomb, he declared, "There are people who are playing Germany’s game and they deserve death!" shortly before he assassinated Jean Jaurès. He had an elder brother, Marcel Villain, court clerk, aviation lieutenant and Officer of the Legion of Honour, notably for his battle exploits during World War I.

Raoul Villain studied at the Jesuit middle school in the faubourg of Cérès, then at the high school in his home town, but he did not complete his studies. In October 1905, he enrolled at the École Nationale d'Agriculture in Rennes, where he came down with typhoid fever in November 1905, and nearly died. His police file states that, "before his military service he was considered a very serious young man, very gentle, well raised," he "kept no bad company, did not go to the cafés, nor to shows".

In November 1906, he was incorporated into the 94th Infantry Regiment in Bar-le-Duc, but was discharged in 1907. In June 1909, he received his diploma from the school in Rennes, ranking 18th out of 44. He worked in agriculture for six weeks in the arrondissement of Rethel, then came back to Reims to his father’s house. He went to Alsace in September 1911. From October 1911 to 29 June 1912, he was an invigilator at Collège Stanislas, with authorisation to prepare for the Baccalaureate. His rhetoric teacher, Abbot Charles, said that "he seemed unhappy to be alive. His compositions lacked depth, logic and consistency. One day I expressed my fears concerning the threat of war. Villain listened to me. He answered, "the enemies from the outside are not the most dangerous". He was gentle and polite with everyone, but never connected with anyone and was let go for his lack of authority. In 1912, he spent six weeks in London and about ten days in Loughton, to which he returned in 1913. He stayed with Mrs Annie Francis, who, according to The Observer of 6 June 1915, described him as "a gentle and very kind man". In March and April 1913, he also went to Greece, visiting Athens and Ephesus. In June 1914, he enrolled at the École du Louvre to study archaeology. According to his police file, "for seven years, the father has always spoken of his son Raoul with sadness. He had become exalted, unstable, affected by religious mysticism". He only came to Reims twice a year and "gave no details about his lifestyle in Paris, where he lived alone for four years".

A member of Le Sillon, Marc Sangnier’s Christian social movement, until it was condemned by Pius X in 1910, he then joined the “Ligue des Jeunes Amis de l'Alsace-Lorraine”, a group of far-right ultra-nationalist students, where he played an effective role, he reproached Jaurès for being against the law requiring three years of military service.

 

Assassination of Jean Jaurès

Little by little, Raoul Villain got it into his head to kill Jaurès. He bought a revolver and started stalking the Socialist leader, scribbling down incoherent notes on his habits in his wallet.

On Friday, 31 July 1914 at 9.40 pm, Jaurès was dining with his colleagues, sitting on a bench with his back to an open window at the Café du Croissant, 146 rue Montmartre, in Paris (2nd arrondissement). Raoul Villain violently drew back the curtain, raised his fist armed with a revolver, and shot twice. A bullet struck the Socialist orator in the head and he immediately collapsed.

The shooter tried to get away, running toward the rue de Réaumur, but was seen by Tissier, a layout man at L'Humanité, who followed him, hit him over the head with his cane and immobilised him on the ground with the help of a policeman. Taken to the police station, he cried, "Don’t tie me so tight, I don’t want to get away. Just take the revolver in my left-hand pocket. It’s not loaded."

This assassination, which took place three days before the start of World War I, helped to trigger the hostilities by rallying the left together, including some hesitant Socialists, in a "Sacred Union".

 

 

The trial

Awaiting his trial, Raoul Villain spent World War I in prison. In a letter sent to his brother from La Santé Prison on 10 August 1914, he stated, "I shot down the spokesman, the great traitor of the period of the three-year law, the big mouth who covered all the calls for Alsace-Lorraine. I punished him, and that was the symbol of a new era, both for the French and for Foreigners". The inquiry was led by the investigating magistrate, Drioux.

The trial opened on 24 March 1919 before the criminal court of the Seine in a context of patriotism, after fifty-six months of preventive detention. The accused was defended by attorneys Henri Géraud and Alexandre Bourson, aka "Zévaes", a former Socialist member of parliament. On the last day of the debates, Villain declared, "I ask for forgiveness for the victim and for my father. The pain of a widow and an orphan will leave no room for joy in my life". The popular jury was asked to answer two questions "1) Is Villain guilty of voluntary homicide on the person of Jaurès? 2) Was this homicide committed with premeditation?". After a short period of deliberation, the jury, by a vote of eleven to one, answered no on 29 March 1919. Raoul Villain was acquitted. The President of the Court ordered that he should be released and praised him for being a good patriot. The Court issued a degree granting one franc in damages to the plaintiff, and ordered the plaintiff to pay trial expenses to the State. Mrs Jaurès was therefore condemned to pay court costs.

In reaction to the verdict, Anatole France sent a short letter from his property, La Béchellerie, to the editors of L'Humanité, printed on 4 April: "Workers, Jaurès lived for you, he died for you. A monstrous verdict has proclaimed that his assassination was not a crime. This verdict makes outlaws of all of you, you and everyone who defends your cause. Workers, beware!" As soon as it was published, the letter gave rise to a demonstration organised by the Union de Syndicats and the Fédération Socialiste de la Seine on Sunday 6 April, following avenue Victor-Hugo all the way to Passy, where Jaurès had lived.

 

The death of Raoul Villain

In April of 1919, Raoul Villain had to leave Auxerre suddenly after hostile demonstrations organised by the workers’ unions. He returned to anonymity in Paris, staying at No. 7, rue Jean-Lantier, under the name René Alba. He was arrested on 19 July 1920 for trafficking in silver coins at a café in Montreuil, at the corner of rue Douy-Delcupe and rue de Vincennes and, out of despair, tried to strangle himself to death. Freed on 23 July 1920, he was sentenced by the 11th Criminal Chamber on 18 October 1920 to just a one-hundred-franc fine due to his mental condition. In September 1921, he shot himself twice in the stomach at his father’s office at the Reims Courthouse in protest against his father’s opposition to his marriage plans.

He expatriated to Danzig, where he worked as a croupier, then to Memel (now Klaipėda), where he lived until 1926. He moved to the island of Ibiza, in the Balearic Islands off Spain, in 1932. He inherited some money and moved into a hotel near Santa Eulària, more precisely at Cala Sant Vicenç, where the locals called him "el boig del port" (the madman of the port). With the help of a few friends, Laureano Barrau, the Spanish impressionist, and Paul-René Gauguin, the painter’s grandson, he undertook to build a bizarre house on the seaside. The residence, which still exists, was never finished.

Soon after the Spanish Civil War broke out, on 20 July 1936, the military garrison and the civil guards of the island took the side of the Francoists. The Republicans in Barcelona sent a detachment under the direction of Commander Bayo to take back the Balearic Islands. It landed on Ibiza on 8 August. On 9 and 10 September 1936, a column of nearly five hundred anarchists under the "Cultura y Acción" banner, arrived on Ibiza, leaving one hundred and fourteen dead. On 12 and 13 September 1936, the island was bombarded by the Italian aviation and, in the confusion, the anarchists executed Raoul Villain.

He was buried at the cemetery in Sant Vicent de sa Cala on Ibiza and a funeral mass was celebrated at Saint-Remi Basilica in Reims. His tomb at the Cimetière du Nord in Reims bears his name (and calls up his memory) and is the renovated tomb of his parents. Despite the family’s requests, his remains were never transferred to Reims.

 

Why Raoul Villain was acquitted

Jaurès’ assassin, who was 29 years old in 1914, had a fragile personality. The younger son of the head clerk of the civil court in Reims, he suffered from a serious heritage: his mother was in an insane asylum and his paternal grandmother suffered from a mystical delirium. After his incomplete secondary studies and years of uncertainty, he enrolled at the École Nationale d'Agriculture in Rennes in 1906, where he came down with typhoid fever that left him with nervous sequelae. Once cured, he did his military service, completed school, but gave up on being an agricultural engineer. He was attracted by Marc Sangnier’s social Catholicism and, in 1904, he joined Le Sillon, where he found the emotional warmth he had lacked. His appears to have begun to become unstable after the movement’s condemnation by Rome in 1910. Obsessed with Alsace and Lorraine, he joined the at Ligue des Jeunes Amis de l'Alsace-Lorraine the end of 1913 or the beginning of 1914, an organisation that included nationalists who were hostile to the regime, but also steadfast Republicans.

Villain knew that Jaurès was opposed to a three-year military service and that he had threatened a strike against the war. From then on, he saw him as "the big mouth" that had to be taken out. After seeing the antimilitarist demonstrations in Paris on 29 July 1914, his hatred for Jaurès grew. He bought a Smith and Wesson and, on 31 July at 9.40 pm, he committed the irreparable at the Café du Croissant, where Jaurès was dining with about a dozen friends. He was immediately arrested.

Initially scheduled for 1915, his trial was not held until 1919. Viviani, the President of the Council of Ministers who feared for the "Sacred Union", had asked the general prosecutor of the Seine to sign a postponement order; all of his successors did the same. After nearly five years of "preventive detention", an unusually long period that horrified the Human Rights League and some of Jaurès’ friends such as the journalist Séverine, Raoul Villain’s trial was held from 24 to 29 March 1919. He was defended by attorneys Zévaès and Géraud, while Paul-Boncour and Ducos de la Haille represented the plaintiff. On 29 March, the jury – deliberating alone – considered that Villain was not guilty; the President of the Cour d'Assises therefore acquitted him. Commentators denounced the attitude of the jury members, pointing out their age (all were over 50) and their bourgeois condition. Actually, alongside a rentier and a veterinarian, there was one employee and several artisans.

Above and beyond his heredity, various factors can explain the verdict. The plaintiff’s attorneys ignored Villain and concentrated their closing arguments on Jaurès’ memory. They called more than 40 witnesses (only 27 showed up), which made the trial drag on, no doubt much to the discontent of the jury members who were kept away from their daily business. To demonstrate that Jaurès’ ideas about the motherland and the army were distorted, attorney Paul-Boncour committed the imprudence of reading long excerpts from L'Action Française and from pamphleteer Urbain Gohier, with the risk of giving a very bad image of Jaurès. Villain’s attorneys, on the other hand, were very skilful. Lastly, acquittals were not uncommon at the time (Henriette Caillaux was acquitted in 1914, as was Germaine Berton in 1923).

It is commonly believed that Louise Jaurès had to pay court costs, but there are no official documents attesting to that. The court proceedings make no mention of this point and the newspapers give contradicting accounts.

The verdict was followed by huge protest demonstrations. Raoul Villain went on to live an adventurer’s life and was murdered on Ibiza in 1936 by a Spanish Republican or Anarchist according to some, by a Frenchman fighting in Spain according to others.

Guillaume Apollinaire

1880-1918
Apollinaire in the Italian hospital. 1916. Source: Historical library of the city of Paris

 

Born on the 26th August 1880 in Rome, Wilhelm-Apollinaris de Kostrowitzky was 18 years old when he arrived in the French capital before travelling to Germany as an advisor. Under the name Guillaume Apollinaire (his French Christian name), he soon became involved in the avant-garde literary movement. After having contributed to the Revue Blanche, in 1903 he founded his own review entitled Le Festin d'Esope. The cafés along the boulevard Saint-Germain and Montparnasse, the "Lapin Agile" cabaret and the "Bateau-Lavoir" artistes' workshop became popular meeting places with the likes of Picasso, Alfred Jarry, Vlaminck and Max Jacob etc. As well as his erotic works and art critiques for L'Intransigeant and Le Mercure de France, Apollinaire showed an interest in symbolic poetry. Derain illustrated his first book of prose, L'Enchanteur Pourrissant. In 1912, he was involved in founding the Soirées de Paris review. His break-up with Marie Laurençin, his partner since 1909, was the inspiration for his famous Pont Mirabeau.

"Under the Mirabeau bridge runs the Seine And our love affairs Must I be reminded that Joy always came after suffering."

The audacity of cubism, an important contemporary art movement, captivated Apollinaire, who defended it in his articles and sought to translate it into poetry, giving the latter a disjointed form. In 1913, following the issue of books on this pictorial school of painting, the publication of Alcools, which did not contain a single punctuation mark, made him famous.

In 1914, he shared in the cosmopolitan lifestyle of Montparnasse, spent time in Normandy and on the Côte d'Azur and was to meet Louise de Coligny-Chatillon, known as Lou, for whom he would write his famous letters. When the call-up came, he requested his naturalisation and on the 6th December he joined the 38th campaign artillery regiment in Nîmes. Transferred to the front in 1915, he fought in the Champagne region, where he was to become Sergeant.

"This mud is terrible on the sodden paths The eyes of the foot soldiers are depressing colours We will no longer go to the wood the laurels are cut The lovers are going to die and tell lies to their sweethearts" (Poèmes à Lou)

On the front, he corresponded with Madeleine Pages, who became his fiancée, and with his wartime "Godmother", the Languedoc poetess "Yves Blanc". Naturalised in March 1916, he transferred to the infantry as sub-lieutenant in the 96th I.R.

"Tonight the sky is full of sabres of spurs The gunners take off heavy and swift in the darkness " (Poèmes à Lou)

On the 17th March at La Ville-aux-Bois in the Aisne he was suffered a serious head wound from an exploding shell, which led to two trepanations. Discharged and abandoning the idea of marrying, Apollinaire continued to write many poems - including Le Poète Assassiné - at the same time turning his interest to the theatre: on the 18th May 1917, the première of Parade, a ballet by Diaghilev, took place, to which he had contributed and for which he invented the term "surrealism". On the 24th June the première of a truly surrealist play, Les Mamelles by Tirésias, took place. At the same time he held conferences and worked on a cinema screenplay. On the 1st January 1918, suffering from a lung infection, he was taken to hospital. Once he recovered, he married Jacqueline Kohl on the 2nd May, whilst continuing his contributions to Temps and Paris-Midi and began writing two theatre plays and a farcical opera "bouffe" called Casanova. Calligrammes had already been published.

On the 9th November 1918, the poet, his body weakened as a result of his war injuries, died of Spanish influenza. His body was laid to rest in Paris, at Père Lachaise cemetery.

 

Loos en Gohelle

Loos Memorial and Dud Corner cemetery. Source: Lens-Liévin Tourist and Heritage Information Office

 

Invaded in October 1914, Loos-en-Gohelle was not liberated until August 1917 for which it paid the price of thousands of lives.

 

The town of Loos-en-Gohelle suffered huge losses during the war of 1914-18. Invaded on 10 October 1914, it was not liberated until August 1917 at the cost of thousands of lives. French, English, Scottish, Welsh and Canadian men all perished on the town’s soil, hence the number of memorials and groups that continue to preserve a trace of its history today.

The association “Sur les Traces de la Grande Guerre” (In the footsteps of the Great War), whose role is to preserve, safeguard and share this legacy, invites people to visit the Musée Alexandre Villedieu where all the objects on display come from the Loos battlefields. There were three major battles in Loos-en-Gohelle, within the triangle of hills of Artois (Vimy and Lorette) and the Douai plain.

 

The first battle took place on 9 May 1915. A diversion to the Battle of Lorette Hill, it was a deadly massacre for both French regiments.

The second battle began on 25 September 1915, and is more commonly known amongst the British as the Battle of Loos. This battle claimed many victims (among the British, 15,800 lives and 34,580 men injured; among the Germans, 20,000 killed or wounded). This battle is very dear to the British many of whom come to meditate at the graves in three British cemeteries in Loos-en-Gohelle. This battle liberated two-thirds of Loos as far as Hill 70 which remained under German control for a further two years.


The third battle took place on 15 August 1917. After the liberation of Hill 145 in Vimy, the Canadian soldiers arrived in Loos in mid-July to seize the remaining part of German-occupied Loos. Until 15 August 1917, 12,000 Canadians moved around in a network of underground tunnels planning the liberation of Hill 70.


 


The Loos footpaths (Sépultures path and Lone Tree path) are public ways where Great War fanatics and interested visitors can learn all about the historic past of Loos through the former World War I battlefields.


 


Musée 14/18 Alexandre Villedieu

Association "Sur les Traces de la Grande Foyer Omer Caron"

First floor, Place de la République 62750 Loos en Gohelle

Tel: +33 (0)3 21 70 59 75 or +33 (0)3 21 28 99 82

E-mail: a.villedieu@wanadoo.fr


 

Mairie de Loos en Gohelle (town hall)

Place de la République 62750 Loos en Gohelle

Tel: +33 (0)3 21 69 88 77

Fax: +33 (0)3 21 69 88 79

E-mail: contact@loos-en-gohelle.fr


 

Opening times: 9-11 am and 2-5 pm

N.B. Reservation only for afternoon visits.

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Practical information

Address

Place de la République 62750
Loos en Gohelle
Tél. 03 21 69 88 77 Fax : 03 21 69 88 79 Musée 14/18 Alexandre Villedieu Association Sur les Traces de la Grande Foyer Omer Caron -1er étagePlace de la République 62750 Loos en GohelleTél. 03 21 70 59 75 ou 03 21 28 99 82E-mail : a.villedieu@wanadoo.fr

Prices

Free admission

Weekly opening hours

Opening times: 9-11 am and 2-5 pm (reservation only for afternoon visits)

Musée Mémoires 39-45

The part of the blockhouse that you can see is only 10% of its surface area. Almost entirely underground, the command post of the Graf Spee battery is one of the largest bunkers in the region. 

 

Set over five floors and with 500 sqm of exhibitions, the one-way circuit begins beneath the reception, in the quarters of the 25 soldiers who defended the position.  In rooms restored to exactly how they were then, discover what everyday life was like on the Atlantic Wall, through captivatingly realistic decors.

 

The subsequent levels immerse you in the atmosphere of the war years in Brittany: blitzkrieg, Stalags, occupation, Free France, collaboration, Resistance, fighting for Brest, liberation, and so on. Numerous anecdotes make this a moving encounter with the men and women who experienced the war, right here.

 

Return to the daylight on the level of the observation stations and panoramic viewpoint, offering unique views of the entrance to Brest harbour, from the Presqu’île de Crozon to Ouessant.

 

The tour ends with a walk around the site, where visitors can see the other short-range defence blockhouses, together with a variety of impressive equipment.

 

Sources: ©Musée Mémoires 39-45

 

 

Tourist office: Boulevard de la Mer, Plougonvelin - Tel.: +33 (0)2 98 48 25 94

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Practical information

Address

Le Prédic – Route de la pointe Saint Mathieu 29217
Plougonvelin
02 29 02 84 56

Prices

Full price: € 7.50 Young people aged 6 to 16 years: € 5.50 Groups (minimum 12 people): € 6.50 Free for children under 6

Weekly opening hours

Open seven days a week, 10 am to 6.30 pm, non-stop, from 1 April to 11 November, as well as during the Christmas holidays (except bank holidays) and February school holidays (Zones B and C)

Fermetures annuelles

12 November to 31 March Open during the school holidays, except on bank holidays (Zones B and C).

Ain Museum of the Resistance and Deportation

Musée de la Résistance et de la Déportation de l’Ain - ©Agathe GAUBERT

The Musée de la Résistance et de la Déportation de l’Ain stands in the heart of the Haut-Bugey area, in Nantua, a town of major importance to the history and memory of the Resistance. In a completely redesigned layout, accessible to all, the museum gives an up-to-date (re)interpretation of the events of the Second World War, through the experiences of the inhabitants of the Ain.  ?Professional days - Du 27/09/2017 to 28/09/2017

The new visitor circuit presents the important strategic issues for the department of the Ain in the Second World War, situating them within the regional, national and European context.

 

Interspersed with personal accounts, the exhibition also reflects on the engagement of local men and women, charting their struggle against the German occupiers and Vichy regime to restore the Republic and freedom. It also sheds new light on the repression and persecution of civilians, Resistance members and Jews in the Ain.

 

Imbued with the spirits of its Resistance and deportee founders, the museum questions the construction of remembrance post-1945 and its contemporary uses. Through the history of the Ain, it is the France of the years 1939-45 that is revealed.

 

Sources : ©Musée de la Résistance et de la Déportation de l’Ain - ©Agathe GAUBERT

 

 

Office de Tourisme Haut-Bugey, Nantua - Tel.: +33 (0)4 74 12 11 57

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Practical information

Address

3 montée de l’Abbaye - 1130
NANTUA
04 74 75 07 50

Prices

Plein tarif : 7 € Tarif réduit : 4 € Gratuit pour les moins de 18 ans et les personnes en situation de handicap. Passeport annuel : 10 € Groupes sur réservation : se renseigner

Weekly opening hours

10 am to 12.30 pm and 1.30 pm to 6 pm - Closed on Tuesdays

Fermetures annuelles

16 November to 28 February

No 4 Commando Museum

Founded by veterans, the museum preserves the memory of the 1st Battalion of Naval Fusiliers, a commando set up by Commander Philippe Kieffer which, incorporated in the British No 4 Commando, was the only French unit to take part in the Normandy landings (on Sword Beach), on 6 June 1944.

The museum charts the history of the French volunteers who, thanks to Kieffer’s tenacity, were able to join the British commandos and take part in a number of operations alongside them. It focuses in particular on their training at the Achnacarry camp in Scotland and how they landed on the beach of Colleville-sur-Orne (present-day Colleville-Montgomery) with No 4 Commando, captured Ouistreham casino and liberated the town, joined up with British paratroopers at Pegasus Bridge, Bénouville, then installed themselves in Amfreville, all in the same day, 6 June 1944. They went on to fight in the Battle of Normandy until late August 1944, then in Belgium and the Netherlands.

 

All the pieces displayed in the museum are authentic, and most of the equipment and uniforms were donated by the families of the British and French commandos.

 

A scale model measuring 3.60 m x 1.10 m helps visitors to picture the landing at Colleville-sur-Orne and the capture of Ouistreham casino.

 

A 26-minute film (with English subtitles), comprised of documents and footage from the time, shows in particular the troops training at Achnacarry.

 

Exhibited in large display cases are many uniforms and weapons used in the conflict, including some very rare pieces.

 

Most of the objects and photographs are labelled in French, English and German.

 

This museum was founded in order to:

  • explain what the commandos were and what they accomplished; and

  • make sure their memory and example live on.

This poem says it all:

 

Tribute to the Kieffer Commando
(to the 177 commandos and their comrades-in-arms)
Commandos, an emblem of hope
flapping in the wind toward the sky of France,
You begin a hymn of deliverance
that echoes through the villages of France.
(...)

Claude Blin

The complete poem by Claude Blin is available at the No 4 Commando Museum

 

Sources : ©Musée N° 4 Commando

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Practical information

Address

Place Alfred Thomas (face au casino) 14150
Ouistreham Riva-Bella
02 31 96 63 10

Prices

- Full price (adults): € 5 - Young people (over 10 years) and students: € 3 - Groups (over 10 people): € 4 pp - Free for accompanied children under 10 years

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Fermetures annuelles

Mid-October to end-March Local tourist office: Place Alexandre Lofi - 14150 Ouistreham Riva- Bella - Tel.: +33 (0)2 31 97 18 63 - info@tourisme-ouistreham.fr