The Saint-Denis art and history museum is housed in the town’s former Carmelite convent. Founded in 1625, the convent was enlarged by Louis XV’s daughter, Madame Louise of France, following her time there from 1770 to 1787.

The building was bought by the town council in 1972 and has been used as a museum since 1981. The archaeology collections in the old refectory display the results of digs carried out since 1973 by the Saint-Denis Archaeology Unit. Between 1973 and 1992, 33 000 objects were unearthed, added to which are millions of potsherds, animal bones and building materials.

They constitute an important documentary record of everyday life in the Middle Ages, from various angles: home and crafts, music and games, cooking and diet, clothes and jewellery, etc.

The former sacristy, converted into a parlour in the 18th century, houses the collections from the old hospital: paintings, sculptures, decorative ironwork and many documents on hospital life under the Ancien Régime.

An adjoining room known as the “Apothecary’s Room”, presents a remarkable series of pharmaceutical ceramics produced in the workshops of Rouen, Never and Saint-Cloud. Restored cells on the first floor give an insight into the workings and everyday life of the convent.

A reconstruction of Louise of France’s cell adjoins a display of liturgical ornaments, monastic artworks, Guillot canvases, and masterpieces like Laurent de la Hyre’s triptych Mary Magdalen at the Foot of the Cross or François Perrier’s St Augustine offering his heart to the Baby Jesus.

Split between two floors of the Louis XV pavilion, the Paul Éluard collection sheds light on the private life and political engagement of the poet and co-founder of the Surrealist movement, through original documents (manuscripts, letters, photographs), original editions, personal belongings and books from his own library.

Still on the second floor, in the 350 sqm of apartments where Louis XV’s daughters stayed when visiting the convent, is an important collection on the Commune and Sieges of Paris.

The collection, begun in 1930, comprises over 10 000 pieces, including weapons and a wealth of images: Épinal prints, portraits and caricatures of generals, letters, posters, lithographs, photographs, paintings and sculptures by artists of the time: André Gill, André Lançon, Draner, Klenck and Jules Girardet.

Thus, alongside the red flag of the church of Saint-Leu on Boulevard de Sébastopol are Georges Salendre’s bust of Gustave Courbet, Philippoteaux’s Fighting in Père-Lachaise, caricatures by Daumier, Cham and Le Petit, Appert’s photographic portraits of Communards, military illustrations by Bertrall, and anti-Communard photomontages by Bruno Braquehais.

Political posters and periodicals such as L’Île des Pins, a newspaper of Communards deported to New Caledonia, round off the political presentation of events. Objects from everyday life tell of the struggle for survival during the siege.

A collection of old books, historical research by pioneers (Camille Pelletan, Louis Veuillot, Henri Monin), monographs and memoirs of Communards, military surveys (Pichon), books on the caricatures and writings about the provincial communes (Lyon, Bordeaux, Marseille) are all available for researchers to complement their visit to the museum.

Other services

The Cultural and Educational Outreach Service invites the public of all ages to explore the collections through guided tours, activities and workshops.

Meanwhile, researchers can consult the works and documents in the drawing collection, housed in the former convent printing house.

The book and gift shop sells a wide variety of reproductions and postcards in connection with the museum’s collections.

Musée d’Art et d’Histoire de Saint-Denis 
22 bis avenue Gabriel Péri - 93200 Saint-Denis
Tel.: +33 (0)1 42 43 05 10 - Bookings: +33 (0)1 42 43 37 57
Email: musee@ville-saint-denis.fr

Getting there

Metro (Line 13) - Station: Saint-Denis Porte de Paris (exit 4)
Bus: 154, 254, 177, 255, 170
Car: A1 and A86 - exit Saint-Denis Porte de Paris
Parking: Porte de Paris and Basilique

Georges Clemenceau s’installa rue Franklin, dans le 16^ème arrondissement, en 1895, peu de temps après le scandale de Panama à la suite duquel, calomnié, il perdit son siège de député. Il vivra dans ce modeste appartement de trois pièces sur jardin avec vue sur la tour Eiffel, durant trente-cinq ans jusqu'à sa mort le 24 novembre 1929. 

Clemenceau ne quittera jamais cet appartement, même quand il exercera, par deux fois, les fonctions de Président du Conseil – d’abord comme ministre de l’Intérieur, entre octobre 1906 et juillet 1909, puis comme ministre de la Guerre, entre novembre 1917 et janvier 1920 - refusant à chaque fois d'habiter dans les palais officiels, ne souhaitant pas « vivre en meublé », selon ses propres termes.

C’est dans cet appartement que le général Mordacq vint lui annoncer la fin de la guerre.

« A 5h45, je recevai la nouvelle que l’Armistice était signé. Je me précipitai aussitôt chez Clemenceau . j’y arrivai vers 6 heures. Je trouvai le Président dans sa chambre, éveillé et levé. Il n’avait pas dû dormir beaucoup car, lui aussi, comme tous les bons Français, se demandait si décidemment, cette fois, c’était bien la fin du long cauchemar. Dès que je lui eu annoncé la bonne nouvelle, il me prit dans ses bras et m’y serra longuement. Très émus tous les deux, nous restâmes ainsi plusieurs minutes sans pouvoir parler » …. 

Général H. Mordacq, « L’Armistice du 11 novembre 1918, récit d’un témoin », Paris, Librairie Plon, 1937, p.78-84

A la mort de Clemenceau, l’appartement fut transformé en musée et conservé dans l’état. Le visiteur peut toujours y admirer les nombreux témoignages reflétant le goût de son célèbre occupant non seulement pour la Grèce antique, mais aussi pour l’Extrême-Orient, de même que la trace de ses amitiés nouées avec les artistes les plus novateurs de son temps (Monet, Manet, Rodin, etc….).

Une galerie documentaire au premier étage est adjointe au musée, quelques années après, retraçant la vie incroyablement riche de cette personnalité aux multiples facettes : médecin, maire de Montmartre, député et journaliste, ministre, Président du Conseil, anticlérical farouche, écrivain, collectionneur, ….

Quatre-vingt-six ans après la mort de Clemenceau, la Fondation a entrepris un premier chantier de restauration dans le cadre du Centenaire de la Grande Guerre. Cette première tranche, regroupant la restauration du cabinet de travail et le vestibule de l’appartement du Tigre, répond à une exigence scrupuleuse dans la restitution fidèle des pièces telles que Clemenceau les avait connues jusqu’à sa mort, exigence répondant à l’objet même de la Fondation du musée. Les travaux de restauration du cabinet de travail et du vestibule auront duré cinq mois pour redonner tout son lustre au décor cher à Clemenceau.

Aujourd’hui, le musée a rouvert ses portes avec le plaisir d’y retrouver ses visiteurs de plus en plus nombreux.

Sources : ©Musée Clemenceau

Built on a rocky outcrop, Brest Castle dominates the Penfeld River and the harbour. It stands on a major strategic site whose importance as such was recognised as early as the 3rd century, when the Romans set up base there to protect the province of Armorique from Frankish and Saxon pirates.

In the twelfth century, the counts of Léon restored the old bases left by the Romans and a small town surrounding a chapel was established within its walls, a town that grew into the Brest we know today! During the Hundred Years' War, the castle was occupied by the English and besieged by Duguesclin. Anne of Brittany also stayed there in 1505 during a pilgrimage. In the seventeenth century, under pressure from Richelieu and Colbert for Brest to become the French Royal Navy's major arsenal on the Atlantic coast, it was decided that the castle's defences needed to be improved. The architect Vauban then transformed it into a veritable citadel, and the town grew below it. In a town that had to be almost entirely rebuilt after the fierce raids of 1944, the castle is the last remaining testimony to centuries past.
The Castle has been constantly adapted to changes in siege tactics and weaponry. It needed to be able to resist two types of attack: those from the sea, but mostly those from the land. Consequently, its architecture is complex and additions were frequently made to it over time. Parts of the Roman walls are still visible, and the Paradis Towers have preserved their medieval character (pepper-box roofs and machicolation). But in its current state, the castle remains characteristic of the defensive fortification architecture developed by Vauban, in particular to respond to the use of siege artillery. For seventeen centuries, from Roman encampment to its role as a naval base, the destiny of the Castle has been linked to the sea, the history of a town, a province and an entire country.
There has been a small museum in the arsenal since the beginning of the nineteenth century: a room devoted to models is home to many sculptures and historic model ships. Fortunately, these collections were stowed away during World War II and thus spared. They now form part of the National Maritime Museum network in Brest, Port-Louis, Rochefort, Toulon and Paris. In 1958, a new museum was established in the castle, the museum that is today visited by the public. Not to be missed are the masterpieces of maritime heritage and culture, the naval history of Brest, the castle's historic rooms and the exceptional views of the harbour and the Penfeld River.
The dungeon houses permanent collections devoted to the golden era of naval construction, as well as the penal system, weapons and scientific instruments. The temporary exhibitions (photos, paintings, case studies) are presented in the Paradis Towers, while the Madeleine Tower displays more modern naval history. Visitors can also see the S622 submarine, an example of a Seehund pocket submarine, and a boat-people vessel.
The Museum offers a series of themed tours for children at the entrance. For its temporary exhibitions, the Museum proposes a discovery tour for children. Booklets on a certain theme and questionnaires designed for children aged 8 and over are available for visitors not part of an organised tour ("Tonnerre de Brest!" a visit questionnaire based on the collections on display at Brest Castle; "Au vent de Suroît" a visit questionnaire based on the history of Brest Castle Museum) For youngsters and adults: - Guided tours all year round for groups on appointment. During the summer months, individual visitors can also follow a guided commentary at fixed times. - Greeting and training for teachers Entry is free for any teachers wishing to prepare a class trip to the Museum.
Musée National de la Marine Château de Brest 29200 Brest Tél. : 02.98.22.12.39 Fax: 02.98.43.30.54 E-Mail: [email = brest@musee-marine.fr] brest@musee-marine.fr [/ email]

The Chasseneuil-sur-Bonnieure National Cemetery and Memorial (Nécropole nationale et mémorial de Chasseneuil-sur-Bonnieure) were erected shortly after WWII to the memory of soldiers killed in action and of the 1,465 martyrs of the Resistance.

Shortly after vanquishing German occupants in October 1944, a handful of soldiers and resistance fighters decided to erect a Resistance memorial in Chasseneuil-sur-Bonnieure cemetery to the memory of the men and women who had served as volunteers and fallen "Pour la liberté and la grandeur de la patrie" ("For the freedom and grandeur of the nation").

This necropolis spans over two hectares. Most of the 2,255 soldiers and resistance fighters buried here were from Southwest France. This cemetery's distinctive feature, however, is that it is perched on a hillside. A large-scale refurbishing project involved refacing the memorial, renewing the plantations and building a car park. In 2000 and 2001, a sizeable promotional drive involved publishing a flyer, providing visitor-information boards, and refurbishing the reception area and memorial crypt.

Efforts to "rekindle the flame of remembrance" began very shortly after the Liberation in October 1944, at the hands of a group of soldiers and resistance fighters under Colonel André Chabanne, who had led the Bir'Hakeim maquis and the Charente Secret Army. F. Poncelet, an architect and resistant, designed the cemetery and memorial. Work began in 1945 (German prisoners erected the buildings by hand) and ended in 1951 thanks to a franc 5,000,000 grant from the French State prompted by Félix Gaillard's 10 August 1950 speech in the National Assembly. French President Vincent Auriol (1884-1966) inaugurated this memorial on 21 October 1951 alongside Minister for War Veterans Emmanuel Temple and then Deputy Minister for National Defence Maurice Bourgès-Maunoury.

The building faces maquis bases. It is 21 metres high and features a victory V (the emblem of the Resistance) and the Cross of Lorraine. Considerable financial and physical resources went into this memorial. It took five years to build, cost francs 13,000,000, and weighs 2,000 tonnes.
The blocks weigh as much as two tonnes each. The bas-reliefs span 80 sq m. Builders had to dig a 1,125 sq m hole for the 2,000 cubic metres of concrete and 30 tonnes of steel used to build the crypt and nine supporting pillars.

Messrs Peyronnet, Guiraud and Lamourdedieu carved the bas-reliefs depicting the lives of civilian and military resistance fighters, and their sacrifices to liberate France. The 28 alcoves in the crypt hold the remains of 30 fighters, including Colonel Chabanne and the military delegate for Southwest France Region B. Visitors entering the crypt will see an inscription overhead: "Français, ne les oubliez pas" ("People of France, do not forget them").
 

ONAC de la Haute Vienne

6 rue Haute de la Comédie - 87000 LIMOGES

Tél. : +33 (0)555 33 51 30

Tourism Office Haute-Charente

Maison des Lacs - 16310 Massignac

Tel : 05.45.65.26.69

Fax : 05.45.64.90.83

Chasseneuil-sur-Bonnieure is 30 km from Oradour-sur-Glane, on the road from Limoges to Angoulême.

Cemetery and memorial admission is free of charge all year round. Guided tours are available working days and by appointment on Saturdays, Sundays and bank holidays.

Located in the historical centre of Muret, the Clément Ader museum, a State-controlled establishment, invites visitors to discover the rich local heritage.

The city, 25 km south of Toulouse, former capital of Comminges, pays homage to the "Father of Aviation" and to the most famous local inhabitants, such as Nicolas Dalayrac, Adolphe Niel and Vincent Auriol. Associated with the municipal archive department and the library, it is a place dedicated to discovery, research and exchanges.

At the end of the 19th century, a few local scholars donated a number of items to the town of Muret, thus constituting the base of the first collections. Vincent Auriol, Mayor of Muret from 1925 to 1940, set up a museum programme to promote the cultural and historical heritage of the town and its surroundings. He decided to carry out an acquisition campaign to complete the initial collection. He pushed a policy in favour of donations and State deposits. This is how the Ader and Niel collections came to join the museum, and in 1928, the new museum acquired two paintings by François Louis Dejuine (1786-1844): Simon de Montfort and Guy de Lévis Mirepoix.

After being renovated, Château Saint-Germier was used as the setting for the first Muret museum: the "Musée du Bas-Comminges", inaugurated on 21st September 1930. The collections are presented in four areas: the rooms of Bas-Comminges, Dalayrac-Fons, Niel and Ader. During the Second World War, one of the ceilings collapsed, destroying part of the collections and causing the establishment to close. It was rehabilitated in the 1950s by Robert Mesuret, curator of the Toulouse museum. The institution was thus set up in the town hall. The second museum was inaugurated on 9th December 1954 and was named the "Musée Clément Ader".

The first inventory was carried out by Marthe Moisserand, voluntary curator between 1956 and 1973. Between 1971 and 1983, due to a lack of suitable premises, the museum was closed to the public, pending completion of work to build the new Muret Town Hall, at 27 rue Castelvieh, where the rooms were arranged to house the collections on a temporary basis.

In 1992, the archaeological gallery showed the wealth of the Muret's heritage.

On 29th June 2002, at last, the Musée Clément Ader opend at 58 rue Clément Ader.

The permanent exhibition then developed on one level covering 200 m2. When they first arrive, visitors meet the region's celebrities, before becoming familiar with local archaeology. The collection of Clément Ader (1841-1925), the "Father of aviation", includes furniture from the inventor's office, patents and plans of some of his inventions, personal objects and his library. This collection comes entirely from the donation made by Mrs Clémence de Manthé, Ader's only daughter, to the town of Muret.

The collection of Adolphe Niel (1802-1869), Marshal of France and war minister of Napoleon III, brings together photographs, drawings and etchings, a military atlas, a bust of Gustave Crauck, furniture and personal belongings. It was made from donations from the Marshal's descendants. 

The Vincent Auriol (1884-1966) collection was donated to the museum by his son, Paul Auriol, in 1966. In particular, it presents personal belongings, portraits, medals, etc. The Dalayrac family added to the museum's collection by donating different objects from their ancestor, Nicolas Dalayrac (1753-1809), known for his light operas. It consists mainly of busts, etchings,

instruments, booklets and musical scores. The museum is proud to be able to present, thanks to a State deposit in 1928, two paintings by François Dejuine (1786-1844), who won second prize in the Prix de Rome and was decorated with the Legion of Honour. They are exhibited

in the Salon: Simon de Montfort and Guy de Lévis, lord of Mirepoix. The archaeological area is dedicated to archaeological discoveries in the region of Muret: Bourdaya,

St-Marcet, Cabouillet, La Peyrère. It shows, in chronological order and by theme, artefacts ranging from the Lower Palaeolithic period to the 19th century.

By appointment, the museum's reserve presents other archaeological items and local historical collections. One example is the Guillaume Jbos (1860-1952) collection, an international singer.

This collection, bought from a private person in 1995, contains photographs, stage costumes, musical scores and private documents. The reserve conserves testimonials from other noteworthy Muret inhabitants

such as Gaston and Myriam de Béarn, Jean Decap, and Abbot Lestrade.

The municipal archives, installed inside the museum, conserve a very extensive collection of documents relating to the history of Muret from the Middle Ages to the end of the 1930s:

cadastral maps, debates, civil status documents, etc. These collections, as well as the large collection of photographs and the collection of the local history library, are free to consult in the reading room.

The establishment regularly welcomes school groups, clubs or associations. In this field, the Clément Ader museum wants to improve its policy for receiving young people.

It has set up a learning department in charge of designing and organising actions with different local and national educational and cultural players.

Musée Clément Ader

6 Bd Aristide Briand - 31600 Muret

- Tél. : 05.61.51.91.40 - Fax : 05.61.51.91.41

e-mail : musee@mairie-muret.fr

Postal address: Hôtel de Ville

27, rue Castelvielh

BP 60207 31605 Muret

Mairie de Muret

Fort de Sainte-Agnès, a structure in the Fortified Sector of the Alpes Maritimes on the Maginot Line, was built between 1932 and 1938 and is completely underground. Its purpose was to defend the border between France and Italy. The village of Sainte-Agnès, the highest coastal village in Europe, clutches to the side of a 780-metre peak overlooking the Mediterranean Sea. This advantage led the local lords to use it as a fortress starting in the 16^th century. Thus, as a privileged observation and defence position, the construction of the Maginot structure at Sainte-Agnès was part of the military programme for the Fortified Sector of the Alpes Maritimes (SFAM).

Sainte-Agnès is located on a rocky outcropping overlooking the sea at nearly 800 metres. During the Roman period, the site was semi-permanently occupied by shepherds and peasants. The discovery of a church consecrated to Saint Agnès, martyr under the reign of Diocletian, has made it possible to date the founding of the town to the beginning of the 12^th century, when it belonged to the Count of Ventimiglia. A strategically important location for the Counts of Provence and the Genoese, the site was fortified at the end of the 14^th century by the House of Savoy. The scene of battles between French troops and the Sardinians, the fortress became a possession of the Kingdom of Piedmont-Sardinia between 1814 and 1860, when the County of Nice and Savoy were attached to France.

The fort, built between 1932 and 1938 to defend the Bay of Menton against Italian attacks, is completely underground. With 2,000 m² of galleries and rooms, it was dug into over 55 metres of rock. Exclusively defensive, with powerful artillery blocks, it was one of the most powerful structures in the Fortified Sector of the Alpes Maritimes. Designed to be completely autonomous, the Fort de Sainte-Agnès is a veritable “underground city”.

The fort has also kept its artillery in a bunker (135 and 75-mm Howitzer cannons, 81-mm mortar). The south block (or block 2), the most powerfully armed front bunker of the entire Maginot Line (75 mm, 81 mm and 135 mm cannons), held off the Italian offensive of June 1940, with a barrage of artillery blocking the coast and forcing the Italian troops to retreat.

The fort was owned by the State until 1990. The municipality of Sainte-Agnès then acquired it to open it to the public and to preserve the memory of the site.

Town Hall

102 Place Saint Jean 06500 Sainte Agnès

Tel.: +33 (0)4 93 35 84 58

Fax: +33 (0)4 92 10 35 14

Opening hours: Week-ends from 2.00 pm to 5.30 pm. From July to September (closed Mondays) from 3.00 pm to 6.00 pm.

Admission (guided tours): Adults: €3.05 Children: €1.52 Groups (booked in advance): €2.29

Access: Coach Station – Regular service between Menton and Sainte-Agnès Tel.: +33 (0)4 93 35 73 51

Departure from the Menton coach station: every day at 9.50 am, 2.00 pm and 4.15 pm. An additional shuttle on Tuesdays and Saturdays at 8.00 am, 11.30 am, 1.00 pm and 5.15 pm.

Departure from Sainte-Agnès: every day at 10.20 am, 2.35 pm and 4.45 pm. An additional shuttle on Tuesdays and Saturdays at 8.30 am, 12.00 pm, 1.30 pm and 5.45 pm.

A8 motorway: Menton exit, the N 7 highway: seaside road, then follow the itinerary through the Valley du Borrigo or the Corniche des Serres de la Madone

The château of Balleroy, the design of which inspired the design of the palace of Versailles, was built ex nihilo in 1631 at the request of the duke of Choisy by the architect François Mansart (1598-1666).

The architect gave the structure the first spiral staircase ever seen in France. Works by other masters, such as Baudry, Delaroche, Géricault, Gros and Van Loo add to the brilliance of the place named after count Albert of Balleroy, a talented animal painter a student of Schmitz, who exhibited his works at in the hall from 1853 to 1870.

The reception hall has a series of royal portraits of Juste d'Egmont crowned by a ceiling painted in trompe-l'œil style by Charles de la Fosse.

During the course of the renovation of the interior, the dining hall is fitted with Régence panelling from a private hotel in Paris.

The library, built in English style around 1850, houses more than 3600 works.

The park is lies between romantic gardens built in 1856 and French-style panels designed according to the plans of André Le Nôtre and altered by Henri Duchêne in the 19th century.

The property was acquired in 1970 by media magnate Malcolm S. Forbes (1919-1990).

He was a world-renowned balloonist who set six hot-air ballooning world records, and was the first to successfully cross the United States, from east to west, with a single hot-air balloon. He wass also a member of the consultation committee of the Naval College.

He decided to create an international balloon museum on his new property. The wealthy, passionate individual gradually built up the collection, collecting photographs, sketches, dioramas, genuinely unusual objects and unique documents on the history of air ballooning, in particular on the role of air balloons during the sieges that took place during the war of 1870.

Château de Balleroy - Musée des Ballons

F-14490 Balleroy

Tél. : 02.31.21.60.61 - Fax : 02.31.21.51.77

E-mail : reservation@chateau-balleroy.com

Château de Balleroy

The Landing Museum, built in 1954 next to the beach of Arromanches, is located on the same site where the artificial port, traces of which can still be seen, was built, several hundred metres from the shore. "Mulberry B" is the official code name given to the artificial port of Arromanches ("Mulberry A" being the name given to the artificial American port that runs along Vierville-sur-Mer and Saint-Laurent-sur-Mer ). This port had to allow the transport of dfferent types of cargo (live and material) for the troops involved in the battle of Normandy.

- Open 1 February to 30 December : Winter : 9h30 to 12h30 and 13h30 to 17h30. Summer : 9h to 19h. Annual closure : 1 January - 31 January - Four-language reception, trilingual guided visit, visit aids - Boutiques-souvenirs - Duration of visit :1h15 - Prices : Adults : 6.00 Euros / Children, students : 5.00 Euros. Reduction if visiting several museums on the history of the battle of Normandy : 5.50 Euros - Sale to groups only (more than 20 people) of tickets that include admission to the Arromanches Museum and the Pegasus Memorial in Ranville. Adults : 6.50 Euros. School students : 5.00 Euros - Label Normandy Quality Tourism