This museum, in Camaret near Brest, has been installed in the bunkers of the Kerbonn battery in Pointe de Penhir. These old bunkers on the Atlantic Wall were built on the ruins of a Third Republic-style fort, itself constructed on fortifications built by Vauban. Geographically this place was made for fortresses!

The superb site overlooks the sea from atop a vertiginous cliff.

Nearby off the coast, a large granite riprap, the Lion of Toulinguet, faces Pointe Saint-Mathieu and marks the north entrance of the Brest bottleneck. To the far west of Point de Penhir was erected, on the request of General De Gaulle, a Cross of Lorraine-shaped monument that commemorates the Breton sailors, the first men to join the France Libre resistance organisation.

The museum is the only one in continental Europe dedicated to the Battle of the Atlantic. If it had been won by the Germany navy, the United Kingdom could not have been used as a base that served to help liberate western Europe. It also pays tribute to all the sailors, whose average age was 20, lost at sea.

Maps allow visitors to track the losses incurred by the merchant navy and German submarines geographically and chronologically.

In its small space, the museum presents photos, maps and models to show a complete overview of everything the Battle of the Atlantic represented. Although this museum is the work of passionate patriots, the historical balance between the two sides has been thoughtfully respected. The museum celebrates, amongst other subjects, the memory of the Free French Navy Forces whose flag is on display. The majority of the men fighting for the Free French Navy Forces came from Brittany. The memory of the sea fishermen from the Ile de Sein who collectively rallied to the support of France Libre is kept alive today.

Special attention is given to the crews working on the merchant ships. These men are the great forgotten participants in the victory. If their ship was torpedoed, they had a fifty percent chance of survival. This probability was reduced to almost zero for crews on oil tankers, vessels carrying munitions or Arctic convoys.

Memorial Museum to the Battle of the Atlantic in Camaret

Fort de Kerbornn B.P. 44 29570 Camaret

Tel: +33 (0)2 98 27 92 58

Opening dates and times: 

Every day during school holidays from 10 am to 7 pm.

By appointment for groups.

Parking for around 50 cars.

Getting there:

From Crozon follow the signs for Camaret then Pointe de Penhir.

Admission:

Adults: 3 €

Children: 2 €

Family ticket for two adults and two children or more

Free for war veterans, military, school, holiday camps and students.

Tourist Information Office

15, Quai Kleber B.P. 16 29570 Camaret-sur-Mer

Tel: +33 (0)2 98 27 93 60

Fax: +33 (0)2 98 27 87 22

Email: ot.camaret@wanadoo.fr

Quiz: Fortifications

Source: MINDEF/SGA/DMPA

It was from Brest that squadrons departed to support the Americans in the War of Independence.

Louis XVI, who wanted to turn the port into an impenetrable fortress, decided to complete Vauban's fortifications with the construction of a line of defence to the west of the town. It consisted of five independent forts.

The largest, Fort Montbarey, was designed to withstand a siege lasting three weeks with 500 to 600 soldiers. Its construction lasted from 1777 until 1784.

Completed after the American War of Independence, it only ever had a role as a deterrent.

The French Navy made it available to the Memorial Association in 1984 in order that it could be used to tell the history of Finistère during the Second World War.

The museum occupies some of the 3 hectares and consist of:

5 main rooms: Cell I : Accommodation for 100 soldiers. Screening room for the video "Brest at war during the Second World War". Cell II : Artillery workshop also used as accommodation for 50 soldiers in the garret. The exhibition "Old boats in the turmoil" recounts the departure of boats to Great Britain following the appeal of 18th June 1940. Cell III: Hall of honour: Maps tracing the development of the conflict of 1933 to 1945. Finistère's decorations and towns awarded medals. Model of the Fort as it was designed. Churchill's tank. Map tracing the American advance on Brest. Crypt of Remembrance. Gallery for the people of Finistère who "died for France" and the Allies who died in battle. Cell IV : Artillery workshop with accommodation for 50 soldiers. Here we find models and vehicles, as well as the "Brest at war" exhibition Cell V: Accommodation for 100 soldiers. Exhibition: the 1st French army and the Provence landings.

Northern Quarter - Pharmacy which also served as accommodation for the surgeons and the chaplain. Along with the infirmary, it houses a 1940 exhibition. - Infirmary. It was the first time that a place for confining the sick and wounded had been incorporated into the design of a fort - Room of the Résistance. - Room of the Deportation. It is important that this is seen by the younger generation, but it is not advised to bring very young children.
Southern Quarter: - Flour store with accommodation for the quartermaster in the garret. During the Second World war it was used as the mess for German officers. It was they who drew the eagle and horses' heads and carved the mottos. Bottom right "Fidelity is the essence of honour". It is a quote from Bismark. On the right as you enter "The struggle leads us to victory". On the left "Germany will live on if we must die". An exhibition covers the involvement of aviators from Finistère in the Free French Forces (FAFL).

- Bake house : the oven designed to bake 300 loaves a day is still in working order. The hook was used to hang the sacks of flour so they could be emptied onto the table. In the wall, a pipe brought the water required for baking.

Exhibitions: "The American War of Independence". "Overseas theatres of operations" (Free French). - Quartermaster's stores. On the right as you enter is the wood store. On the left is the back of the oven. At the end there was a small well from which the water was drawn to feed the waterspout that comes out in the bake house. - Wine store.

Deportation wagon : It was in wagons like this that deportees were taken to the camps; the journey lasted about a fortnight with 100 to 120 or even 150 people inside. It is dedicated to the wartime railwaymen and to Finisterian deportees.

Blockhouse: Constructed in 1953 by the French navy, it housed a Radar command post during the cold war. Room 1: The presence of the Kriegsmarine in Brest, most notably the Scharnhorst, the Gnelsnau and the submarine base.

Room 2 : Ammunition found in the area.

Well : Fed by a spring, it contained 4,000 litres of water. Between the 12th and 16th September 1944, it served as an improvised command post to the soldiers of a battalion of the 2nd Parachute Infantry Regiment who were entrenched in the fort. To liberate the fort, the Americans had to call upon the British who were armed with Churchill Crocodile flamethrower tanks, of which an example from the period can be seen at the entrance to the courtyard.

Vehicles: They are all original. With the exception of the tank they are all in working order. Most of them served during the Normandy landings (a painted star on the vehicle). They are on show at the fort as a tribute to the action of the allies that allowed the liberation of France.

Musée Mémorial des Finistériens

Fort de Montbarey – Allée Bir-Hakeim

BP 53111 - 29231 Brest cedex 3

Tél. : 02 98 05 39 46        @mail : fort.montbarey@free.fr

Visites :

Le mardi, mercredi, jeudi et vendredi de 14h à 17h (jusqu’à 18h en été)

Le dimanche de 14h à 17h (jusqu’à 18h en été)

Groupes (≥ 10 pers.) : visites guidées sur rendez-vous ; autres jours/horaires possibles.

Boutiques (livres, documents sur la Seconde Guerre mondiale).

Parking à l'intérieur du fort pour environ 40 voitures

Tarifs :

Adulte : 5 €

Anciens Combattants (1) : 3 €

Enfants de 9 ans et plus, étudiants (1) : 3 €

Enfants de moins de 9 ans : gratuit

Gratuité pour les personnes adhérant à l’association Mémorial (25 €/an)

Forfait scolaire : 25 € par classe

Tarif pour groupe supérieur à 10 visiteurs avec visite guidée

(1) sur présentation de la carte correspondante

Accès : Rocade Ouest de Brest Prendre la Direction Le Conquet,

dans un grand rond-point, le musée est clairement signalé.

Quizz : Forts et citadelles

The strategic location of Saint-Nazaire led the Germans to build a huge submarine base there during World War 2.

The construction of this base began at the beginning of 1941. The base was 300 metres long and 150 metres wide, and 450,000 cubic metres of concrete were needed to build it.

It contained 14 cells: 8 for repairs and 6 larger cells in which the submarines could remain afloat. It housed two U-Boat fleets. It spread over a total surface area of 4 hectares and its concrete ceiling was 4 metres thick.

The immensity of this construction and the characteristics of the port of Saint-Nazaire, which was one of the only ports on the Atlantic capable of housing battleships, forced the Allies to carry out particularly intense bombing raids on it.

In 1942 a British commando raid attempted to destroy the base. The civilian population suffered greatly from this Allied policy and 80% of the town was destroyed.

The German garrison of 24,000 men defended the base to the bitter end, making Saint-Nazaire one of the last Atlantic ports to surrender on 11 May 1945.

Since then, this gigantic concrete edifice has become a major focus in the reconstruction and development of the town.

The base is still there today and dominates the port and the estuary. It is now hosts various tourist attractions including the International Ocean Liner Centre, the tour of the submarine 'Espadon' ('Swordfish') and an 'ecomuseum', which give an extra dimension to this historical site.

The public can also visit the panoramic terrace, which offers an unbeatable view of the town.

Base sous-marine

Boulevard de la Légion d'Honneur - 44600 Saint-Nazaire

The Centre was created on the initiative of Marie Michelet, wife of Edmond Michelet, and the Fraternité Edmond Michelet association. The project took shape in the early 1970s.

The Michelet family home was donated to the Association in order to set up the establishment, in partnership with the town of Brive-la-Gaillarde, to study events that occurred in the Second World War, in particular the Resistance and deportation. The Centre Edmond Michelet was inaugurated on 8th May 1976.

From the outset, the project's aim was to be a different memorial. Thus, Marie Michelet always refused that the establishment be a fixed memorial; she wanted it to be a living place, with the permanent exhibition running alongside a space for studies and reflection. This ambition led to the current name of "centre of studies".

Composition:

The establishment consists of a museum, a library and a video library, an archive and documentation section, an events area with permanent exhibitions, mobile exhibitions, conferences and a yearly seminar, and a learning department.

The archive service comprises:

- The Edmond Michelet and Etienne Borne collections

- Collections of former Résistance members, deportees and personalities

- A photo library

- Old newspapers and magazines

The museum has 10 rooms devoted to:

- Edmond Michelet, the Résistance member and the man of State

- The Résistance

- The occupation

- The deportation

- Human Rights

- Propaganda in images

An audio-guide is available for the visit.

The exhibition presents propaganda posters, of which the centre owns a record number in France (around 350) and which give an understanding of the context civilians had to face during the occupation. This museum develops the usual themes of museums dedicated to this period, but takes an object-focused approach.

Centre Edmond Michelet

4 rue Champanatier

19100 Brive la Gaillarde

Tél. : 05 55 74 06 08

museemichelet@brive.fr

Open every day except Sundays and national holidays, from 10 am to 12 pm and 2 pm to 6 pm.

Free entry

Guided tour on request for groups

Site du Centre Edmond Michelet

Background

When Henri Queuille died, in 1970, his heirs donated the house in which he lived all his life to the Corrèze département, to be turned into a museum. The main themes covered are the memory of Henri Queuille and the Résistance.

Thanks to Henri Queuille's collection, donated to the museum by his family, and to Résistance archives and donations from private people, a team made up of former Résistance members, historians and professors successfully brings together and exploits numerous objects and documents. The museum was inaugurated on 4th May 1982 by the President of the Republic, François Mitterrand.

Composition

The museum has 200 m² of exhibition rooms, divided into five rooms on three levels. They cover the 3rd and 4th Republics, the Résistance and the maquis, Nazi crimes and deportation. It consists of 80 display cases, 100 signs and frames, around 1,500 collection items, including 900 photos and 300 documents and objects.

Musée départemental de la résistance "Henri Queuille"

21 rue du Commerce

19160 Neuvic

Tél. : 33 (0)5 55 46 30 60 - Fax : 33 (0)5 55 46 30 69

Email : musee-henriqueuille@cg19.fr

www.musee-henriqueuille.com

Situé dans l’ancien couvent des Sœurs de la Providence du XVIIe et XVIIIe siècle rue Neuve Saint-Etienne, au cœur au quartier de la Cité, il propose sur 1400 m2 un parcours muséographique retraçant les faits historiques de la Seconde Guerre mondiale et particulièrement la Résistance, l’occupation et la déportation en Haute-Vienne.

Deeply affected by the Franco-Prussian war of 1870-1871 in which he was actively involved, notably alongside Garibaldi, and devastated by the loss of Alsace, the region in which he was born, Auguste BARTHOLDI (1834 - 1904) created many works related to this conflict. Here is a brief introduction to his creations and to the museum dedicated to one of the most important exponents of sculpture in the 19th century ... Located at 30 rue des marchands, in the sculptor's childhood home - a vast 17th century private hotel in the centre of Colmar - the Bartholdi Museum houses the largest collection of sketches, models, and sculptures but also drawings, photographs and paintings produced by the creator best known for his Statue of Liberty and Lion of Belfort.

The decision to create a museum devoted to the famous sculptor dates back to 25 June 1907, when Jeanne-Emilie Bartholdi, the artist's widow, decided to bequeath the ancestral home on rue des Marchands to the town of Colmar, on the condition that the town would make it into a museum to protect and exhibit all the "furniture, sculptures, architectural works, paintings, engravings, objects of art, the library, etc." found at the time of his death in his house at 82 rue d'Assas in Paris, the address of the sculptor's last flat and workshop.
Although Jeanne Bartholdi died on 12 October 1914, the public had to wait until 18 November 1922 for the inauguration of the new museum. Spread over three floors, it occupied the north and west wings of the building. A series of photographs that were fortunately saved bear witness to the very first layouts of the permanent exhibition halls that mainly aimed to recreate the very Parisian and opulent lifestyle led by the artist in his childhood home. Thanks to a very praiseworthy museum technique, the grand hall on the ground floor, known as the "hall of models", was allotted to the meticulous presentation of a vast collection of models of statues and monuments (in terracotta, grey clays and plaster) created by the sculptor. Unfortunately, the increasing and widespread disinterest in 19th century art shown by many intellectuals and most of the museum visitors during the 20th century in general led to the "hall of models" being allocated for temporary exhibitions of modern regional artists and Bartholdi's works being relegated to various storage areas, a decision that was not without damages and losses. The building was even temporarily closed before reopening again in 1979. Since then, the renovation and extension of the permanent exhibition halls, the restoration and acquisition of works and the organisation of themed exhibitions with associated catalogues have all contributed to the conservation of the collections and the renown of the name of Auguste Bartholdi.
Visitors enter the museum courtyard via a covered passageway. At the centre of this courtyard lies Bartholdi's bronze group statue, 'Les Grand Soutiens du Monde' (The World's Great Bases) representing Justice, Labour and the Motherland, which was exhibited at the 'Salon de Paris' in 1902. The main entrance to the museum is located to the right of the courtyard. It is a Renaissance doorway, brought to Colmar and installed in the second half of the 19th century by Bartholdi during the refurbishment of the family home with three overhanging sculptures in moulded concrete, Bartholdi's work, representing two heraldic lions flanking a human-like ram. Inside, the museum occupies 3 stories and a total surface area of 700 m². On the ground floor, the Hall of Artworks from Alsace and Colmar unites Bartholdi's work linked to his native region - 'La Borne Frontière' (the border milestone), 'la Malédiction de l'Alsace' (the curse of Alsace) or 'la Suisse secourant les douleurs de Strasbourg' (Switzerland aiding the suffering of Alsace) - as well as models and certain original elements of monuments erected in Colmar (Monument Rapp, Le Petit Vigneron, Les Grands Soutiens du Monde, etc.).
In the left wing on the first floor are Bartholdi's living quarters, which include his office, a music room and notably the very elegant dining room with a coffered ceiling encrusted with China. It is also in this room that the visitor will find a series of portraits of Bartholdi's ancestors from between the 17th and 19th centuries. On the central table and the sideboards are china dishes and ceramics signed by Théodore Deck, the director of the Sèvres china factory and Bartholdi's friend. Finally, the Napoleon III room contains a large portrait of the sculptor's mother Charlotte Bartholdi, painted in 1855 by Ary Scheffer, as well as portraits of Auguste Bartholdi and his wife, painted by Jean Benner an artist from nearby Mulhouse.
The right wing of the house leads into the library, then on to the rooms containing Orientalist artworks allotted to the works produced by the artist during and after his first trip to the Orient (Egypt-Yemen, 1855-1856). On this floor, the visitor will also find the impressive hall of models containing models of most of the statues and public monuments created by Bartholdi for French towns, with the exception of Colmar: Vauban (Avallon, 1873), Gribeauval (Paris, courtyard of the Hôtel des Invalides, 1876), the Lion of Belfort (1880), Rouget de Lisle (Lons-le-Saunier, 1882), Diderot (Langres, 1884), Gambetta (Sèvres, 1892), Monumental Fountain (Lyon, place des Terreaux, 1892). It also contains numerous rough preparatory models in terracotta and a series of bronze models: The Lion of Belfort, the Statuette Equestre de Vercingétorix, Les Sept Souabes (1855), Le Génie Dans les Griffes de la Misère (1859), Statuette of Vauban (1870) and the Statuette du Fondeur Thiébaut (1899).
Finally, the second floor is totally devoted to American artworks. The visitor will discover original models, prints and old photographs related to the fountain in the Botanic Garden (New York), the low reliefs of Battle Street Church (Boston), the monument to La Fayette and Washington (New York and Paris), not forgetting, of course 'La Liberté Eclairant le Monde' (New York), better known as the Statue of Liberty. In stark contrast to certain bland museums built nowadays, the museum dedicated to Bartholdi has a soul. Through the works on display, it plunges the visitor into 19th century history, at the heart of the Third Republic born of the Franco-Prussian war of 1870-1871.
Guided visits for groups in French, German, English, Italian, and Japanese on appointment through the Tourist Office Museum opening hours: Daily except Tuesday from 10:00 to midday and from 14:00 to 18:00 Closed in January and February and on 1 May, 11 November and 25 December Admissions:(ticket desk closes 1 hour before museum closing time) Individuals Adults: €4.10 Students: €2.50 Groups (10 persons +) Adults: €2.60 Students: €1.50 Free for children under 12 years old Contacts: Musée Municipal Bartholdi 30, rue des Marchands 68000 Colmar, France Tel.: +33 (0)3 89 41 90 60 Fax: +33 (0)3 89 23 50 77 E-mail: musees@ville-colmar.com

At the end of the Second World War, the radar was in its infancy; however, some models were capable of detecting movements at sea, day and night, at a distance beyond the reach of the human eye.

The occupying forces and the allies stepped up their research into and installation of these “wizard’s ears”.

In Douvres, due to its altitude, a long-range radar was installed in late 1942 as a means to notify the military staff of any attempt to land in the region. 

However, as happens each time a weapon of war is invented… a means to neutralise it quickly follows suit. The countermeasure of fog and false echoes were extremely popular during the night of the 5^th of June 1944!

The Radar Museum

The radar station remained an entrenched camp until 17 June (10 days after the liberation of Douvres itself).

Today attached to the Memorial of Caen, the radar station is the only one of its kind on the coast.

Two remarkably preserved bunkers and original displays help visitors to understand the role of radars and their technical development.

A couple of miles from the Juno landing beaches, the German radar station in Douvres, along the Route de Basly, served as an entrenched camp for several days. An advanced surgical unit was set up near a convent in La Délivrande. 

The first bodies buried here were soldiers killed on 6 June 1944.

Later, the bodies of soldiers killed between the coast and Caen were buried here.

The British cemetery

At the entrance to the town, on the road from Caen, the entrance to the cemetery is immediately identifiable.

A square pavilion with a peaked roof covered in stone is surrounded by pergolas. In line with the porch, the Cross of Sacrifice stands at the far end of the central walkway. It is erected on a small grassy mound and surrounded by low walls.

The steles are symmetrically placed either side of the central walkway bordered by trimmed yew trees. The German plot with the various stone stele and two-sloped roof stands in the right section of the site. Curiously, the grave of the only Polish soldier is set apart.

Big lime trees and magnolias mainly planted around the edges of the site separate the cemetery from neighbouring houses. The cemetery is enclosed by trimmed hedges of hornbeams or beeches.

Musée Franco-Allemand « Station Radar 44 » Route de Bény – CD83 – 14440 Douvres-la-Délivrande

Tél. : 07.57.48.77.32

Site internet : www.musee-radar.fr - Courriel : contact@musee-radar.fr

Choisissez votre mode de visite :

 en autonomie : en suivant les panneaux

 Avec Audiospot : en téléchargeant une application gratuite qui transforme son propre smartphone en Audioguide

 Visites Commentées (par un guide bénévole) réservation sur le site internet obligatoire

 Musée du Radar - Douvres-la-Délivrande. Michel.dehaye@avuedoiseau.com

In the middle of the 1980's the General Council of Somme began thinking of a project, which would lead, thanks to European, national, regional (Picardie) and departmental funds, to the creation of an international museum of the Great War (and not only dedicated to the battle of Somme). It was decided that it would be constructed in Péronne, which once was the frontline eastwards of the department. It is an amazing white building, closely related to the medieval site of Peronne (designed by the architecture Ciriani); here the very famous "meeting" between Louis XI, king of France and Charles Téméraire, duke of Bourgogne, took place in 1468.

When it opened on August 1st 1992, the Historial of the Great War uncovered a unique collection of original objects of the every day life of that time. The weapons and military gear, ordered chronologically, are displayed in the centre of the rooms, while in the glass cases along the walls, objects of the civil life and of the families (these objects evoke the cultural, artistic, educative, economic or financial aspects of society at that time) are displayed. These objects come from the three different belligerent empires and this makes the Historial, a museum of international scale.

Quite as contemporary as the architecture, the imagination of the museum stimulates the comprehension and emotions of the war: the uniforms, for example are laid out horizontally in "pits". Thus, without having recourse to the dangerous spirit of reconstitution, this proximity to the object also becomes a proximity to the event.
Like St Quentin, this city also faced German occupation from August 28th 1914. The battle of Marne and of Somme lead to the coming and going of the occupying forces. Bombarded in 1916 and 1918, the city is no more then a ruin, which was released on September 1918 by the Australian 2nd division. The Flag of this division streams in the town hall and the Australian Memorial of Mont St Quentin on the major road 17, seams to protect the hill. The ancient village constituted a strategic observation point. It was also very difficult to reach, because of the trenches and barbed wire network. A moving memorial paying tribute to the victims of the town is situated at the end of the rampart road: it portrays a woman kneeling over a body of a dying resistance fighter (a poilu), holding up her fist evocating anger and rage. This piece is the work of Paul Auban.
 

In brief... The Historial of the Great War in Péronne is a trilingual museum of international renown, housed in a modern building, which is an extension of the medieval chateau. Its purpose is to enlighten visitors on the historical, sociological and ethnological aspects of the First World War. It illustrates everyday life during the war through the experiences of those who lived through it and brings an interactive dimension to the conflict. 56 films from the period are shown along with the collections of objects, works of art, documents, letters and postcards. Uniforms of the various servicemen are displayed amongst weaponry and personal objects, as well as a collection of 50 etchings by the great German expressionist painter, Otto Dix. Documentation centre, educational department, international research centre, shop and cafeteria. "Tourism for the disabled" approved.

Open every day from 10 am to 6 pm (except Mondays between the 1st of November and the 31st of March).

Closed from mid-December until mid-January.

Historial of the Great War

Château de Péronne BP 63 - 80201 Péronne cedex

Phonenumber : 03 22 83 14 18 - Fax : 03 22 83 54 18

E-mail : doc@historial.org

By reservation it is possible to take guided tours of the Historial and the main sites of the Somme battle.

Open every day (except from Monday), from 10:00 a.m. to 6:00 p.m.

Closed every year from mid-December to mid-January.

The Documentation Centre provides more then 2,300 works and 70 hours of visual material; the international Research Centre aims to promote university research on the First World War.

The Historial also has at its disposal an important Educational Outreach Department composed of a multidisciplinary team of educators.

The Bookstore presents and sells the principal publications of the Great War.

Comité du tourisme de la Somme

Site de L'historial de Péronne

La Somme 14-18

Somme remembrance association

November 11th 1918 at 5:15 a.m. the German plenipotentiaries accepted the armistice conditions of Marshal Foch. Some hours later at 11:00 a.m., the ceasefire announced the end of four years of horrible war. Fit out, in 1922 by the architect Mages in collaboration with M. Binet Valmer, president of the league of the Veterans, the Armistice Glade will become a symbol of victory and peace. Decorated by a monument for the inhabitants of Alsace and Lorraine ( piece of Edgar Brandt), it is pierced by an alley measuring 250 meters, leading to a sort of roundabout of 100 meters of diameter. It commemorates the end of the war, under the constant glance of Marshal Foch's statue.

Used for the signature of the armistice in 1918, the carriage n° 2419D was fit out in an office for Marshal Foch, by the Company "Wagons-Lits". Installed in 1927 on the glade, this symbolic wagon will be used by Hitler for the armistice of 1940 before being confiscated and burned in Germany in April 1945. Today the museum exhibits another carriage of the same series of 1913.
(...) When Marshal Foch had to determine the place, where he would call together the congressmen in charge for the armistice demand, he had many solutions. Would it be a more or less important locality? Would it be better to chose a place in the rear or a recently released region? Wasn't the Headquarter of the Commander-in-chief meant to be the place, where those who implored the suspension of hostilities had to be meet? (...) he will chose the forest of Compiègne, near the train station of Rethondes. Many times, during the war he established his Headquarter in his train. The congressmen will visit him at his headquarter. The loneliness of that place will ensure the tranquillity, the silence, the isolation and the respect of the adversary (...) Maxime Waygand, November 11th, 1932.
November 12th 1918, Marshal Foch addresses to his armies the following message: "Officers, Warrant Officers and Soldiers of the allied armies; after having resolutely stopped the enemy, during several month, you have attacked him without rest and tireless faith and energy. You just won the biggest battle of history and saved the a holy cause : the world's freedom. Be proud of an immortally glory, you have defended your national flags and the posterity will be forever thankful."
The Glade of the Armistice - 60200 Compiègne Phone number / Fax : 03 44 85 14 18 Opening : Opening From April to August 10h 18h last admission 5:30 p.m. daily September to March last admission 5:30 p.m. 10h 17h closed on Tuesday except school holidays price Adult : 5 euros Child rates 7-13 years : 3 euros