In the light of the theme of displaced peoples and the values of welcome and hospitality, find out how the Camp de Judes, which opened in 1939 to provide shelter for Spanish refugees of the retirada (the mass exodus of Spanish republicans after Franco came to power), has made Septfonds an important Second World War remembrance site. La Mounière also offers an insight into how the development of the hatmaking industry in the 19th century influenced the village’s architecture.

Discover local personalities, some of them famous - like the aviator Dieudonné Costes, one of the pioneers of aviation and transatlantic flights - and how each contributed to the history and heritage of Septfonds.

La Mounière is an interactive museum, whose themes are discovered using multimedia resources. The visit can be extended with two outdoor trails, one around the remembrance sites in the commune, connected to the camp, the other around the theme of hatmaking and its architectural impact.

The museum has a particular focus on appealing to young people.

All content is translated into Spanish and English.

Sources: © La Mounière – Maison des Mémoires de Septfonds

La Mounière | Maison des Mémoires de Septfonds

www.septfonds-la-mouniere.com

15 Rue des Déportés - 82240 Septfonds - Email: mairie@septfonds.fr

Tel.: +33 (0)5 63 64 90 27 - Mob.: +33 (0)6 70 36 86 90

En 1972, l'Association Nationale des Anciens Combattants de la Résistance (A.N.A.C.R.), l'Association Nationale des Pionniers et Combattants Volontaires du Vercors et la Fédération Nationale des Déportés et Internés Résistant s et Patriotes (F.N.D.I.R.P.), se réunissent en comité dans le but de créer un musée de la Résistance et de la Déportation.

Installé dans l'ancien couvent de la Visitation de Romans, il sera inauguré le 22 Juin 1974, en présence de Monsieur Jacques Debû-Bridel, membre fondateur du conseil National de la Résistance. Devant l’intérêt croissant du public, des étudiants et des chercheurs, le musée s’agrandit et évolue en 1994 pour devenir Centre historique.

Le Musée s'est donné pour mission d'informer et de transmettre afin que les événements qui ont noirci notre histoire ne se reproduisent pas. Il propose, dans une présentation sobre et claire, une exposition permanente : " De la montée du nazisme à la Libération".

Il dispose de différents outils :

- les salles d'exposition : outil de sensibilisation grand public, vitrine à la fois émotionnelle, informative et éducative.

- Le centre de documentation spécialisé à la disposition des étudiants, chercheurs et historiens (installé aux Archives communales, n°3 rue des Clercs).

- Les actions pédagogiques, destinées plus particulièrement aux jeunes générations qui n'ont pas connu cette période de l'histoire, pour leur montrer ce que peut devenir l'homme pour l'homme, dans certaines circonstances, sous certaines influences, et pour éveiller leur attention et leur vigilance aux répétitions de l'histoire.

- Le site web : http://www.resistance- drome.org

Ce site, bilingue, a pour objectif immédiat de faire découvrir aux jeunes générations le Musée et sa base de documentation.

Il veut également susciter des contacts et des échanges avec toute personne française ou étrangère intéressée par cette page d'histoire de notre région.

A terme, son objectif est de mettre en ligne la documentation bibliographique, au travers d'une base de données à critères de recherche multiples, un formidable outil de recherche de documentation.

Info utile :

Le Musée de la Résistance est installé dans une aile du bâtiment abritant le Musée international de la chaussure. L'entrée des deux Musées est commune.

Sources : ©MUSEE DE LA RESISTANCE EN DROME ET DE LA DEPORTATION

The part of the blockhouse that you can see is only 10% of its surface area. Almost entirely underground, the command post of the Graf Spee battery is one of the largest bunkers in the region. 

Set over five floors and with 500 sqm of exhibitions, the one-way circuit begins beneath the reception, in the quarters of the 25 soldiers who defended the position.  In rooms restored to exactly how they were then, discover what everyday life was like on the Atlantic Wall, through captivatingly realistic decors.

The subsequent levels immerse you in the atmosphere of the war years in Brittany: blitzkrieg, Stalags, occupation, Free France, collaboration, Resistance, fighting for Brest, liberation, and so on. Numerous anecdotes make this a moving encounter with the men and women who experienced the war, right here.

Return to the daylight on the level of the observation stations and panoramic viewpoint, offering unique views of the entrance to Brest harbour, from the Presqu’île de Crozon to Ouessant.

The tour ends with a walk around the site, where visitors can see the other short-range defence blockhouses, together with a variety of impressive equipment.

Sources: ©Musée Mémoires 39-45

Tourist office: Boulevard de la Mer, Plougonvelin - Tel.: +33 (0)2 98 48 25 94

The new visitor circuit presents the important strategic issues for the department of the Ain in the Second World War, situating them within the regional, national and European context.

Interspersed with personal accounts, the exhibition also reflects on the engagement of local men and women, charting their struggle against the German occupiers and Vichy regime to restore the Republic and freedom. It also sheds new light on the repression and persecution of civilians, Resistance members and Jews in the Ain.

Imbued with the spirits of its Resistance and deportee founders, the museum questions the construction of remembrance post-1945 and its contemporary uses. Through the history of the Ain, it is the France of the years 1939-45 that is revealed.

Sources : ©Musée de la Résistance et de la Déportation de l’Ain - ©Agathe GAUBERT

Office de Tourisme Haut-Bugey, Nantua - Tel.: +33 (0)4 74 12 11 57

 Founded in 1992 by former members of the Resistance, eager to pass on the memory of all those who fought for liberation and for victory over Nazi barbarity, the museum takes visitors on a journey through the history of the Second World War in the department. Drawing on rich archives, the exhibition sheds light on specific features of the Ardèche Resistance: underground presses, pamphlet distribution, parachute drops and acts of sabotage. The museum’s founding organisation defines its purpose as follows: “Our museum is not dedicated to any unit, movement or leader in particular, but to the Resistance, which was a collective effort.”

 Located in the commune of Le Teil, the museum tells the story of the Resistance across the department. It is therefore not a local history museum, although the local Resistance is mentioned. Similarly, although references are made to links with other departments, the museum is devoted above all to the particularities of the Ardèche Resistance, and its role in the liberation of the department.

The archive put together by the museum’s founding organisation was registered with the departmental archives, then, in 1996, donated to the department. Catalogued under number 70J, it can be consulted by anyone wishing to research the history of the Second World War in the Ardèche. The archive continues to grow as a result of regular donations and collections.   

The museum has been run since 2010 by the Rhône-Helvie community of communes which, in 2017, became the Ardèche Rhône Coiron community of communes. It is maintained by the Ardèche departmental authority and the commune of Le Teil. It offers a varied cultural programme and a learning programme for schools.

2017 programmation

- Learning programme: workshops, self-guided tours with a specially designed questionnaire, help with preparing for the Concours national de la Résistance et de la Déportation (a competition for middle- and high-school students) and the loan of touring exhibitions. All activities for school students are free (regardless of age group or the geographical location of the educational establishment concerned).

Sources : © Musée de la Résistance et de la Déportation en Ardèche

Office de tourisme - Place Pierre Semard, 07400 Le Teil - Tél.: 04 75 49 10 46

The organisation

Founded in 1997, the organisation behind the project to set up an Arles and Area Resistance and Deportation Centre (CRDA) has three aims:

- Promote the research, collection and conservation of any documents concerning the period 1939-45 in the Arles area, and collect personal accounts from Resistance fighters and/or deportees.

- Share local history of the Second World War, through educational activities for school groups and cultural events for the general public.

- Through that history, encourage people to think about the republican values championed by the Resistance: liberty, democracy and human rights.

The project

Made accessible to the young by the very way it is presented, the project of the Arles Area Resistance and Deportation Centre demonstrates a desire to establish a link between past and present, by recalling that democracy should never be taken for granted and citizenship and human rights must be defended everywhere, every day.

The centre’s goal is to encourage people to reflect on the ideologies and ways of thinking that can lead to dictatorship, fascism and the stigmatisation of certain groups.

The future CRDA’s permanent exhibition will be structured around five themes, in addition to an introduction and conclusion: the Vichy regime and occupation; resistance; repression and deportation; liberation; and the legacy of the Resistance.

Resource centre

The CRDA’s collections comprise:

- over 3 000 books, classified by theme;

- archives (pamphlets, posters, administrative reports, extracts of correspondence, etc.) and a photographic collection obtained from private sources, which are concerned with the history of the Second World War in the Arles area (36 communes);

- documentation;

- audiovisual documents (eyewitness accounts, papers, songs, etc.);

- collections of objects relating to daily life (wireless sets, school materials, etc.), the Resistance (underground printers, radio equipment, containers for parachute drops, weapons), occupation (Nazi armbands, German helmets) and the battles of liberation (weapons, clothing, etc.).

Learning activities

Approved by the education ministry, the organisation offers a series of educational activities about the Second World War in the Arles area, for primary, middle and high-school students.

These activities mostly involve a local perspective and use a range of media (living eyewitnesses, collections and archives, guided tours, educational workshops).

Cultural programme

The future centre’s cultural programme is already structured around two main events:

- The Journées de la Mémoire. In February and March each year, the organisation puts on a temporary exhibition on the themes of resistance and deportation. This involves carrying out new research into local history, and enriching and developing the organisation’s collections.  The ‘Remembrance Days’ are brought to life by a whole series of cultural events (concerts, films, conferences, talks, etc.) for a varied audience, organised in partnership with the town’s different cultural organisations.

- The Rencontres Internationales de la Photographie. Since 2013, in the summer season, the future CRDA’s exhibition spaces have hosted photographic displays on themes relating to peace, freedom and human rights, with the Rencontres Internationales de la Photographie.

Sources: © Centre de la Résistance et de la Déportation d’Arles et du pays d’Arles

A lime tree was planted in the cemetery in remembrance of Maxime Fischer. His ashes were scattered at the foot of the tree in 2008. Fischer, a lawyer who was struck off the Paris Bar because he was Jewish, became a refugee in Carpentras. He created the Maquis Ventoux with Philippe Beyne, which took in many civilians who refused to be conscripted into forced labour. He was a well-respected leader and member of the Resistance. He passed away in 2008.

The Natzweiler-Struthof concentration camp was mainly used for the internment of resistance fighters from across Europe, but homosexuals and Jehovah’s Witnesses were also interned here. The camp’s interns were made to do gruelling forced labour for the economy of the Third Reich. A number of those deported for racial reasons (Jews and Gypsies) were also sent here, to be subjected to horrific pseudo-scientific experiments.

Today, this listed historic site offers the chance to discover the workings of the only concentration camp in France, with its huts, crematorium and gas chamber.

Opened in 2005, the Centre Européen du Résistant Déporté has a definite educational approach to its visits. Touchscreen terminals, films, objects and photos chart the rise of fascism and Nazism in Europe and the setting up of the Nazi concentration camp network, whi

le at the same time paying tribute to the resistance movements that rose up against oppression.

A meeting place and discussion forum, the Centre holds regular temporary exhibitions and conferences. It aspires to spread the values of freedom, respect, tolerance and vigilance.
The camp, a major site for national and European remembrance, comes under the responsibility of the National Office for Veterans and Victims of War, an executive agency of the French Ministry of the Armed Forces.

Sources: ©Site de l’ancien camp de concentration de Natzweiler-Struthof - Centre européen du résistant déporté

Now the property of the Communication and Audiovisual Production Company for the Department of Defence (E.C.P.A.D), the fort at Ivry-sur-Seine (Val-de-Marne), constructed between 1841 and 1845, was modified after the war of 1870 in order to defend Paris. It is part of the first line in Séré de Rivières' system.

Constructed between 1841 and 1845, the fort was equipped in 1870 with 94 artillery pieces and commanded by Sea Captain Krantz. It was defended by a marine battalion that had come from Brest. On the 29th and 30th November, the fort supported the attacks from the outposts of the 6th Prussian corps to the north of Choisy-le-Roi, Thiais and Chevilly-la-Rue. On the 30th these three villages received 5,500 shells in a single day. The besieging troops owe their salvation to the numerous trenches. The French abandoned the captured positions on the evening of the 30th. The fort was occupied by the 6th Prussian corps from the 29th January until the 20th March 1871. A battery of 21 cm mortars was brought into the gorge to fire on the central section and batteries of 15 cm cannons to bombard Paris in the event that fighting should start again. The townspeople occupied the fort after the departure of the Prussians, with Colonel Rogowski in command of the confederate garrison. Faced with the threat of an attack by troops from the 3rd Versailles corps, the Confederates evacuated the fort during the night of the 24th to 25th May, blowing up a munitions depot and destroying nine of the casemates between the 3rd and 4th sides.
The fort is a pentagon with 5 bastions. It is built on underground galleries; only one of the bastions is not entrenched in the foundation piers. The galleries (more than 2 km) were planned out between 1852 and 1860 to keep watch over these piers and serve as shelters from bombardments (the ceilings of these galleries are 6 m thick). During the works, 2 battalions from the 65th Line Regiment were used, housed in an army camp close to the fort. The dominant position of the fort is clearly visible from the crossroads to the north of the entrance. The entrance accommodates two guardhouses in five vaulted casemates. There are also three postern gates, of which 2 are next to the latrines, along the other sides. The ramparts and bastions are bridged by about fifty cross sections, including 28 with vaulted shelters. The rampart between bastions 3 and 4 protects 18 casemates; one of them had a bread oven. The flanks adjacent to the bastions have gun casements for the infantry. The four other ramparts have a scarp with protected walkway for the infantry. The parade ground is surrounded by a large barracks for the troops and two houses for officers. These buildings were rebuilt in 1872. The 2 gunpowder magazines have an internal surface area of 142 m2. The fort is served by 3 wells. The building is faced in millstone, with cut stone for the stays and window and door surrounds. The buildings have tiled or zinc roofs. The arches of the casemates and magazines are in stone. The ditches between bastions 1, 2, 3 and 4 are still preserved. To the west, a police barracks occupies the place of the ditches. On the glacis there are now gardens, a college, a school, some houses and other buildings. Access is still via a casemate guardhouse. The rampart has kept its cross sections and casemates, although the latter have been converted into offices. The three barracks rebuilt after 1872 have been redeveloped, along with the two gunpowder magazines dating from 1847.
The premises now house the Communication and Audiovisual Production Company for the Department of Defence (E.C.P.A.D). They store the audio-visual archives of the military history of France from 1900 to the modern day, through 16,800 films and videos and more than 3.5 million de photographs. The first world war collection collates all the pictures and films made by the Armed Forces Photographic and Cinematographic Division (SPCA) from 1915, the date it was established, to 1919 when it was suspended. This collection is made up of images directly linked to: fighting and its aftermath: the French front and the Eastern front, the lives of poilus (a slang term fro a French soldier), the army medical corps, prisoners and what remains of the battlefields; images of the economic effort of the country and its colonies; images of political and diplomatic life: official visits of heads of state or foreign delegations, the Treaty of Versailles etc. pictures and works of art, monuments and museums and photographs taken in anticipation of reconstruction. The second world war collection collates all the documents issued by the various forces represented: the phony war documents the life of the French armies in the countryside, from the North Sea to the Italian border, between the declaration of war and the start of the French campaign; Vichy is concerned with the actions of the government and the Armistice Army, mainly in the free zone in North Africa before the allied landings; The Liberating Army follows the main fighting that took place from North Africa to Europe, from Algiers in November 1942 until the liberation of the concentration camps in 1945.
The German collection is especially large, due to the great number of operational theatres illustrated along the eastern front and through the diversity in the subjects covered in the military field (scenes of fighting and training, the lives of units on the front, the repression of people in the east and the manufacture of weapons) and in everyday life. Managed by the Armed Forces Cinematographic Division (SCA) which was united after the war, the Indochina war collection groups together Tonkin, Annam, Cochinchina, Cambodia and Laos. Although military documentaries, most of which were about the land army, represent the main subject of this collection, there are also documents describing the way of life, habitat and special customs of the various ethnic groups. Many documents belonging to this collection illustrate French action in the colonies: keeping order, industrial and agricultural development, the construction of schools, housing and clinics and the establishment of administrative frameworks. They demonstrate approval of French presence in Indochina and Algeria. The external operations collection. Protecting France's fundamental interests can lead to the intervention of the armed forces outside their national territory. That is why we talk about external operations, carried out within the framework of international mandates, such as NATO and the UN. The main external operations covered by the ECPAD since 1945 are the Korean war (1952-1953), the Lebanon (1978-1984), Chad (1978-1987), Cambodia (1991-1993), the Gulf War (1991), Bosnia-Herzegovina (since 1992), Rwanda (1994), Kosovo and Macedonia (since 1998), the Ivory Coast and Afghanistan (since 2001).
Fort at Ivry-sur-Seine 2-8 route du Fort 94205 Ivry-sur-Seine Remembrance tourist information Mairie d'Ivry Esplanade Georges Marrane 94205 Ivry-sur-Seine cedex Tel.: 0149.60.25.08 Communication and Audiovisual Production Company for the Department of Defence (ECPAD) Tel: 01.49.60.52.00 Fax: 01.49.60.52.06 e-mail: ecpad@ecpad.fr or mediatheque@ecpad.fr