Last February a memorial was opened on the site of the former Royallieu internment camp. As place of history, it is a reminder of events, setting them within the context of the Second World War and the Nazi policies of repression and extermination. As a place of remembrance, it pays homage to all those who were detained there before being deported to Germany and Poland or shot as hostages. In 1939, the Royallieu barracks near Compiègne in the Oise département was used as a military hospital before being converted by the Germans in June 1940 into a camp where they brought French and British prisoners of war.

In 1941, they turned it into a " permanent concentration camp for active enemy individuals" under the official name of Frontstalag 122, which became a "German police detention camp" by virtue of decree on the 30th December 1941. Resistance fighters, political and unionist militants, Jews, civilians arrested in raids and foreigners etc. - more than 45,000 of them would pass through there before being deported to Nazi concentration and extermination camps. "I got out of the last departure and really hope not to be in on the next one. I am here with some really nice, good people: communists, Gaullists, royalists, priests, aristocrats and country folk - it's an extraordinary mixture", the poet Robert Desnos, who was interned on the 20th March 1944, wrote to his girlfriend. A short respite. A death train took him away on the 27th April to Flöha en Saxe and he was to succumb to typhoid on the 8th June 1945 at Terezin. It was from the camp at Royallieu that the very first deportation train was to leave French soil on the 27th March 1942. It took over a thousand Jews to Auschwitz, as did the next one on the 5th June. A third convoy, consisting mostly of communist and unionist hostages, left Compiègne on the 6th July. Royallieu was thus to become a transit camp for detainees, for the most part political and resistance fighters, prior to their deportation.
A place for remembering Research carried out by the Remembrance of the Deportation Foundation at the History Department of the Ministry of Defence's archive office for victims of contemporary conflicts has allowed the identification of the departure of twenty-six large convoys, in addition to a dozen small convoys between 1942 and 1944. Including the first two convoys of deported Jews, this makes a total of forty convoys. Since the camp also served as a place for detaining hostages, other internees were shot in the surrounding forests once reprisal measures had been agreed. It is to all these people that the internment and deportation memorial is dedicated. This has just been built on part of the former camp by the town of Compiègne in partnership with the Remembrance of the Deportation Foundation, the Defence Department (Directorate of Memory, Heritage and Archives, SGA/DMPA), the Regional Council of Picardy, the General Council of the Oise, the Heritage Foundation and the Caisse des dépôts et consignations (a government body in charge of investing and lending public money). The historian and filmmaker Christian Delage created the journey through history. The architect and scenographer Jean-Jacques Raynaud designed the setting. The result is solemn, due as much to the materials used - glass, concrete and stone - as to the way the floors and walls in the three preserved buildings that remain out of the original twenty-five have been stripped back to their initial condition, and the use of sounds and images to set the scene. Opposite the entrance stands a wall to guide visitors towards the reception hall. Made up of a series of glass pillars bearing the names of all the deportees and internees of the camp at Royallieu identified to date, its purpose is to give the internees back their identities. It is through these names that visitors are introduced to the site. Around the buildings is what is today a garden of remembrance, as well as an exhibition area: plans of the internment camp, group photographs of the guards and written and recorded accounts accompany visitors as they retrace the history of the site.
The memorial provides two routes that are complementary to and inseparable from each other. One of them, the result of the hard work of historians, puts the history of the camp in context; the other encourages visitors to follow their own personal remembrance trail. The history is mapped out along a frieze running the length of the walls of the ten halls that form the tour. It covers in succession: the historic context, internment and the daily life of the camp, transportation on the deportation trains and forced labour and death in the Nazi camps. Documents and archive films illustrate the descriptions. Letters, photographs, drawings and recorded eyewitness accounts tell of life at Royallieu. In places, the images projected onto the walls and floors dominate the whole room. The remembrance trails themselves are an opportunity to meet the many witnesses, who tell of how they survived their passage through this transit camp. These accounts, in several different voices, demonstrate the wide diversity in the backgrounds of the detainees, their opinions and the conditions in which they were held. These men and women are constantly present: their names, their faces, their words and their written accounts remain with the visitor. The buildings are both exhibition halls and "exhibits" at the same time. The walls, floors and ceilings are all in their original condition: the tiles and lino have been removed, to reveal the original rough concrete that internees would have trodden; the false ceilings from the 1970's have been taken down to show the barracks' plastered ceilings; recent paint work has been scraped off to reveal the different layers of materials, colours and decoration beneath.
The words of witnesses The memorial provides many and varied sound recordings. Chosen carefully, some of them contribute in setting the scene. Broadcast all around the place, they are triggered automatically as they detect visitors' movement. Others are transmitted by an audio-guide, available to every visitor. In this way everyone can follow his own audio route, in his own language and at his own speed. The audio-guide can also be used to develop tours for specific groups - young children or the partially sighted - and themed tours etc. The words of the witnesses resonate around the place. They resound off the metal and wooden chairs in the garden and leap out at you as you pass through the corridors of the buildings. It is these different accounts, organised by theme, such as arrival at the camp, daily and social life, ways of surviving, solidarity, loneliness, leaving for Germany etc., that best tell the history of the camp. These sound montages have been created from documents in the huge audio-visual collection built up by the Remembrance of the Deportation Foundation and from new accounts recorded especially for the memorial. At times, the scenography calls on the emotions in a personal way, encouraging visitors to attune their feelings with those of the place itself and to remember rather then to discover. This is why, for example, on the floor in the barracks the positions where the beds would have been are marked using a single line to draw their outlines, extending up the walls to indicate bunk beds. The resulting impression of being cramped together is immediately apparent. In the same spirit, pictures of men and women are projected onto the walls very slowly, one after the other. Letters sent by prisoners to their families have been collected in two virtual albums that are projected onto two table screens, whilst at the same time being read aloud by actors. The tour ends in a room dedicated to the history of deportation, genocide and the punishment of criminals.
The contribution of the Defence Department Through the general administration department's Directorate of Memory, Heritage and Archives, the deputy minister for ex-servicemen awarded a grant of two million Euros spread over 2005 and 2006, as a contribution to the creation of this place of remembrance. In addition, the Defence Department, now the owner of the site of the former barracks at Royallieu, transferred the management of two hectares of land to the town of Compiègne and it is on this land that the Internment and Deportation Memorial was built.
Internment and Deportation Memorial Camp de Royallieu 2 bis, rue des Martyrs de la liberté 60200 Compiègne Tel. 03 44 96 37 00 E-mail: memorial@compiegne.fr

The Battle of Arras Memorial was opened to the public on 1 March 2008. Erected in the former Wellington Quarry, it commemorates the Allied Engagement and the role this location played in the planning of the British offensive of April 1917 in Arras.

In spring 1917, the French General Nivelle, while preparing the Chemin des Dames offensive, requested that the commander of the British troops launch a diversion attack in the sector of Arras.

The main difficulty with this operation was gathering the troops in large numbers without attracting the enemy’s attention. The New Zealand fire brigade were commanded to dig tunnels beneath the enemy trenches in order to link together the old quarries used by stonecutters in the 15^th and 16^th centuries and create a huge underground network stretching 20 kilometres. It allowed the British troops to come out from nowhere, on the morning of 9 April, a few metres from the German front line.

This underground network was the biggest of its kind ever constructed by the British troops. The other purpose of these passages was to meet the basic needs of the 24,000 men billeted there prior to combat, the quarries providing a high level of security despite its close proximity to the Front with kitchens, showers and latrines installed as well as a military hospital. To facilitate their movements around the tunnels, the New Zealand and British troops named the quarries after towns and cities from their homelands. The main quarry was named Wellington.

A recent research programme carried out on these quarries by Arras’ archaeological department unearthed many traces of their former French and British occupants, the soldiers who lived and fought here during the war. In light of the interest these new-found testimonials hold in helping us to understand the everyday lives of the soldiers, a thorough inventory of the passages was made in the Wellington Quarry.

The town of Arras took the initiative to build this memorial, part funded by the Regional Council, the French Ministry of Regional Planning, the Urban Community, the General Council and the Ministry of Defence.

This place of remembrance comprises a remembrance garden and a wall dedicated to the British regiments who fought in this battle engraved with the names of all the soldiers. Documents about Arras dating back to the Great War are displayed in the half-buried reception hall.

Over 75 minutes, the tour pays tribute to the engagement of the Allied troops around Arras, focusing more on the soldiers’ everyday lives than the war itself. The quarry is open to groups of up to 17 people led by a tour guide. A glass lift takes the group 20 metres below ground to visit the 350 metres of tunnels that have been renovated.

This strategic network also housed the living quarters of thousands of soldiers billeted below ground. Drawings and graffiti, bas reliefs, crosses and other features can be seen on the walls, along with traces left behind by the soldiers such as helmets and rusted tins of food.

Each visitor is given an audio-guide that describes 10 sequences illustrated by visual projections and light shows on the surrounding walls: the discovery of the underground world; the traces left by the working quarry in the Middle Ages; the tunnel of history (the quarries up to 1916); the objectives of this unique military strategy in the context of the war; the tunnelling operation in 1916 and 1917; daily life in the quarries in April 1917; the construction of the network, and the Battle of Arras in April 1917. To conclude, a film about the Battle of Arras, based on archives from the Imperial War Museum, is shown in a room at the end of the tour. The memorial hopes to welcome 60,000 visitors a year.

Wellington Quarry

Rue Delétoile 62000 Arras

Tel: +(0)3 21 51 26 95

Office de tourisme d'Arras

Carrière Wellington

The preserved structure of this bunker, with its five floors, is unique.

It was to make up for the lack of relief on the Nacre coast that in 1943-1944 the Germans built this tower, which was 17 metres high in order to increase the range of the rangefinder.

From the rangefinder room (the rangefinder measured 4 m in length at the time and had a range of over 30 km), the position of enemy warships was determined.

The information was then transmitted to the floor below (level 3), where the firing calculations were made and then transmitted to the batteries that depended on this fire command post.

It was put out of operation on the morning of the 6th June by a 380 mm shell from the British destroyer H.M.S. "Frobisher".

But it was not until the 9th that it was taken by Lieutenant Bob Orrell, with the capture of 53 prisoners.
 

Le Grand Bunker - Atlantic Wall Museum

Avenue du 6 juin - 14150 Ouistreham

Tél. : 02 31 97 28 69 - Fax : 02 31 96 66 05

E-mail : museegrandbunker@sfr.fr

Site du musée

Site du comité régional du tourisme de Normandie

On 8 June 1944, two days after the Normandy landings, the 2nd German armoured tank division, "Das Reich", received orders to position itself between Tulle and Limoges. The "Der Führer" regiment was put in charge of "cleansing" this sector since German troops had been confronted by a series of actions organised by local members of the French Resistance. On 10 June 1944, the market town of Oradour-sur-Glane, which lies 22 kilometres north-west of Limoges, was surrounded by Waffen SS troops. The inhabitants of the village and surrounding areas, who had met in the town for the weekly fair held there each Saturday, were rounded up into the main plaza and systematically slaughtered: women and children were locked inside the church and burned alive, while men were machine-gunned down in various parts of the village. Soldiers went into streets and houses, killing at random so as to eliminate any witnesses, and tried to dispose of the corpses by setting fire to them or throwing them into a mass grave to prevent identification. By the time the troops have finished pillaging and burning the village, they left behind them a death toll of 642, plus a handful of survivors, witnesses to the tragedy.

On 4 March 1945, General De Gaulle, the head of the provisional government of the French Republic, made the journey to Oradour and declared the site a martyr village. It became property of the French government in April 1945. A law declared the site a historical monument on 10 May 1946. A decision was made to protect the ruins and to build a new market town next to the former village. In the late 1980s, the idea was born to build a memorial centre to explain, for educational purposes, the significance of the event and the ruins to generations not familiar with the horrors of war.
Construction of this centre began in 1992 under the auspices of the council of the French department of Haute-Vienne and the work was completed on 12 May 1999, after which the centre opened its doors to the public and became the new access route to the ruins of Oradour-sur-Glane. Inside a building whose architecture is testimony to the tormented history of the site, there is a permanent exhibition containing a number of archival documents that lead the visitor down a pathway, enabling them to situate the tragedy in the context of World War II. Why Oradour? In order to answer this question, the memorial centre sets out to simultaneously present the peaceful market town that was Oradour from the pre-war period until the tragic events of 10 June 1944 and the increase in the barbarity of the Nazis, in particular by the "Das Reich" division of the Waffen SS. An account of the massacre is given in a rolling 12-minute film. The film draws on eyewitness accounts from survivors and statements made by executioners put on trial in Bordeaux in 1953.
Aw well as temporary exhibitions and a documentation centre, the Centre provides an education team to help teachers who wish to organise a visit to the site as part of an educational project. Led by two history professors, the team prepares for the arrival of classes and offers teachers access to the Centre's structures and documentation. Apart from being a symbol of a France wounded by the German occupation, an integral part of the national memory, the Memorial Centre has a universal message, prompting the visitor to reflect on the defence of human rights and peace.
Centre de la Mémoire B.P. 12 87520 Oradour-sur-Glane Tel: 33/ (0) 555 430 430 Fax: 33/ (0) 555 430 431 Website: http://www.oradour.org
Open every day 9 :00 to 17 :00 in February, November and 1-16 December 9 :00 to 18 :00 in March, April, 1-15 May, 15-30 September, October 9 :00 to 19 :00 from 15 May - 15 September Please note: entry to the centre and village closes one hour before stated closing times. Prices Free for children under 8 Non-guided visit: €6 Concession: €4 (students, job-seekers, visitors 8 -18 years of age, war veterans) Family visit (2 adults, 3 children): €16 Youth groups: €2 per person Groups: €4.50 per person for groups of 20 or more (non-guided visits) Guided tours: €6.50 (call 33/ (0)5 55 430 430 for bookings) Coach and car parking facilities, disabled access. Access to the martyr village of Oradour-sur-Glane is free. The village can only be accessed via the memorial centre.

Established in 1967 on the initiative of Jacques Chaban-Delmas, Order of the Liberation, National Military Delegate of General de Gaulle in Vichy France, the Centre National Jean Moulin is located on the premises of the former Caisse d'Epargne de Bordeaux, a building constructed in the mid-19th century.

Born in Béziers in 1899, Jean Moulin was, upon the completion of his law studies, the youngest permanent departmental ministerial representative in France, before becoming the youngest prefect in France. At the time of the debacle of June 1940, he was prefect of Chartres where he accomplished his first act of resistance on 17 June. He left for London after being deposed by the Vichy government. Moulin was parachuted into Provence on the night of 1 January 1942 with two sets of orders - one civil, the other military - and was in charge of coordinating movements by the Resistance, as well as forming a secret army. Moulin, the first president of the National Resistance Council, was arrested in Caluire on 21 June 1943. After being tortured, he died during his transfer to Germany. Since 19 December 1964, his ashes have been kept at the Panthéon.
Jean Moulin was also an art lover and an artist in his own right who, under the pseudonym of Romanin, published caricatures, created etchings and painted watercolours.
The Resistance 18 June 1940: A day after arriving in London, General de Gaulle makes his appeal. 2 July 1940: France is divided in two by a demarcation line: the area north of the line is occupied by German forces, while the area south of the line, controlled by the government of Pétain in Vichy, would also be under occupation from 11 November 1942. Those who refused to live under German control became members of the Resistance. Members of the Resistance were not soldiers; they were anonymous and clandestine volunteers without uniforms. Faced with the Resistance, the German system of repression was overwhelming, with the secret police service, the Gestapo, at times acting with the assistance of French citizens deceived by propaganda from Nazi collaborators, in particular the militia. While combat between the two sides was unequal, patriotic enthusiasm more often than not made up for inexperience, unfortunately at a heavy price.
The Free French Forces From July 1940, General de Gaulle, now based in London, formed his general staff, notable members of which included Dewavrin (Passy), Roulier (Rémy), Duclos (Saint-Jacques), Fourcaud, d'Estienne d'Orves, and others. These 'first men of London' would form the Central Information and Action Bureau (BCRA). At the same time, General de Gaulle regrouped and organised under his command the remnants of the French army that had managed to evade German capture. Those that volunteered would make up the army, navy and air force of Free France that would fight alongside Allied forces.
Deportation Concentration camps were one of the first institutions created by the Nazis when Hitler came to power in 1933. Terror, which had earlier been developed by paramilitary Nazi groups (S.A. and S.S.), became legal. The regime's most hostile opponents were arrested and interned. German authorities in France used deportation from the earliest days of the Occupation. The first to be deported were those being held in camps in the south of France (Austrians and Germans, political refugees, combatants for international brigades and Spanish Republicans, foreign Jews), then the inhabitants of Alsace and Lorraine who resisted Germanisation. Soon afterwards, all Jews and opponents (Gaullists, communists and members of the Resistance) would suffer the same fate.
Permanent collections The Centre National Jean Moulin is a World War II documentation centre and museum that houses three floors of collections dedicated to the Resistance, Deportation and the Free French Forces. The Centre National Jean Moulin is a place of great historical importance that also looks to the future, contributing to learning and research. The Centre is also a documentation centre within a museum, offering the public access to documents from the period (posters, clandestine correspondence, weaponry, etc.) and objects which remind visitors of that period in our recent history and help them to understand the different networks that were formed and to appreciate the efforts made by all concerned in the name of freedom. The Centre also holds exhibits, special studies and organised activities. The Centre National Jean Moulin also welcomes artists, in particular in the context of the 'Nuit et Brouillard' exhibit by Jean-Jacques Morvan, war paintings by Bordeaux painter Edmond Boissonnet and the enamel works of Raymond Mirande.
The Centre is open to the general public all year round for visits with commentary (groups of 5 or more on appointment). For school students, the Centre's education service, which is managed by an agrégé history-geography teacher, offers theme-based and/or general visits with commentary (on appointment). A reference library containing books and documentary albums on collections housed in the museum is open to adults and students. Postal address: 48 rue Vital-Carles 33000 Bordeaux E-mail: cnjm@mairie-bordeaux.fr Tel: 33 / 05.56.10.19.90 / 05.56.10.19.92 Fax: 33 / 05.56.10.19.91 Open Tuesday-Sunday From 14:00 to 18:00. Closed Mondays and holidays Free admission

The project for a tower 300 metres tall was instigated during preparations for the World Exhibition of 1889. The two principal engineers from the Eiffel company, Emile Nouguier and Maurice Koechlin, had the idea in June 1884 for a very tall tower, designed like a large pylon consisting of four lattice-work girders, outspread at the base and coming together at the top, linked together by metal girders placed at regular intervals. On the 18th September 1884 Gustave Eiffel was granted a licence "new authorisation for the construction of metal structures and pylons over 300 metres tall". The curvature of the uprights was determined mathematically in order to provide the best possible resistance to the effects of wind. Erection of the supports began on the 1st July 1887, to be completed twenty-one months later. All the components were prepared at the factory in Levallois-Perret in the Paris suburbs, the head office of the Eiffel company: between 150 and 300 workers were involved in its assembly. The Tower was erected with the aid of wooden scaffolds and small steam driven cranes attached to the Tower itself. The assembly of the first level was carried out using twelve temporary wooden scaffolds 30 metres high and then four large 45 metre scaffolds. Started in January 1887, the project was completed on 31st March 1889. Gustave Eiffel was decorated with the Legion of Honour on the platform at the top.

A showcase for French industrial dynamism at the 1889 World Exhibition, the Tower would see more than two million visitors pass by during the event. Gustave Eiffel saved his work from demolition by promoting research into radio transmissions and suggesting that his tower could be used as an enormous radio mast. After the first radio signals were broadcast by Eugène Ducretet towards the Panthéon in 1898, Eiffel approached the military authorities in 1901 with a view to making the Tower into a long-distance radio antenna. In 1903 a radio connection was made with the military bases around Paris, and then a year later with the East of France. A permanent radio station was installed in the Tower in 1906, thus ensuring its continuing survival. During the Great War, the Tower provided many services by listening to enemy transmissions, which gave it the nickname "the big ear". It is thanks to the Tower that Joffre would be informed of the advance of von Klück's troops and decide to requisition all the taxis in Paris to send soldiers to the Marne. It was responsible, amongst other things, for the arrest of Mata Hari because, once again, the Eiffel Tower had kept an ear out and deciphered the spy's messages. In 1921 the first public radio broadcast in Europe would be transmitted from its aerials. The first television trials from the Tower date from 1925 and the first regular broadcasts from 1935. In May 1940, before the German troops arrived, a handful of patriots carried out acts of sabotage on the Tower, successfully enough to ensure that the lift did not work when Hitler came. A strategic place for commanding the city of Paris, the Tower was closed to the public between 1940 and 1945; it would not reopen until June 1946. Radio broadcasts were made from the centre at Allouis under the control of the occupying authorities, who took control of Radio-Paris. The top of the tower has been modified over the course of the years in order to accommodate ever more antennae. Today it accommodates several dozen antennae of all kinds, including a television mast that is 324 metres tall.

L’Airborne Museum est situé au cœur de Sainte-Mère-Eglise, face au clocher sur lequel le parachutiste John Steele est resté suspendu. A travers une muséographie spectaculaire et réaliste, l’Airborne Museum vous fera vivre le Débarquement aux côtés des parachutistes Américains des 82ème et 101ème Airborne. De la préparation du Jour-J en Angleterre, jusqu’aux combats qui menèrent à la Liberté, vous accompagnerez les troupes aéroportées dans leur chemin vers la Victoire. Découvrez une exceptionnelle collection d’objets historiques, un authentique planeur et un avion C-47 ayant participé aux opérations du Jour-J.

Une extension majeure : Opération Neptune et le Centre de conférence Ronald Reagan.

Dans le bâtiment "Opération Neptune" préparez-vous à vivre les parachutages du 6 juin 1944 ! Embarquez de nuit dans un véritable avion C-47 en Angleterre, puis atterrissez sur la place de Sainte-Mère-Eglise au milieu des combats et prenez part aux opérations qui suivirent !

A  partir de Mai, au sein du centre de conférence Ronald Reagan, découvrez une exposition inédite : « La bataille des Ardennes, Bastogne, hiver 1944 » ainsi que dans le cinéma un film de 20 minutes qui retrace avec émotion la vie sous l’occupation allemande puis la libération de Sainte-Mère-Église et du Cotentin.

►Exposition : 01>09 Juin 2019

Les + :

• Airborne Reality (depuis avril 2016): Munis de votre Smartphone ou votre tablette, téléchargez gratuitement l’application du musée et créez votre propre visite guidée en fonction de vos centres d’intérêt et de votre temps de visite !

Grâce à la réalité augmentée, soyez les témoins privilégiés du Débarquement et des parachutages sur Sainte-Mère-Eglise!

Téléchargement gratuit au musée, depuis le site web www.airborne-museum.org ou via Google Play et l’App Store. Application en français et anglais, puis, dans les mois à venir, en néerlandais.

• Exposition (à partir de juillet 2016): La bataille des Ardennes, Bastogne, hiver 1944. A travers cette exposition, revivez les évènements de cette bataille.

Le 16 Décembre 1944, Hitler lance une offensive de grande envergure à travers les Ardennes belges pour reconquérir le port d’Anvers et repousser les forces alliées.  Ces dernières sont prises par surprise du fait de la soudaineté et de la rapidité de l’attaque. En urgence, le Général Eisenhower décide d’envoyer en renfort des unités qu’il tient en réserve en France. La bataille des Ardennes a été plus qu’éprouvante et meurtrière pour les forces alliées qui devaient faire face à un hiver très rigoureux et un manque criant de ravitaillement en nourriture et en armes. L’armée allemande ne sera mise en échec qu’après l’apparition d’une accalmie salutaire permettant le ravitaillement des troupes au sol et facilitant l’arrivée de l’armée du Général Patton. La bataille des Ardennes ne prendra fin que fin janvier 1945.

Cette exposition inédite mettra également en lumière la voie de la liberté partant de Sainte-Mère-Eglise et arrivant à Bastogne ainsi que le rôle de l’armée Patton au sein de la bataille des Ardennes.

Guides de visite sous forme de livrets-jeux disponibles de 6 à 15 ans, téléchargement gratuit sur www.airborne-museum.org ou achat sur place +1€/enfant

Sources : ©Airborne Museum

On 25 August 1944, as Paris celebrated its liberation, 124 residents of the little commune of Maillé, in the south of the Touraine area, were massacred by German soldiers.

In the years that followed, the village was completely rebuilt. This absence of ruins meant that, unlike Oradour-sur-Glane, the event was entirely forgotten, despite being the second largest massacre to be perpetrated by the Nazis on French soil.

Opened in 2006, the Maison du Souvenir aims to raise awareness about the massacre, through more than 250 documents and a film of first-hand accounts. It tells the story of the village before, during and after the event. Aimed at both schoolchildren and the general public, the centre also looks at the fate of civilians in contemporary conflicts. Exhibitions and events are held throughout the year.
On 25 August 2008, the massacre at last received national recognition with the official opening of the Maison du Souvenir by the French President.

facebook.com/MaisonduSouvenirdeMaille

Source : ©Maison du Souvenir de Maillé

Located at Bénerville-sur-Mer (Calvados), the protected natural site of Mont Canisy overlooks the sea from a height of 110 metres.

For centuries, the strategic position to the south of the Seine Bay occupied by this site has led it to be used successively as a seigniorial fief which was broken up in 1793, an anti-submarine defence post in 1917-1918, a coastal battery between 1935 and 1940 and then the largest artillery base of operations for the Atlantic Wall. In recent history, it has twice been used as a coastal artillery position: between 1935 and 1940 when the French Navy installed two batteries on the site to contribute to the defence of the estuary and Le Havre port, and between 1942 and 1944 when it became an important part of the Atlantic Wall defences, designed to repel any allied landing attempt.

Various installations from these two periods can still be seen (blockhouses, gun emplacements, fortified ouvrages linked by a 260-metre-long passageway housing an underground garrison, etc.).

Mont Canisy battery

Tel: +33 (0)2 31 87 91 14

Opening hours on Saturdays: 2.30pm to 5.30pm

Mont Canisy batteries website

Part of the German Atlantic Wall defences, the Longues-sur-Mer battery is located 8 km north of Bayeux, in the Calvados département. Located to the west of Arromanches-les-Bains in Normandy, Longues-sur-Mer overlooks the ocean from the top of a 65-metre high cliff, making it an ideal position for the Germans to install a battery of four 150 mm cannon. It is one of the few remains of the Atlantic Wall still intact.

Starting at 0530 on 6th June 1944, several cruisers and a battleship bombarded the position. But when the landing fleet arrived offshore, the battery opened fire itself. HMS Ajax retreated one kilometre offshore. The German cannons ceased fire briefly then began again; the last gun continued firing until 1700 hours. The Longues-sur-Mer battery surrendered to the British the following day along with the184 men of the garrison. Four 150mm cannons with a range of 19.5 kilometres were mounted in this battery. A firing post, barely finished by 6th June 1944, was installed alongside the cliff.
Longues-sur-Mer Battery 14400 Longues-sur-Mer Tel.: +33 (0) 231 06 06 45 Fax: +33 (0) 231 06 01 66 Access from the D514 Open all year round Guided tours from Easter to September