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Musée de la Résistance à Châteaubriant

Vue du site de la Sablière. Source : MINDEF/SGA/DMPA - JP Le Padellec

La Sablière fut le témoin d’un évènement de la Seconde Guerre mondiale. Le 22 octobre 1941, 27 otages furent fusillés par les Allemands en représailles de la mort du Feldkommandant de Nantes (Loire-Inférieure) Karl Hotz, tué deux jours plus tôt par de jeunes résistants français. Suite à cette date, La Sablière se fait appeler la « Carrière des fusillés » et des rassemblements rendant hommage aux fusillés de Châteaubriant s’organisent.


Consulter l'offre pédagogique du musée >>>  Châteaubriant


Le 30 septembre 1945, « L’Amicale Des Anciens Internés Politiques de Châteaubriant-Voves » est créée. Dès lors, cette Association a pour but de maintenir le souvenir de ces hommes, objectif intégré dans la démarche du tourisme de mémoire.

Cette ambition passe par l’entretien du mémorial national érigé à Châteaubriant et par l’aménagement de la Carrière des fusillés. Le site fut classé en 1993.

Le monument inauguré le 22 octobre 1950 fut réalisé par Antoine ROHAL, sculpteur.
Depuis 1951, les alvéoles devant le monument contiennent un peu de terre des hauts lieux de la Résistance. Tout autour de la carriére sont installées en 1986 les stéles portant photographie et les indications personnelles de chaque fusillé.

Elle passe également par l’organisation de commémorations et de conférences. Actuellement, le titre est « Amicale de Châteaubriant-Voves-Rouillé-Aincourt ».

Pour transmettre cette histoire au public, le Musée de la Résistance à Châteaubriant,implanté dans la ferme qui jouxtait la carrière où ont été fusillés 27 hommes dont Guy Môquet, est inauguré en 2001 par l’Amicale. En 2007, l’Amicale délègue la gestion et l’animation du Musée à l’« Association des Amis du Musée de la Résistance de Châteaubriant ». Des expositions permettent de mieux comprendre la vie des internés et la Résistance dans le pays de Châteaubriant. Chaque année, une exposition en lien avec le thème du Concours National de la résistance et de la Déportation.

L’Office de Tourisme Intercommunal du Castelbriantais propose des visites guidées payantes de la Carrière et du Musée. Le Musée peut également être visité de manière libre et gratuite. Des documents sont mis à la disposition du public.

 

 

 

Sources : ©Musée de la Résistance à Châteaubriant
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Practical information

Address

La Sablière, Carrière des Fusillés 44110
Châteaubriant
02 40 28 60 36 (ou office de tourisme : 02 40 28 20 90)

Prices

Gratuité (sauf office de tourisme)

Weekly opening hours

Mercredi et samedi de 14H à 17H et sur rendez‐vous pour les visites de groupes en téléphonant

Fermetures annuelles

Le Musée est fermé au public du 23 décembre 2015 au mardi 12 janvier 2016 inclus, la réouverture s’effectue le mercredi 13 janvier 2016 à 14h.Office de tourisme de référence - 29 Place Charles de Gaulle ‐ BP 203 ‐ 44146 CHATEAUBRIANT Cedex - Tel. : 02 40 28 20 90

Citadel of Mont-Louis

Aerial view of Mont-Louis Citadel. ©Office du Tourisme de Mont-Louis

Built by Vauban from 1679 to 1681, the citadel of Mont-Louis would go on to play an important role in the Treaty of the Pyrenees and up to the French Revolution

Since it was founded in 1679, Mont-Louis has experienced an extraordinary military past. In addition to the political decisions made by King Louis XIV, the enlightened plans drawn up by the well-known French architect Vauban and the very active and rigorous surveillance of the Secretary of State for War Louvois, the place has been the home and domain of soldiers!

Following the signing of the Treaty of the Pyrenees in 1659 and on the behest of King Louis XIV who wished to secure this region only recently reclaimed by Spain, Vauban, General Commissioner of Fortifications, designed this stronghold from the ground up in 1679. The special strategic location, at the crossroads of the comarques of Conflent, Capcir and Cerdanya, determined the final choice of the site. Moreover, this position gave easy access to materials, pastures, mills, wood and fields.

Mont-Louis was planned over two terraces: the citadel and the town.

The original plans included a lower town for the sutlers, stables and feedstores as well as a redoubt but they were never built for lack of funds.

As concerns the military citadel, the view from which stretched from the Canigou to the Serra del Cadi, the defences were based on typical Vauban features: bastions, battered curtain walls and demi-lunes. While the chapel, the arsenal and two powder stores were completed, the governor's house, chaplain’s quarters and the hall to provide shelter for the soldiers never got off the ground.

Adhering to simple principles, Vauban then set about organising the interior layout of the new town to house a small middle class of craftsmen with infantry barracks either side of the sole entryway into the citadel. It met military requirements and was also a practical place to live and work with a simple and well-ordered layout where the command, combat and civilian activities were harmoniously integrated.

 


During this period of temporary peace, the soldiers provided most of the labour, in particular the Vierzet-Famechon, Stoppa Brendelé, Furstemberg and Castries regiments. There were many soldiers living around Mont-Louis - 3,700 were present when Louvois visited the site in 1680, all paid a poor daily wage for such harsh labour in tough conditions, not least the severe climate in Mont-Louis. They were supervised by specialised craftsmen (masons, stonecutters, carpenters, joiners, blacksmiths, well-diggers and the like) and overseen by quartermasters and engineers working for the King. Any prestige from wearing the uniform was sacrificed to the meanliness of their task.

 

In 1681, some 29 months after Vauban’s visit, most of the work was completed and the fortress was considered to be in a state of defence. On 26 October, the first governor, François de Fortia, Marquess of Durban, took possession of the place during a sumptuous celebration amid “loud cries of 'Long live the King!’ by the people of Cerdagne who came in droves and were delighted to witness such a ceremony”. Henceforth, Mont-Louis marked the final military southern border and was well positioned to keep close watch over the stronghold of Puigcerdà in Spanish Cerdagne. The excellent choice of location has persisted through the centuries to today.


In 1793, the fortress was central to the military events taking place in Cerdagne. Mont-Louis was renamed Mont-Libre. Taking advantage of the chaotic situation in France, the King of Spain used the French regicide as an excuse to send in his troops to invade the entire region of the Pyrénées-Orientales. In Cerdagne, General Dagobert pushed back the Spanish army twice. In July 1793, the Spanish troops occupying the Col de la Perche passage were routed out and in September those camped above Canaveilles were resoundingly defeated. General Dagobert continued his efforts and invaded Spanish Cerdagne and Puigcerdà, where he died in 1794 (Monuent Dagobert stands on Place de l’Eglise).

Peace returned on 1 August 1795 and Mont-Libre was essentially used as a storehouse by the army stationed in Cerdagne. Monte-Libre reverted back to its name of Mont-Louis on 24 October 1803. In 1808, Mont-Louis became a huge transit camp and a hospital for the Spanish army. With the Restoration, Mont-Louis’s defensive importance was more related to its topography than to the fortress itself. The work resumed with intensity in 1887 to improve the Mont-Louis’ defences in particular its immediate surroundings.

 


The World Wars saw floods of emigrants crammed within the fortress, during the Spanish Civil War in 1936 before the German Occupation and the liberation of the site by the Free French Forces. In 1946 the fortress reclaimed its original function as a military stronghold when the 11th BPC parachute regiment were stationed there and then in 1964 the site became the National Commando Training Centre.

This centre dedicated to French expertise in commando training instructed military personnel (officers, NCOs and other ranks) from the land and air forces, the national gendarmerie and foreign armies, but was also a training centre with special programmes for war correspondents, STAPS students (physical education) and personnel from the justice and interior ministries.

 

But the fortress did retain one unique architectural feature: the Puits des Forçats (Convicts’ Well), with its enormous wheel that supplied water to the site (open all year round to visitors). The town walls also harbour the first solar furnace with double reflection built in 1949 (also open to visitors through the year). Its church, dedicated to St Louis, was started in 1733 based on the model of the chapel in the citadel. Inside there is a series of Roussillon baroque altarpieces dating from the 17th and 18th centuries with a very fine statue of Christ made of polychrome wood (17th century) in the Rhenish style.

 


Mont-Louis Tourist Information Office

3 rue Lieutenant Pruneta 66210 Mont-Louis, France

Tel/fax: +33 (0)4 68 04 21 97

E-mail: otmontlouis@wanadoo.fr

 

Guided tours: Fortress/Puits des Forçats well: during winter, every day except Sunday from 11 am to 2 pm. Village: in winter every day except Sunday at 3.30 pm. Solar furnace: Low season: every day at 10 am, 11 am, 2 pm, 3 pm and 4 pm. Summer: every day from 10 am to 6 pm, tours every 30 minutes.

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Practical information

Address

66210
Mont-Louis
Tél. ou fax : 04.68.04.21.97

Prices

Visits to the Citadel/Village Full price: €5 Reduced price: €4 Children (7 to 10 years): €2 Young people (11 to 18 years): €2.50 Free for children under 7

Weekly opening hours

du 1/09 au 30/06 : rom 1/09 to 30/06: open from 9.00 am to 12.30pm/2.00 pm to 5.00 pm July/August: open from 9.00 am to 12.h30pm/2.00 pm to 6.00 pm every day

Fermetures annuelles

During the Christmas holidays. 1 January, 1 May, 11 November, 25 December. Sundays and week-ends in November, December and January.

The fortified town of Perpignan

Palace of the Kings of Majorca Source: ©Renalias Josep - License Creative Commons - Public domain

It was the scene of invasions, battles during the war of the Spanish succession, Napoleonic wars and fights against Nazism.

Perpignan is a border town in the Pyrénées-Orientales département of France and a place of passage.

 

Situated on Via Domitia – ancestor of today's No. 9 motorway –, it was the scene of invasions, rivalry between France and Catalonia, battles during the war of Spanish succession and then the Napoleonic wars, and fights against Nazism.

 

Owned by the Kingdom of Majorca, James II, known as "the Conqueror", settled in Perpignan in 1276 and raised the town to the status of a capital. He had his palace built there, which is the oldest royal residence in France. His son, James III, was driven out by Peter IV of Aragon. The Palace of the Kings of Majorca then became a temporary residence for the kings of Aragon. Pope Benedict XIII stayed there in 1408.

 

The building is a fortified palace in the Gothic style, organised around three courtyards. The entrance is protected by a moat and a crenelated barbican. Its architects were Ramon Pau and Pons Descoll. As a result of the 16th-century wars between France and Spain, Perpignan changed from being a border town to being a citadel, the border stronghold: in 1540, Charles Quint added a remote line of fortification to the citadel; Philip II of Spain had the red brick ramparts built in 1587 in a hexagonal shape.

After becoming part of the Kingdom of France by the Treaty of the Pyrenees in 1659, Perpignan became a proper garrison town.

Vauban reinforced the defence system by adding fortified structures inside and outside the wall built by Philip II: six half-moons were added. He suggested building living quarters inside the citadel and, to solve the issue of expulsions caused by extending the place of arms, he suggested building a "new town" to the north, which he included in his plan of the exterior wall. The military architect incorporated it into a clever defence mechanism on the Catalonia border. He closed the lines of communication via the Collioure - Port-Vendres - Fort de Bellegarde fortifications.
 

To prevent an invasion via secondary cols (in the Tech and Cerdagne valleys), he designed Prats-de-Mollo, Fort des Bains, Mont-Louis and Villefranche-de-Conflent. The rear of the system was reinforced by Perpignan.
The Revolution and the Empire developed the military character of the city and even claimed a number of public monuments and religious rights-of-way for the troop.

 


Perpignan Tourist Office

Palais des Congrès - Place Armand Lanoux BP 215 66002 Perpignan Cedex

Tel: +33 (0)4.68.66.30.30

Fax: +33 (0)4.68.66.30.26

E-mail: contact-office@perpignan.fr

 


Palace of the Kings of Majorca

4 rue des Archers 66000 Perpignan

Tel.: +33 (0)4 68 34 48 29


Summer opening times: closes at 6pm. Winter opening times: 9am to 5pm


Closed on 01/01, 05/01, 01/11 and 25/12


Quiz: Forts and citadels

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Practical information

Address

Place Jean Moulin 66000
Perpignan
Tel : 04.68.66.30.30Télécopie : 04.68.66.30.26 Palais des Rois de Majorque4 rue des Archers66000 PerpignanTél : 04 68 34 48 29

Weekly opening hours

Ouvert 7/7 toute l'année. Du 1er septembre au 31 mai : de 9h à 17h Du 1er juin au 30 septembre : de 10h à 18h

Fermetures annuelles

Fermé les 1er janvier, 1er mai, 1er novembre et 25 décembre.

Bastion Saint-Jean

Avesnes-sur-Helpe, fortification and collegiate church.© Havang(nl)

This fortified city clinging to the side of a rocky cliff was founded by Wédric Le Barbu in the 11th century.

 

Bastion No. 6, known as "Bastion Saint-Jean", is situated in the commune of Avesnes-sur-Helpe, in the North of France, in the region called Nord-Pas-de-Calais. This fortified city clinging to the side of a rocky cliff was founded by Wédric Le Barbu in the 11th century. Philippa de Hainaut, future queen of England who persuaded King Edward to spare the lives of the Burghers of Calais, was born into the family of Avesnes.

 

 

The edifice was established on the south-eastern boundary of the town, against a rocky outcrop, opposite the high grounds of Malassise and Guersignies to the south; it dominates the Helpe valley. The first elements of the motte-and-bailey castle were built in the 11th century; two ramparts circled the town in the 13th and 14th centuries. In the second half of the 16th century, the town of Avesnes was the site of Franco-Spanish rivalry to take control of the Netherlands. Avesnes had six bastions built according to the plans of Devanter and Guichardin.

 

 

Reference is made to a "Bastion in front of the tower of Saint Jean" in written sources dating to 1559. It has the form of an "arrow-head" and the odd characteristic of a truncated salient. When it became too small to meet the needs of the growing artillery, Bastion Saint-Jean was extended in 1650 with a new polygonal shape on two levels and was doubled in size. This configuration can still be seen. The firing chambers and the countermine shafts soon became obsolete as they were too far from the new installations.

The upper part of the bastion, to the south, occupies two-thirds of the area, and rises over 20 metres above the valley. The lower part, which is smaller, controlled the sluice bridge – the Pont des Dames –, which controlled flooding of the eastern-side approaches of the town and flanked the curtain wall. The two levels are separated by a covered way, the purpose of which was to prevent ricochet shootings and enfilade firing of the firing step on the left side from the southern high ground. A ramp to the left connects the two levels. Nine years later, Avesnes became part of the kingdom of France. Vauban modified the bastion from 1690 to 1723 by adding a cavalier in the gorge of the bastion to dominate the whole structure and at the same time provide surveillance for its southern and eastern approaches. The two levels were decorated with formal French gardens in the 18th century.

In 1831-1832, the building, now small and out-of-date, was renovated and modernised, but it was finally decommissioned in 1867. The bastion and its land were sold.

 

The Bastion Saint Jean was registered on the French supplementary inventory of historic monuments in 1995 and was restored between June 1999 and September 2001.

 

 

bastion Saint-Jean

 

Avesnes-sur-Helpe Tourist Information Office

41, place du Général Leclerc BP 208 - 59363 Avesnes-sur-Helpe

Tel./Fax: +33 3.27.56.57.20

E-mail : ot.avesnes@wanadoo.fr

 

Quizz : Forts et citadels

 

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Practical information

Address

59440
Avesnes-sur-Helpe
Tél./Fax : 03.27.56.57.20

Weekly opening hours

Accessible toute l'année

Musée de l'Artillerie

Créé sur le site de Draguignan en 1982, titulaire du label « Musée de France » depuis 2006 et totalement rénové en 2013, le Musée de l’artillerie a pour double mission de témoigner de la richesse du patrimoine historique, technique et humain de l’arme, tout en participant à la formation de la génération montante.

Un outil de formation à la citoyenneté

Actif au sein des Ecoles militaires de Draguignan, comme outil de formation des militaires et civils de la Défense, il est aussi tourné vers l’extérieur en accueillant un large public de touristes et de scolaires. Fort de plus de 21.000 visiteurs en 2014, dont 7.000 enfants et adolescents, le Musée de l’artillerie est donc une vraie ressource pédagogique pour les groupes scolaires comme pour les familles. Le Musée est aussi porteur d’expositions temporaires des plus variées.

Après « Soldats de plomb » en 2011, « Animaux dans la guerre » en 2012, « La Marne » en 2014 et « Coups de pinceaux » en 2015, l’exposition temporaire de l’année 2016 s’attache à témoigner des batailles de Verdun et de la Somme, paroxysmes militaires et humains de la violence de masse au cours de la Grande Guerre, devenus des symboles de paix et de réconciliation.

Un conservatoire du patrimoine de l’artillerie

S’appuyant sur une collection de près de 15.000 objets dont 2.000 d’intérêt majeur, le Musée de l’artillerie présente une collection unique dont les pièces les plus anciennes remontent au XIVe siècle. Tout particulièrement riches pour la période comprise entre 1870 et notre époque, les collections du musée font l’objet d’un chantier permanent de rénovation et de mise en valeur, notamment grâce au bénévolat de passionnés. La richesse de cette collection permet d’affirmer que le musée présente Sept cents ans d’histoire de France, vus à travers l’âme d’un canon (titre éponyme du livre de visite).

VERDUN-LA SOMME

Au milieu de la guerre, au bout de leurs forces

Du 21 mai au 20 novembre 2016, dans le cadre du centenaire de la Grande Guerre, le Musée de l’artillerie de Draguignan organise une exposition consacrée aux deux batailles titanesques de Verdun et de La Somme. Du dimanche au mercredi inclus (et les jeudis sur rendez-vous), de 9h00 à midi et de 13h30 à 17h30, l’exposition intitulée VERDUN – LA SOMME, Au milieu de la guerre, au bout de leurs forces, réalisée en partenariat avec des collectionneurs privés, traite de ces deux batailles, véritables virages de la guerre où l’intensité des combats a dépassé tout ce que l’Homme avait connu auparavant. Par son discours pédagogique et la richesse de sa présentation, cette exposition est conçue pour tous les âges, des plus jeunes aux plus expérimentés. Exposition adaptée pour la visite par des classes du CM1 au Lycée, dans le cadre des cours d’histoire et d’éducation à la citoyenneté.

 

 

Sources : ©Musée de l'Artillerie
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Practical information

Address

Quartier Bonaparte - Avenue de la Grande armée 83300
Draguignan
04 83 08 13 86

Prices

entrée gratuite

Weekly opening hours

De 9 h à 12 h et de 13 h 30 à 17 h 30, du dimanche au mercredi inclus(le jeudi et le vendredi, possibilité de visites de groupes sur rendez-vous)

Fermetures annuelles

Du 15 décembre au 15 janvier.Office du tourisme intercommunal de la Dracénie - Adresse : 2, avenue Carnot, 83300 DRAGUIGNAN - Tel : 04.98.10.51.05 - Site : www.tourisme-dracénie.com

Fort La Garde

Le Fort de La Garde. Source : http://pratsdemollolapresta.blogspot.fr/

This fort, partially built by Vauban, overlooks the fortified town of Prats-de-Mollo in the Pyrénées-orientales

The principles of the bastioned fortification were perfectly suited to this site. It houses the fortress’ living museum. Fort La Garde, inside the town of Prats-de-Mollo-la-Preste, is situated 60 kilometres from Perpignan and 13 kilometres from the Spanish border.

Fort La Garde

 

The place became a border town following the Treaty of the Pyrenees (1659) when Vallespir, Roussillon, Conflent-Capcir and part of Cerdagne were annexed to the Kingdom of France.  At the time the fortress housed some one hundred soldiers. During the Franco-Dutch War (1672-1678), the threat from Spain prompted the King of France to reinforce the strategic site. The keep was thus built in 1677 around an ancient medieval signal tower in order to keep watch over the inhabitants following the uprising of the Angelets de la Terra or ‘angels of the land’ (between 1663 and 1672, some of the population of Vallespir and Conflent revolted against the gabelle, the salt tax).

 

After the Franco-Dutch War, Louis XIV decided to send military reinforcements to the eastern border with Spain. Seven fortified towns were concerned including Prats-de-Molla. He commissioned Vauban for the job. In 1686, after a trip to Roussillon in 1679, he enlarged the keep and built Le Pâté à Comète (an old château with a star-shaped surrounding wall) and the main courtyard or the ‘place of arms’. The original plans also included the reconstruction of the town’s ramparts destroyed during the Revolt of the Angelets. In 1691, the engineer Rousselot, in charge of the fortified towns in Roussillon, drew up plans for an extension, supported by Vauban. The war was temporarily interrupted by the works which, while resumed during the second half of the 18th century, were never completed.


The monument is characteristic of the bastioned fortification and was adjusted to the terrain. On the southern face, there are two lines of defence in front of the keep: the countergard and the ensemble formed by the bray, the Sainte-Marguerite redan (salient) and the right-hand ledge. The northern and eastern flanks are bordered by ravines. The western flank, which was more vulnerable to attack, was protected by a complex defence system and reinforced by a place of arms and a corridor known as a "Muhammad's tomb", a construction whose shape resembled a Muslim grave.


The materials used during the construction included granite from the Costabonne Massif, schist and brick. Military escape routes were also incorporated. This consisted of a passage starting in the place with 142 steps leading underground, dating from the 18th century, ending at a redoubt with arch machicolations, the “square tower”. A covered way, between the town and the redoubt, completed this passage that gave soldiers stationed in the town a way to enter the fort in the event of attack. The last military improvements were made in the 19th century.

 

Classified as a historic monument in 1925, the site was acquired by the local municipality in 1976.

 


Musée Vauban: the living museum at the fortress

 

Today, the fort houses a museum dedicated to fortifications and military history, including the different corps of the army, armements and daily life in the 18th century. Since 1996, the visit has also included live performances. The guided tour is punctuated by reenactments that portray military training in the 18th century. Visitors are treated to stunts, demonstrations and fighting during the 90 minute tour.

 


Fort Lagarde in Prats-de-Mollo

 

Tourist Information Office

Place le Foiral 66230 Prats de Mollo la Preste France

Tel: +33 4 68 39 70 83

Fax: +33 4 68 39 74 51

E-mail: contact@pratsdemollolapreste.com

 

 

Office de tourisme de Prats de Mollo la Preste

 

 

 

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Practical information

Address

66230
Prats de Mollo la Preste
Tel : +33 4 68 39 70 83Fax : +33 4 68 39 74 51

Weekly opening hours

Ouvert du mardi au dimanche : de 14h à 18h.

Musée des Troupes de Marine

©Musée des Troupes de Marine

Musée d’histoire, de sciences et techniques, d’arts et traditions militaires, mais aussi d’aventures humaines. En 2006, le Musée des Troupes de Marine a obtenu le label « musée de France ».

Le Musée des Troupes de Marine est une évocation illustrée aussi bien par ses collections très diversifiées, que par des archives et des documents iconographiques, des troupes coloniales de Richelieu à nos jours. L'une des missions du musée est de conserver la trace et les preuves du rôle pacificateur et civilisateur de la France dans son empire colonial.

Les collections sont constituées d'uniformes, d'insignes, d'armes, de coiffures et de décorations, affiches, dessins, documents photographiques, pièces d'archives, souvenirs de personnages, illustres ou non, etc. . soit environ 10.000 objets.

L'une des caractéristiques majeures des objets de cette collection est leur taille. Ils sont de dimensions modestes, mis à part la voiture de Gallieni et quelques pièces d'artillerie.

L'autre caractéristique est leur nombre : il s'agit de collections de grandes séries tels que 4.000 décorations, 700 fanions, 3.000 insignes métalliques et des dizaines de milliers d'images.

On estime qu'environ 50 % des objets proviennent de collections publiques (dépôts d'autres musées et récupération du patrimoine des salles d'honneur de régiments dissous à l'occasion de restructurations du ministère de la défense), l'autre moitié provenant des dons des particuliers.

Depuis 1993, le musée dispose d'un auditorium de 250 places où l'AAMTDM organise un cycle annuel de conférences.

À partir de l'an 2000, le musée organise, chaque année, une journée d'étude ou un colloque scientifique. Il présente chaque trimestre une nouvelle exposition temporaire et participe aux célébrations du ministère de la culture : Printemps des musées, Festival de la langue française, Nuit européenne des musées et Journées européennes du patrimoine. En 1996, l'ampleur de la documentation conservée au musée a motivé la création du Centre d'Histoire et d'Etudes des Troupes d'Outre-Mer (CHETOM), le centre de recherches du musée. Les chercheurs peuvent y consulter, sur rendez-vous, les archives, les fonds privés, les fonds cartographiques ou iconographiques et la bibliothèque spécialisée du musée forte de dix mille ouvrages.

À travers l'histoire des colonies, ce sont les principales étapes de l'Histoire de France qui sont présentées au Musée des Troupes de Marine. Le musée s'intègre dans un paysage culturel historique. En plus d'être la «maison mère» des Troupes de Marine, Fréjus a un patrimoine militaire particulièrement riche (notamment avec la présence d'une pagode bouddhique et d'une mosquée africaine sur sa commune). Il nous renvoie aussi au débarquement de Provence d'Août 1944.

Le rayonnement du musée est important, son expertise est reconnue et ses collections particulièrement sollicitées. Près de 480.000 visiteurs dont plus de 2.000 enfants et adolescents ont été accueillis dans le musée, très souvent dans le cadre de découverte du patrimoine. Le musée est également tourné vers les militaires, les jeunes engagés et les jeunes cadres viennent y trouver leurs racines . ces hommes et ces femmes qui entrent parmi le corps des soldats des Troupes de Marine ont une histoire à découvrir.

Sources : ©Musée des Troupes de Marine
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Practical information

Address

Avenue du Musée des Troupes de Marine 83600
Fréjus
04 94 17 86 03

Prices

Entrée gratuite Salles climatisées

Weekly opening hours

Ouvert du mardi au dimanche, de 10h à 18h Visites guidées sur RDV (du lundi au vendredi) ; Scolaires, périscolaires, étudiants, situation de handicap…

Site Web : Site officiel

Septfonds internment camp

Septfonds 1939. Républicains espagnols parqués au camp de Judes. Source photo : Carte postale

 

This camp, located in the Tarn-et-Garonne department, was a French detention and internment camp for foreigners.

 

 

he Septfonds camp was set up in the context of the massive arrival of Spanish Republican refugees starting in January 1939 and the massive exodus of Jewish populations from the East, called the Ostjuden, who fled Hitler’s Germany.

Three years after General Franco had overthrown the republican government in Madrid in a military coup d’état, the fall of Barcelona on 26 January, 1939, sent 300,000 civilians and 200,000 soldiers on the road to exile.


 

In February, General Ménard, commander of the military region of Toulouse, was appointed to coordinate the implementation of host facilities. In view of reducing the number of camps in the Pyrénées-Orientales department, the decision was taken to open six major centres along the Spanish border to house 100,000 people: Bram (Aude), Le Vernet (Haute-Garonne), Agde (Hérault), Rivesaltes (Pyrénées-Orientales), Oloraon (Pays Basque), and Septfonds (decision taken on 26 February).

 

 

 

 

Louis Boucoiran and several senior officers, including General Noël, commander of the 17th military region, definitively chose 50 hectares (125 acres) of sheep-grazing land in the Tarn-et-Garonne department.


 

Mr Olivier, an architect, and Captain Castéla of the corps of engineers, were put in charge of carrying out the overall plan.


 


 

Fifty kilometres of fencing (barbed wire, watchtowers and spotlights) were installed by the army; local road No. 10 was made a throughway; local businesses built some forty barracks, an infirmary an a prison.


 


 

Over one thousand soldiers were assigned to oversee the site: six mobile guard platoons, one cavalry squadron from the 20th dragoons, an infantry battalion from the 107th of Angoulême and a battalion from the 16th regiment of Senegalese Tirailleurs from the Guibert Barracks in Montauban.

On 5 March, the first convoy arrived at Septfonds; 2,000 men arrived every day to add to the number of prisoners. As the work was not finished, the first Spanish Republicans were temporarily housed at the La Lande camp before moving to their assigned camp, the Judes Camp, on 16 March. 16,000 Spaniards were squeezed into forty-five barracks made of boards covered with corrugated sheet metal.


 


As was the case at many Spanish refugee camps, the living conditions were very difficult: problems of sanitation and hygiene, food supply problems, and no running water, heating or electricity in the barracks. At least 81 of them died early on, leading to the creation of a cemetery.

And yet a social, cultural and political life took shape inside the camp: committees or cells of Spanish Communist Party militants were set up; others organised artistic activities; the Spanish children went to school in the village.

Teams were assigned to camp maintenance or sent out for community service work (cleaning sewers and restoring riverbanks, in particular); many were recruited by nearby farmers and industries, notably as part of the service units set up in the summer of 1938. One year later, the threat of war led these workers to be put at the disposal of heavy industry and the army; 79 companies of foreign workers including 20,000 Spaniards were at work when war was declared.


 


The camp was in operation until 1 March 1940, when it was returned to defence activities. Only the 220th and 221st Companies were kept there for maintenance.

The camp was used for instructing foreigners who joined the French army; it welcomed some 800 pilots from the Polish army in France. With the war, many German refugees fled the Reich. The Spanish refugee camps were reopened. With the collapse of France in May-June 1940 and the establishment of the Vichy government in July, the Septfonds camp became a demobilisation centre for foreign army volunteers, the “residuals” of the African Light Infantry battalions and the French Foreign Legion, as well as French soldiers considered as “undesirables”.


 

The law of 27 September 1940 eliminated the foreign worker companies (CTE – companies de travailleurs étrangers) and set up foreign worker groups (GTE – groupements de travailleurs étrangers). Three groups were formed at the Septfonds camp: groups 552 and 533, made up of Spaniards, and group 302 for demobilised foreign army volunteers, mainly made up of Jews.


On 17 November, the Vichy government promulgated a law transferring responsibility for oversight of the camps to the Ministry of the Interior. In January 1941, the camp included an internment centre for foreigners, groups of foreign workers and an annex to the town’s hospital. In February 1941, foreigners considered as non-dangerous were gathered here. Having thus become a housing centre for foreigners “in excess numbers in the national economy”, the Septfonds camp, intended for 2,500 people, took in a new category of internees: officers of the Allied army, including Poles. Then came the foreign communists arrested in the Tarn-et-Garonne department at the end of June 1941, who were also held here.


 

Threatened with closure in the autumn of 1941, the camp became a regional triage centre for foreigners considered as undesirables or lacking proper documentation and who had been arrested in the department. Progressively, Vichy decided to increase the number of supervised Jewish workers through the transfer of internees from other camps, as well as to create groups made up only of Jews. At Septfonds, it was the 302nd “Palestinian” Group of foreign workers. By order of the Ministry of the Interior dated 30 June, the internees were evacuated and the camp was closed. Most of the Jews in the department were put under house arrest until it reopened in August of 1942 as part of the system set up to apply the “Final Solution”, which was put in place in all the territories of the Nazi Reich after the Wansee Conference (January 1942).

After the roundup of the Jews in the department, the 84 GTEs in the camp were sent to Auschwitz, via Drancy, from the Caussade train station. The department’s large roundup of 26 August led to 173 arrests, along with those of Réalville and Montech. For the year 1942 overall, 295 Jews transited through Septfonds.


 


In November, the Free Zone no longer existed. The camp continued to operate: in the spring of 1943, alongside the 70 deportees, there were foreigners who had been forced to enrol in “Obligatory Work” at the Todt organisation’s worksites, as well as Jewish women “with no resources and no jobs” starting in September 1943.

Septfonds was liberated by the French Résistance in the first half of August 1944 during the “Night of Carnival 44 Attack”.

Between August 1944 and May 1945, when the camp was definitively closed, the site was used to detain five hundred people suspected of collaboration in the department. In most cases, the collaboration concerned economic collaboration, such as providing farm food supplies, construction or repair work.


 

The site was abandoned for thirty years, and brush covered the barracks and cemeteries. Starting in 1970, institutions and associations decided to turn Septfonds into a memorial. Four sectors were adopted: the Spanish cemetery (located two kilometres from the village), the stele erected in memory of the Jews who were deported (Henry Grau Square), the Polish oratory built by the prisoners before their transfer, and the Camp Memorial. The Spanish cemetery was created in 1978. In 1990, a stele was erected on a square in the village of Septfonds in memory of the 295 Jews deported from the internment camp in August 1942. Two years later, an exhibition presenting a historical overview of the camp and its use at different periods was presented while awaiting the opening, in 1995, of an exhibition and documentation hall at the Résistance and Deportation Museum in Montauban, dedicated to the history of the internment camps in south-western France, notably the Septfonds camp. The Polish oratory, built in 1941 on the camp’s access road, has been restored.

In 1996, the “Septfonds Camp Memorial” was set up and a memorial stele was inaugurated. Two years later, historical signs were installed to complete the memorial site.


 


Septfonds Town Hall

Rue de la République 82240 Septfonds

Tel.: 05.63.64.90.27

Fax: 05.63.64.90.42

E-mail: mairie-septfonds@info82.com

Tarn-et-Garonne Tourist Office

City of Septfonds (82)

 

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Practical information

Address

82240
Septfonds
Tél. : 05.63.64.90.27 Fax : 05.63.64.90.42

Weekly opening hours

Accessible year-round

Museum of the Foreign Legion

View of the museum. Source: Musée de la Légion Étrangère

This is an army museum, or what used to be called a "musée de tradition" (museum of tradition)...
The Musée de la Légion, a private museum for an unusual institution The Musée de la Légion Étrangère is an army museum, or what used to be called a "musée de tradition" (museum of tradition). In the same way that museums in training schools display a range of different arms, so this museum is destined to showcase the very unusual corps that is the legion. It exists thanks to the expertise of the General Commander of the Foreign Legion in matters moral, cultural and tradition concerning his institution. As a public entity, the Musée de la Légion étrangère aims to present the legion's culture to every kind of public, and especially to provide every legionnaire, from committed youth to highest official, with necessary reference points in terms of tradition, training and education. The legion was created more than a century ago and was born of a key idea which remains pertinent today: once a soldier, and especially a foreign soldier, has joined up, he should be given guidance that will lkeep his spirits up in the heat of the battle, especially when he finds himself in new situations where he must take the initiative. The 36 000 legionnaires that have died for France, as well as the 100 000 that have been injured, testify to the fact that a legionnaire sacrifices a lot more than he gains (contrary to the mercenary caricature). The museum, then, aims to remind past, present and future legionnaires of their history, their ideals and their traditions while introducing the public at large to the Foreign Legion through its legend and its historic reality. Conceived of as an internal mirror for legionnaires and a shop window for the public, it is a cohesive memory tool, opening the way towards civil society.
The beginnings of the Musée de la Légion étrangère can be found in minister Boulanger's decision to face up to the morale crisis in the army. Trophy rooms, along with tricolour sentry boxes and Christian names for military barracks, were common at the end of the 19th Century. At the urging of Colonel Wattringue, the First foreign Regiment began building theirs in 1888. In the building that served as a guardroom for the Viénot quarters in Sidi-bel-Abbès, a room was set aside for what Wattringue called the "bric-a-brac of glory". The credit for its opening goes to Colonel Zéni, who, along with four years of work, invested a lot of energy and some of his personal fortune into the completion of the project! The huge room, with its watertight roof, now housed the most spectacular souvenirs: an articulated prosthetic limb belonging to Captain Jean Danjou, who died at the head of the 3rd Company of the first battalion of the Foreign Regiment in Mexico; the eagle from the foreign regiment flag under the Second Empire; the provisional flag made with the corps' personal money in September 1870, when the temporary Executive ordered it; the trophies brought back from the very recent Tonkin campaign. Dahomey and Soudan's African campaigns (to Benin and Mali, respectively), the Madagascar expedition, the long campaign against Bou Amana in the South of Oran, and the entry into Morocco all brought their share of trophies and war spoils. The walls became too small and the rooms overcrowded. A lieutenant named Rolley made a gift of a collection of almost thirty Malagasy assegais.
In 1931, as the sumptuous parties to celebrate the centenary of the Foreign Legion drew near, a second room was created. The "Temple of Heroes" was dedicated to legionnaires, both ranking and non-ranking, who had either fallen on the battlefield or made history in their own lifetime -- General Rollet, amongst others, preferred to emphasize the latter. But the space quickly revealed itself to be insufficient still, since several very prolific artists working in the legion's ranks, encouraged by Colonel Azan. Seargent Sméou, were painting more than sixty works in oil, on canvas or on wood, amongst them the very famous full-length portrait of Captain Danjou, which can still be seen today. At the same time, those at the heart of the Legion were reflecting on the usefulness and the purpose of the trophy room. These discussions led to the creation of Museum of Memory in 1936. It was distinct from the other rooms, and had a much clearer historic function. Lieutenant and future General Adolenko described it in great detail in his first book, "Une Visite aux salles d'honneur et au musée" (A visit to the Trophy Rooms and Museum) (Sidi bel Abbès, 1938, 281p.). A logical route was devised, guiding the visitor -- be he military or civilian -- through the operational rooms. The museum allowed the rooms to maintain their former solemnity, as they now also functioned as trophy rooms in which different ceremonies and military events were held.
At the end of the Second World and Indochinese Wars, the museum became very overcrowded. In 1958, a building housing a trophy room, with an annexe for flags and relics and a huge campaign room, was proposed. It opened in 1961 and lasted less than a year before being abandoned. But the ideas came back when it was time to build the new musée de la Légion étrangère at Aubagne, the legion's new headquarters: the 1958 plans were used as a reference, then adapted to the unique terrain on the northeast side of the army plaza. The building was to have two floors, and the exterior of the first floor would serve as a white backdrop to the Monument for Dead Legionnaires, a little like the "Voie Sacrée" railway. Defence minister Pierre Messmer laid the foundation stone on 30 April, then presided at the inauguration three years later with General Koenig, who, like he, was a former Legionnaire. The Musée de la Légion étrangère, a visit to foreign countries under French rule In this 1960s building, every floor has its own logic. The garden level is a place for reflection and questioning, but it is open to the public on days when there are no official ceremonies. It consists of a trophy room and a crypt. It is in this huge room that a young recruit will get his Legion contract from his first section chief, a ranked foreign lieutenant, in front of the painting of Jean Adolphe Beaucé, student of Ch. Bazin, at the battle at Camerone.
From the moment his military life begins, then, the recruit is faced with a pictorial representation of keeping one's promise - and its ensuing sacrifice. Four months later, he will have completed his initial training and become a legionnaire. He returns to this room, where a former corporal or sergeant gives him some simple reference points: Camerone, the oath, the 19th Century knapsack and the famous "pudding." In a language adapted to the least Francophone amongst the new legionnaires, the Major General of the Foreign Legion -- or the officer serving as his delegate -- congratulates them on successfully completing their training, then brings them into the crypt. Standing to attention before the names of the dead who have fallen on the battlefield, iin front of the articulated hand of Captain Danjou, which is the material symbol of loyalty and sacrifice, the legionnaire walks up to the former flags of foreign regiments. Here, the general reminds him of the sacrifice made by his predecessors, the memory of which the Legion keeps alive. Much later, on the day he retires or at the end of his contract, the legionnaire, no matter his ranking, comes back to the trophy room for a similar ceremony. He collects his thoughts for one last time by this symbol of those who have fallen for France.
In a way, he is reporting to his predecessors . He will visit them again later, usually during the Camerone festivities or while he is on holiday. About 3000 former Legionnaires come back to this locus of memory, this family vault, every year. The campaign room on the upper floor is designed to portray the military history of the Legion through its battles. Here, the visitor is in a less intimate, less symbolic space. He will certainly find objects here, but he'll also find the pedagogical materials expected of a museum: information sheets, explanatory plaques, various educational software. As much as the trophy room is impossible to comprehend without a guide (for groups) or an audio guide (for individuals), the campaign room allows the visitor to follow a chronological path that is accessible to the least historically inclined -- and least Francophone -- amongst them. After being introduced to the tradition of foreigners serving France, from the Genoan crossbowmen of 1346 to the Hohenlohe regiment, dissolved in 1830, the visitor learns about the Foreign Legion from its creation after the law of 9 March 1931 to the present day. Rooms contain artefacts from each relevant historic period: arms, uniform, war spoils, objects of ethnographic interest. Along with these three-dimensional objects is the museum's impressive collection of over a century's worth of art: Benigni, Rousselot, Toussaint, Marin-Gillet known as Marino, and Rosenberg succeeded each other as the museum's pseudo-official painters. More than 400 of their works, mainly watercolour sketches, are featured. The work of the less-famous Jondvedt, Toussaint Yvon, Burda, Kauffmann, Perez y cid and Kwon rounds out the collection. Any discussion of the museum without a mention of its Puyloubier annex: the Musée de l'uniforme légionnaire (Museum of Legionnaire Uniforms). Housed in the Legion's Institute for the sick while the world waited for the "great museum" to be built at Aubagne, this unique collection, which has been curated by Raymond Guyader for almost 40 years, brings together the costumes and accessories of legionnaires form 1831 to our days. Just a small fraction is on show to the public, comprising, amongst other things, 94 uniforms modelled by mannequins, from the original 1831 get up to that worn when the French moved out of Algeria, in1968.
Latest news: an historic centre for Foreign Legion research The Musée de la Légion étrangère will henceforth be directed by a highly ranked officer, preferably a qualified curator, in charge of history and culture at the heart of Foreign Legion headquarters. The museum naturally shares the classic goals of any museum: to conserve, to valorise and to educate, but since September 2004 it has also housed a research centre. The museum's historic documentation centre was created in September 2004 and is twinned with the journal Képi blanc. It aims to make the museum's documentary collection (incorrectly named the "Foreign Legion Archives" in the past), the Legion's historic library and Képi blanc's collections of old photographs available to the public, primarily to university researchers and publishers, with the aim of encouraging the research and teaching of military history relating to the Foreign Legion. Different kinds of sources and more than 5000 works are available to the researcher (within the limits of copyright law). Thematic searches and a computerized inventory are also available, all overseen by an experienced team.
Musée de la Légion Etrangère d'Aubagne Quartier Viénot Route de la Thuillère 13600 Aubagne Tel: 0033 (0)4 42 18 82 41 Contact by post Monsieur le général commandant la Légion étrangère D.H.P.L.E. Quartier Viénot BP38 13998 Marseille Armées Tel: 0033 (0)4 42 18 12 41 email: museelegionetrangere@hotmail.com email: centre-documentaire@comle.terre.defense.gouv.fr Opening Hours Winter (1 October to 31 May): Wednesday, Saturday and Sunday: 10am-noon and 2pm-6pm Summer (1 June to 30 September): Everyday except Monday and Thursday: 10am-noon and 3pm-7pm. Directions West Aubagne Road from Thuilière (RD 44), follow the signs to Eoures Entrance free, onsite parking available Groups by prior arrangement
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Practical information

Address

Route de la Thuillère Quartier Viénot 13600
Aubagne
04 42 18 12 41

Weekly opening hours

Mardi: de 10h à 12h et de 15h à 18h Mercredi: de 10h à 12h et de 15h à 18h Vendredi: de 10h à 12h et de 15h à 18h Samedi: de 10h à 12h et de 15h à 18h Dimanche: de 10h à 12h et de 15h à 18h

Fermetures annuelles

Fermé du 12/03/2012 au mois de mars 2013 pour cause de rénovation.

Fort du Portalet

Le fort du Portalet. ©Mariano64 – Source : http://www.topopyrenees.com

This fort in the département of Pyrénées-Atlantique was designed to defend the road from le Somport and is famous for having been used as a prison.

Fort du Portalet, in the Pyrénées-Atlantique, was designed to defend the road from le Somport (Aspe Valley) and is famous for having been used as a prison for Léon Blum, Edouard Daladier, Georges Mandel and Paul Reynaud in 1941 and 1942 and later for Marshal Pétain. It was built following an order given by Louis-Philippe on the 22nd July 1842 to protect the Pyrenees border from a possible Spanish invasion.

The structure was built at an altitude of 765 metres on a cliff on the right bank of the Gave d'Aspe, downriver from Urdos. It takes its name from the former medieval commercial toll bridge, le "Portalet", of La Porte d'Aspe, situated 100 metres further down. The accommodation comprises a barracks for the troops and officers' lodge, both built on two levels. A small upper fort of three bastions equipped with batteries, protects the lanes from the le Rouglan plateau and la Mâture. The road and the Urdos were covered by the creation of crenulated galleries carved into the rock. Equipped with around ten canons, the stronghold could accommodate more than 400 men and seal off access for a siege lasting at least a week.
The 18th Infantry Regiment of Pau was stationed there from 1871; it remained there until 1925. From there, it saw action from 1875 to 1876 against Spanish Carlist soldiers. On the eve of the First World War, the fort was left in civilian hands and remained so until 1940, when the Vichy regime interned those people deemed to be "responsible for the defeat" following the Riom trial. Amongst them were Léon Blum, Edouard Daladier, Georges Mandel, Paul Reynaud and Maurice Gamelin. When, in November 1942, the Free Zone was invaded, the sector was used as a position for German troops. The fort was liberated on the 24th August 1944 by Resistance fighters from Aspe and Spanish Guerillas. Following the liberation, between August and November 1945, le Portalet was used as a place of internment for Marshal Pétain before he was transferred to the island of Yeu.
Aspe Valley Tourist Information Office Place Sarraillé 64490 Bedous Tel.: + 33 (0) 5 59 34 57 57 Email: aspe.tourisme@wanadoo.fr

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Practical information

Address

64490
Urdos
Tél. : 05 59 34 57 57

Weekly opening hours

Pendant les vacances scolaires et les mercredis après midi juillet et août